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Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1984
4/19/84
Bertha >
6:54
Greatest Story Ever Told
4:07
Loser
7:51
C C Rider
8:27
Bird Song
14:27
Hell in a Bucket
8:09
Big Railroad Blues
7:58
The Music Never Stopped >
8:53
Don't Ease Me In
3:10
China Cat Sunflower >
6:16
I Know You Rider >
7:49
Estimated Prophet >
14:20
Terrapin Station >
13:24
Drums >
10:36
Space >
10:07
The Wheel >
5:53
Wharf Rat >
11:28
Sugar Magnolia
9:16
It's All Over Now Baby Blue
7:29
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:44:58
SBD
Rating:
8.25 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-04-19.sbd.miller.118658.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (SV3800/48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 ->Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:47:49
SBD
Rating:
9.56 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd84-04-19.sbd.miller.27892.sbeok.flacf
Source:
<b>flac16</b>SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC;
Taper Notes:
View Notes<b>flac16</b>; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller
Source 3 of 24
2:46:34
SBD
Rating:
9.45 / 11 ratings
SHNID:
gd84-04-19.sbd.19598.sbeok.shnf
Source:
Sbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN<br>Seeded to FurthurNET
Taper Notes:
View NotesSbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN<br /> Seeded to FurthurNET
Taper: Rob Eaton
2:47:17
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-19.164735.senn441.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies a 7:02 patch in "Drums" - Pitch verified Mastered by Scott Clugston January 2023
Taper: Rob Eaton
2:47:17
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-19.164734.senn441.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies a 7:02 patch in "Drums" - Pitch verified Mastered by Scott Clugston January 2023
Taper: Jim Vita
2:41:43
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-19.164243.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (1st row, DFC) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman and the folks responsible for the Sennheiser 441 source which supplies some crowd and the beginning of "Bertha" (0:18 total), as well as a 2:24 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston October 2022
Taper: Jim Vita
2:41:43
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-19.164242.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (1st row, DFC) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman and the folks responsible for the Sennheiser 441 source which supplies some crowd and the beginning of "Bertha" (0:18 total), as well as a 2:24 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston October 2022
Taper: Doug Lamarre
2:40:53
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-19.154719.fob.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Bertha" (0:20 total), additional 0:05 patch in "Bertha", a 0:06 patch in "Bird Song", a 0:04 patch at the beginning of "The Music Never Stopped", as well as a 4:13 patch in "Drums" - Fresh transfer - Pitch Corrected Mastered by Scott Clugston November 2021
Taper: Doug Lamarre
2:40:53
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-19.154718.fob.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Bertha" (0:20 total), additional 0:05 patch in "Bertha", a 0:06 patch in "Bird Song", a 0:04 patch at the beginning of "The Music Never Stopped", as well as a 4:13 patch in "Drums" - Fresh transfer - Pitch Corrected Mastered by Scott Clugston November 2021
Taper: Jeff Silberman and Ted Mattes
2:52:21
Taper:
Jeff Silberman and Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-04-19.142045.FOB.Senn.PCM.Silberman.Mattes.Miller.Noel.t-flac1644
Source:
Jeff Silberman (FOB/15th row) Recording: Sennheiser 441's > PCM (Technics SV-100 14bit); Charlie Miller
Lineage:
from Ted's clone of Jeff's master > Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
Taper Notes:
View NotesNotes: - Upgrade to shnid 139155 - Thanks to Jeff for the spectacular record - Thanks to Ted for the clone - Thanks to Charlie for yet another killer transfer. - Jerry must've gotten hold of Bob's bee pollen stash. - The Wheel includes lead in from Space.
