RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 8th
Years
1995
29.8k
PlaybackListensHours
48h54672
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k138
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k298
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k267
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.8k812
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h5.8k722
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.6k328
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.2k134
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k191
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h78487
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k163
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h1k130
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k188
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k191
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.8k233
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8.2k877
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.4k201
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k227
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h21.9k3.1k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.9k391
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h87284
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h6.9k889
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.7k483
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k318
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k167
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.6k461
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k383
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h65190
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12517
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h18913
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h432
7d845
30d56133
2 shows
2 tapes
1984
4/17/84
a) /Jack Straw
7:03
b) Dire Wolf
6:27
c) Minglewood Blues
8:08
d) Row Jimmy
9:48
e) My Brother Essau
5:22
f) Ramble On Rose
7:18
g) Looks Like Rain
5:51
h) Deal
8:45
i) Take A Step Back
2:03
J) Help On The Way > Slipknot > Franklin's Tower
24:36
k) Man Smart, Women Smarter >
9:44
l) Eyes Of The World //
6:35
m) /Black Peter >
4:44
n) Throwing Stones >
7:57
o) Not Fade Away
8:27
p) /Touch Of Grey
6:12
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:43:44
SBD
Rating:
9.50 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-04-17.137250.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony R500) > Tascam DA-3000 >Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Rob Eaton
2:45:30
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-17.164733.neumann.u87.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; Neumann U87 mics (split 30' apart) > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies 2:54 and 3:17 patches in "Drums" - Pitch verified Mastered by Scott Clugston December 2022
Taper: Rob Eaton
2:45:30
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-17.164732.neumann.u87.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; Neumann U87 mics (split 30' apart) > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies 2:54 and 3:17 patches in "Drums" - Pitch verified Mastered by Scott Clugston December 2022
Taper: Doug Lamarre
2:36:11
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-17.154530.fob.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton for the Neumann U87 source which supplies some crowd and first few notes of "Jack Straw" (0:12 total), as well as a 7:53 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston October 2021
Taper: Doug Lamarre
2:36:11
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-17.154529.fob.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton for the Neumann U87 source which supplies some crowd and first few notes of "Jack Straw" (0:12 total), as well as a 7:53 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston October 2021
Taper: Ray Ackerman
2:39:08
Taper:
Ray Ackerman
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1984-04-17.145264.nak.senn..blend.ackerman.miller.noel.t-flac1644
Source:
Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6
Lineage:
Transfer info; Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesEdited & Mastered by Joe Noel: WAV > Audacity > FLAC 24/96 April 29, 2018 This file set is 16 bit @ 44.1 Patch info - shnid 90543 (Neumann U87) supplies - s1t06; 07:10 - end - s1t07; start - 00:08 - s2t08; 01:04 - 01:21 - s2t12; 06:36 - 07:18 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rob Eaton for suppling the patch source - Grateful for Jerry Garcia's interpretation of Slipknot! - tapes pauses cross faded
Taper: Ray Ackerman
2:39:08
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-04-17.141837.NAK.Blend.Ackerman.Miller.Noel.t-flac2496
Source:
Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesPatch info - shnid 90543 (Neumann U87) supplies - s1t06; 07:10 - end - s1t07; start - 00:08 - s2t08; 01:04 - 01:21 - s2t12; 06:36 - 07:18 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rob Eaton for suppling the patch source - Grateful for Jerry Garcia's interpretation of Slipknot! - tapes pauses cross faded
Taper: Oade, Robert Bryant
2:38:47
Taper:
Oade, Robert Bryant
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1984-04-17.139330.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Smoothed several between song transitions. Some are rather abrupt -- Tape flip in "Drums" smoothed and is transparent Transfer by Charlie Miller Mastered by Scott Clugston September 13, 2017
Taper: Oade, Robert Bryant
2:38:47
Rating:
10.00 / 2 ratings
Taper:
Oade, Robert Bryant
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1984-04-17.139329.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Smoothed several between song transitions, some are rather abrupt -- Tape flip in "Drums" smoothed and is transparent Transfer by Charlie Miller Mastered by Scott Clugston September 13, 2017
Taper: Rob Eaton
2:41:03
Rating:
9.33 / 7 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller
SHNID:
gd1984-04-17.neumann-u87.eaton.miller.90543.sbeok.flac16
Source:
(FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 441 -> Cassette Master -> Dat -> Samplitude -> CD supplies: Drums (0:05 - end of track) -- Set 2 is seamless -- Recorded By Rob Eaton
