Tennessee Jed | 1984-04-01 | Grateful Dead

1984

Bands

Featured

Grateful Dead

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

1984

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

2:26:40

23 tapes

11/03SBD

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Carrier Dome, Syracuse U.

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Hartford Civic Center

Hartford Civic Center

Ventura County Fairgrounds

Ventura County Fairgrounds

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Cedar Rapids, IA, USA

Pine Knob Music Theater

Indianapolis Sports and Music Center

Indianapolis, IN, USA

Cuyahoga Falls, OH, USA

2:29:28

7 tapes

6/27SBD

Merriweather Post Pavilion

Merriweather Post Pavilion

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

Kingswood Music Theater

Maple, Ontario, Canada

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Silva Hall, Hult Center

Silva Hall, Hult Center

Silva Hall, Hult Center

Providence Civic Center

Providence Civic Center

Veterans Memorial Coliseum

Veterans Memorial Coliseum

Philadelphia Civic Arena

Philadelphia, PA, USA

Philadelphia Civic Arena

Philadelphia, PA, USA

Philadelphia Civic Arena

Philadelphia, PA, USA

Niagara Falls Convention Center

Niagara Falls, NY, USA

Community War Memorial Auditorium

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Carrier Dome, Syracuse U

Sources

Taper: Paul Scotton and Joani Walker

Paul Scotton and Joani Walker

Transferrer:

Charlie Miller

SHNID:

gd1984-04-01.sbd.walker-scotton.miller.105822.flac16

Source:

SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90)

Lineage:

Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 disc change is seamless
-- Thanks to Joani Walker and Paul Scotton

Taper: Transferred/Edited by Charlie Miller

Transferred/Edited by Charlie Miller

SHNID:

gd1984-04-01.sbd.walker-scotton.miller.32535.sbeok.flac16

Source:

SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

Taper Notes:

View Notes-- Thanks to Paul Scotton and Joani Walker for the Cassettes.
-- Seamless transition between discs 2 and 3.

Taper: Mike G. and Tony Suraci

Mike G. and Tony Suraci

Transferrer:

Tony Suraci

SHNID:

gd1984-04-01.nak304.mikeg-suraci.79458.sbeok.flac16

Source:

Nakamichi CM304's>Sony D5M>Sony D5M Location: At SBD/Stand at 7 Feet

Lineage:

Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16

Source 4 of 12

gd1984-04-01.sbd.acquiesce.9064.sbefail.shnf

Source:

Analog Soundboard->Pioneer PDR-509->CDRW->Audio Catalyst 2.1->WAV->Cool Edit 2000->MKW Compression Tool->SHN

Taper Notes:

View NotesRex Foundation Benefit

Source 5 of 12

gd84-04-01.sbd.serafin.7366.sbeok.shnf

Source:

Soundboard

Lineage:

Master Soundboard Casette> PCM> DAT> DAT> Serafin Studios> CDR> EAC> SHN

Taper Notes:

View NotesAdmin Note: Because d3 tracknames were prefixed with uppercase "GD" instead of lowercase "gd", d3t1-t5 (Dew onward) will play in the stream from this site before d1 and d2. When listening, shuffle foward to d1t1 in the stream to hear the beginning. Apologies.

Master Soundboard Casette> PCM> DAT> DAT> Serafin Studios> CDR> EAC> SHN

Taper: Bill Bradt

Scott Clugston, Charlie Miller

SHNID:

gd1984-04-01.176251.senn421.bradt.miller.clugston.flac2496

Source:

Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Kirschner for the Sony ECM220t source and Tony Suraci and Mike G for the Nakamichi 304 source, which, when combined, supply an 11:22 patch in "Drums"
- Rex Foundation Benefit
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
January 2026

Taper: Bill Bradt

Scott Clugston, Charlie Miller

SHNID:

gd1984-04-01.176250.senn421.bradt.miller.clugston.flac1648

Source:

Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Kirschner for the Sony ECM220t source and Tony Suraci and Mike G for the Nakamichi 304 source, which, when combined, supply an 11:22 patch in "Drums"
- Rex Foundation Benefit
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
January 2026

Taper: Michael Kirschner

gd1984-04-01.fob.sonyECM220t.kirschner.miller.95693.sbeok.flac16

Source:

(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16

Taper Notes:

View NotesPatch Info:
Nakamichi 300/CP4 -> Cassette Master (shnid=79458) supplies:
Drums (3:34 - 3:46)
Good Lovin' (0:00 - 0:35) (4:48 - 5:04)

Notes:
-- Set 2 is seamless
-- Thanks to Michael Kirschner for lending me his masters

Taper: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt

2:17:35

Taper:

Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-01.152073.beyerm88.holbrook.flac1644

Source:

Source: 1st Gen AUDCA: Beyer M88's XY > Marantz PMD430 w dbx > Maxell MX 90s No Dolby -lead deck Location: 50 feet from stage DFC, shoulder height

Lineage:

Taper Notes:

View Notes/    tape paused between songs
**   cut in middle

Taper: nubar

gd1984-04-01.111291.beyer-senn.nubar.d5scott.flac16

Source:

source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes----------------------------------
R.I.P. Sandy - aka "Bigfoot"  
----------------------------------

Taper: Jim Quirk

gd1984-04-01.beyerm160.quirk.perez.32797.sbeok.flac16

Source:

2 Beyer M160s + 1 Senn. 421>D5>MC>CDR>EAC>FLAC

Taper Notes:

View Notesd1t06 - cuts in at "ball and chain"
d2t06 - Drums is cut continues on d3t01

Taper: Andrew F.

gd1984-04-01.sonyecm.andrewf.30828.sbeok.flac16

Source:

Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck (Dolby On) > MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View NotesThe split between D2 & D3 is where the cassette tape was flipped.
Soundforge was used for fades, and minor edits, and to attenuate
loud claps and noises that interfered with the music in a few spots.
There were small left-channel drop-outs due to a faulty mic cord.
I used Soundforge to patch the right channel over the drop-outs at:
- Mexicali Blues 03:59
- Drums (d2) 04:22 -> 05:02
- Drums (d3) 01:12, 03:22, 03:37 -> 03:38
- Space 02:59
- Good Lovin' 04:26 -> 04:28, 06:39, 07:47 -> 08:12