Taper: Oade, Robert Bryant
2:35:55
Taper:
Oade, Robert Bryant
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1984-04-19.139332.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Mic bump? @0:07 of Hell In A Bucket minimized -- Tape Flip at beginning of Drums smoothed, virtually transparent -- Smoothed several between song transitions Transfer by Charlie Miller Mastered by Scott Clugston September 14, 2017
Taper: Oade, Robert Bryant
2:25:02
Taper:
Oade, Robert Bryant
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1984-04-19.139331.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Mic bump? @0:07 of Hell In A Bucket minimized -- Tape Flip at beginning of Drums smoothed, virtually transparent -- Smoothed several between song transitions Transfer by Charlie Miller Mastered by Scott Clugston September 14, 2017
Taper: Jeff Silberman
2:52:04
Rating:
9.00 / 2 ratings
Taper:
Jeff Silberman
Transferrer:
Charlie Miller, Rich Gastwirt, Joe Noel
SHNID:
gd1984-04-19.139155.FOB.Senn.Silberman.Gastwirt.Miller.Noel.t-flac16
Source:
Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44
Taper Notes:
View Notes- Lineage confirmed. - First digital source in circulation. - Jerry must've gotten hold of Bob's bee pollen stash.
Source 14 of 24
2:42:29
Rating:
10.00 / 2 ratings
SHNID:
gd1984-04-19.166575.mtx.seamons.ht164.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 24, 2023
Taper Notes:
View NotesNotes: The first 1:25 of Bertha in the SBD mix has a boomy, flat sound before it kicks into gear. The SBD levels were louder for the first couple songs and were reduced to compensate. A loud burst in Jerry's vocals during Bertha was reduced. Jeff Silberman's Sennheiser 441 Dat recording, #142045 via Charlie Miller and Joe Noel (5/25/18), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix. 11-second cut in Bertha (in the middle of huge Phil Bombs) and 16-second cut in Space in the SBD source now patched. The most beautiful, ethereal section of Space is where the cut occurs at 6:36 - interesting to go AUD-only here for this transcendent moment. Tuning sections were trimmed. Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source.
Taper: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:39:32
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-19.149497.beyerm201.holbrook.flac2448
Source:
Source 1: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Source 2: 2 Beyer M160 (hypercardioid)& 1 Sennheiser 421 (hypercardioid)> Nakamichi MX100 mixer > Sony TCD5M
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes+ missed start; Borrowed the first 2:29 from Source 2 shn ID 109352; a Da Weez, D5scott recording ++ Cut ending; Borrowed the last 57 seconds from Source 2 shn ID 109352
Taper: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:39:32
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-19.149496.beyerm201.holbrook.flac1644
Source:
Source 1: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Source 2: 2 Beyer M160 (hypercardioid)& 1 Sennheiser 421 (hypercardioid)> Nakamichi MX100 mixer > Sony TCD5M
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes+ missed start; Borrowed the first 2:29 from Source 2 shn ID 109352; a Da Weez, D5scott recording ++ Cut ending; Borrowed the last 57 seconds from Source 2 shn ID 109352
Taper: Doug Lamarre
2:34:14
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-04-19.135777.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell mx90’s, dolby b, FOB, section 102 Row O; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
Taper: Doug Lamarre
2:34:14
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-04-19.135776.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell mx90’s, dolby b, FOB, section 102 Row O; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berge
Taper: Steve Hill
2:39:17
Rating:
10.00 / 2 ratings
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-19.132980.Senn421s-Nak300s.Hill.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs, also some left channel loss near the end of Bird Song and a few missing bits from the "Drums" and the "Space".Another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Steve Hill
2:39:17
Rating:
10.00 / 1 rating
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-19.132979.Senn421s-Nak300s.Hill.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs, also some left channel loss near the end of Bird Song and a few missing bits from the "Drums" and the "Space".Another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Da Weez
2:38:29
Rating:
10.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-19.109352.senn-beyer-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (12th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Source 22 of 24
2:33:55
SHNID:
gd1984-04-19.099667
Source 23 of 24
2:52:53
SHNID:
gd1984-04-19.aud.bandrofcheck.34680.sbeok.shnf
Taper Notes:
View NotesThis recording was done to capture as much as possible. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed.
Source 24 of 24
2:51:37
Rating:
7.08 / 13 ratings
SHNID:
gd84-04-19.aud.willy.14013.sbeok.shnf
Source:
AUD>MC>CD
Taper Notes:
View NotesAUD>MC>CD; via Paul B; Seeded to etree by Willy