Source 11 of 33
2:41:21
SHNID:
gd1984-04-17.173413.mtx.seamons.ht179.flac1644
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 17, 2025
Taper Notes:
View NotesNotes: Ray Ackerman pretty much saved this matrix project. We tried mixing several other AUD sources as tests (before ultimately using Ray's tape), and they all had a subtle but pretty frequent slurry effect in the high end cymbals that was greatly accentuated when mixing. The matrix wasn't sounding crispy with these AUD sources. It appears something funky was going on with the acoustics and affecting the audience recordings - except for Ray's tape for some reason. We couldn't detect the faint "slurry effect" in his tape, and sure enough there was no high end friction when matrixing his source with the SBD. Very interesting. We were about to shelve this project after testing the first "incompatible" AUDs, but then Ray messaged us that same day out of the blue and mentioned that while his recording sounded "pretty darn good," Rob Eaton's U87 source was the one to pick (dewey72 suggested the Gordon Sharpless tape as well as an option). This prompted us to take a closer look at Ray's source anyhow, and we were surprised to discover that it didn't have the weird high end issues. While not our top choice sound-wise, we ended up really liking the subtle but significant effect it was having on the matrix - yet another example of a "lesser quality" AUD being more complementary and nicer when mixing. Thanks again, Ray! A very loud sound effect burst was reduced at the beginning of Ramble On Rose. Gordon Sharpless's Neumann U-87 source, #86942, transfer by David Minches (8/26/07), was used for the 2:52 SBD patch in Franklin's Tower. It also patches a 17-second cut in Ackerman's AUD towards the end of Eyes Of The World. A hiccup glitch in the SBD source during Drums was repaired. A 5-second cut in Space is now patched. Shortly after a patch edit (or two?) in a brief section during the NFA outro in Ackerman's AUD source (not noted in text file it appears) - with some unusual shiftiness that we were still able to stretch and shift back into alignment - there was also a 6-second cut in Ackerman's AUD that was patched with Sharpless's source at higher volume and with longer fades. This provided some more up-close NFA chants here at the end of the song as an interesting change in aural perspective. Light EQ was used for the SBD source only as needed. Most of set 2 had no EQ.
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:37:59
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-17.149495.beyerm201.holbrook.flac2448
Source:
MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip * Beer Barrell Polka tuning
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:37:59
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-17.149494.beyerm201.holbrook.flac1644
Source:
MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip * Beer Barrell Polka tuning
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:37:28
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-17.149173.mke2002.holbrook.flac2448
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip * Beer Barrell Polka tuning ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:37:28
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-17.149172.mke2002.holbrook.flac1644
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip * Beer Barrell Polka tuning ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: david barfield and david lane
2:27:19
Taper:
david barfield and david lane
Transferrer:
david barfield
SHNID:
gd1984-04-17.145332.nak300.barfield.lane.t-flac16
Source:
ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades)
Taper: david barfield + david lane
2:27:20
Taper:
david barfield + david lane
Transferrer:
david barfield
SHNID:
gd1984-04-17.140463.ma90.flac2496
Source:
source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades) > xact (tags, ffp, md5); recorded: david barfield + david lane; transfer-seeded: barfield
Taper: Steve Hill
2:37:28
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-17.133028.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Drums Patch Info - Drums 0:22 > 1:06, ID-123129 Drums 1:06 > 9:40, the rest used from shnid # 127261 in 24/48.Shnid # 123129 used for the first minute or so of Space in 24/96. * Comments:Another Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses/blank spots between first set songs,one short 5 second loss of music in "Eyes Of The World" near the end of song.All of "Drums" patched with and the first minute or so of "Space" patched, may be some overlapping or a short section missing.All and all an excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!
Taper: Steve Hill
2:37:28
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-17.133027.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Drums Patch Info - Drums 0:22 > 1:06, ID-123129 Drums 1:06 > 9:40, the rest used from shnid # 127261 in 24/48.Shnid # 123129 used for the first minute or so of Space in 24/96. * Comments:Another Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses/blank spots between first set songs,one short 5 second loss of music in "Eyes Of The World" near the end of song.All of "Drums" patched with and the first minute or so of "Space" patched, may be some overlapping or a short section missing.All and all an excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!
Taper: Tim Friend and Joe Morrone
2:39:59
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1984-04-17.nak300.friend-morrone.127261.flac1644
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2014
Taper Notes:
View NotesNote: A few patches in this one... ID-32709 LLR 0:00 > 0:09, ID-113881 Drums 0:22 > 1:06, ID-123129 Drums 1:06 > 9:40, and Touch 0:00 > 0:16. CDR Burning: D1= s1t01 > s1t09, D2= s2t01 > s2t06, D3= s2t07 > s2t11.
Taper: Tim Friend and Joe Morrone
2:39:59
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1984-04-17.nak300.friend-morrone.127260.flac2448
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2014
Taper Notes:
View NotesNote: A few patches in this one... ID-32709 LLR 0:00 > 0:09, ID-113881 Drums 0:22 > 1:06, ID-123129 Drums 1:06 > 9:40, and Touch 0:00 > 0:16.
Taper: chasingwilma
2:35:01
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-04-17.123129.chasingwilma.flac24
Source:
source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:35:54
Rating:
10.00 / 1 rating
Taper:
Bob Morris
SHNID:
gd1984-04-17.nak300.morris.113881.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper: Da Weez
2:34:29
Rating:
9.33 / 3 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-17.109346.beyer-senn.daweez.D5scott.flac16
Source:
source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (way up front) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes;
Lineage:
Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Bob Morris
2:35:48
Taper:
Bob Morris
SHNID:
gd1984-04-17.aud.morris.107548.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
Transferrer: JTJames
2:38:46
Rating:
9.00 / 5 ratings
Transferrer:
JTJames
SHNID:
gd1984-04-17.fob.at-nak300.jtjames.96460.flac16
Source:
ATII/Nak 300 FOB > ?
Lineage:
?>CDR>EAC>SHN > ? > FLAC
Taper Notes:
View NotesNo further lineage info available other than aud>?>CDR>EAC>SHN by [email protected] There were numerous cuts in the tape (between every song in the first set, plus tape flips in the second). These were crossfaded or, in a few cases, audience noise was flown in from another part of the show to replace the missing time where a smooth crossfade could not be accomplished due to lack of adequate material. The entire show was hard limited to 7 dB. No further alterations such as EQ or NR were made. There are a couple places, particularly in Drums wher ethe mics were overloaded by a large amount of bass from the PA. There are also a couple digital flaws (a buzz, kind of a lightsaber type sound) that could not be removed.
Taper: Gordon Sharpless
2:35:25
Taper:
Gordon Sharpless
Transferrer:
David Minches
SHNID:
gd1984-04-17.neumannu87.sharpless.minches.86942.sbeok.flac16
Source:
Master Audience Cassette; 2 Neumann U-87s> Nakamichi 550> Sony D5
Lineage:
Nakamichi Dragon > Grace Lunatec V3> Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC
Taper: Mark McCue
2:40:01
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1984-04-17.fob.mccue.ford.79670.sbeok.flac16
Source:
(FOB) MAC: 3 Beyer mics > Sony D5 > Teac mdx 90s
Lineage:
MAC>Nakamichi CD2 [azimuth adjusted]>rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CDWav >Traders Little Helper>FLAC16
Taper Notes:
View Notes- d1t07 My Brother Esau dropout patched , d2t06 Eyes Of The World tape flip joined, d3t06 Touch Of Grey added (missing from recording) - d1t08 Ramble On Rose (tape garbled at very end) - all patches were taken from shn id# 79556 - http://db.etree.org/shn/79556 - sector boundary errors fixed & verified with Trader's Little Helper
Source 29 of 33
2:39:12
Source:
FOB: Audio Technica + 2 Nakamichi 300s/cp4s > Sony D5 > DAT > CDR > EAC (no errors) > CDWAV > TLH > FLAC16
Taper Notes:
View NotesThis could very well be a different transfer of shnid=8460
Taper: Bill Koucky
2:36:41
Taper:
Bill Koucky
SHNID:
gd1984-04-17.senn441.koucky.ladner.32708.sbeok.flac16
Source:
FOB Sennheiser 441 > Sony D5 > MAC > Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs > (EAC)WAV > FLAC > WAV > Wavelab > Waves L3 > WAV > FLAC
Source 31 of 33
2:28:38
Source:
2 Beyer M160 > Sony TCD5M Master Cassette FOB > SHN
Taper Notes:
View Notes- Between tune crowd edited out from master - Drumz edited out from master
Source 32 of 33
2:39:24
Rating:
8.22 / 18 ratings
SHNID:
gd84-04-17.nak.james.8460.sbeok.shnf
Source:
FOB Nak 300>?>CDR
Taper Notes:
View NotesFOB Nak 300>?>CDR; Seeded to etree by JT James
Taper: Tom Strizak
2:09:00
Taper:
Tom Strizak
Transferrer:
Tom Strizak
SHNID:
gd1984-04-17.177211.senn.421.strizak.flac2448
Source:
Tom Strizak Master Audience Cassettes (2-Maxell-MX90’s / Dolby OFF). Sony TC-D5M stereo recorder patched 3nd in line *Special Thanks to Ed Schenk TC-D5M recorder. Microphones: (2) Senn. 421’s at 6’ height. Location: Approx. 65’ from stage at L of center audience FOB.
Lineage:
Analog Master Cassette’s > playback on Nakamichi CR-1A > Behringer XR-18 audio mixer > Reaper v7.61 *DAW (for final audio editing and mastering to 24/48 FLAC > Audacity *DAW (for track labeling into file set = 1 stereo file for each song). (*DAW = Digital Audio Workstation)
Taper Notes:
View Notes Notes: Jack Straw clips in. Some balance and record level issues throughout, did my best to clean it up (was 3rd tape deck in line). LLR clips in, and there’s also a cut at the flip. Eyes is cut early on, also ends short and Black Peter clips in. Fwd slash / = indicates where problems are. MISSING Drums> Space.