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Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h50068
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h1.9k244
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.1k272
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.3k172
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k419
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9k1.1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k319
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k134
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k239
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h944106
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k198
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.3k615
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k149
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k246
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.3k263
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k220
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.8k243
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h14.4k1.9k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.9k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h32034
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.7k482
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.8k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.9k248
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.5k173
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k194
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k155
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h60177
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8113
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h38824
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h574
7d1076
30d59534
2 shows
2 tapes
1984
4/1/84
Tuning
0:38
Jack Straw
5:53
Friend Of The Devil
9:06
Me And My Uncle ->
3:14
Mexicali Blues
4:53
Big Railroad Blues
6:32
Cassidy
5:14
Tennessee Jed
10:01
My Brother Esau ->
4:30
Don't Ease Me In
3:15
Tuning
0:48
Help On The Way ->
3:47
Slipknot! ->
4:59
Franklin's Tower ->
11:29
Samson And Delilah
8:04
Terrapin Station ->
12:36
Drums ->
9:43
Space ->
9:21
Morning Dew ->
12:14
I Need A Miracle ->
3:28
Goin' Down The Road Feeling Bad ->
7:24
Good Lovin'
10:04
Touch Of Grey
6:46
FIN
View on archive.org
Sources
Taper: Paul Scotton and Joani Walker
2:33:59
SBD
Rating:
9.60 / 6 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1984-04-01.sbd.walker-scotton.miller.105822.flac16
Source:
SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Thanks to Joani Walker and Paul Scotton
Taper: Transferred/Edited by Charlie Miller
2:33:34
SBD
Rating:
9.00 / 4 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-04-01.sbd.walker-scotton.miller.32535.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton and Joani Walker for the Cassettes. -- Seamless transition between discs 2 and 3.
Taper: Mike G. and Tony Suraci
2:27:15
SBD
Rating:
10.00 / 2 ratings
Taper:
Mike G. and Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-04-01.nak304.mikeg-suraci.79458.sbeok.flac16
Source:
Nakamichi CM304's>Sony D5M>Sony D5M Location: At SBD/Stand at 7 Feet
Lineage:
Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Source 4 of 12
2:19:19
SBD
Rating:
2.00 / 1 rating
SHNID:
gd1984-04-01.sbd.acquiesce.9064.sbefail.shnf
Source:
Analog Soundboard->Pioneer PDR-509->CDRW->Audio Catalyst 2.1->WAV->Cool Edit 2000->MKW Compression Tool->SHN
Taper Notes:
View NotesRex Foundation Benefit
Source 5 of 12
2:30:57
SBD
Rating:
8.95 / 22 ratings
SHNID:
gd84-04-01.sbd.serafin.7366.sbeok.shnf
Source:
Soundboard
Lineage:
Master Soundboard Casette> PCM> DAT> DAT> Serafin Studios> CDR> EAC> SHN
Taper Notes:
View NotesAdmin Note: Because d3 tracknames were prefixed with uppercase "GD" instead of lowercase "gd", d3t1-t5 (Dew onward) will play in the stream from this site before d1 and d2. When listening, shuffle foward to d1t1 in the stream to hear the beginning. Apologies. Master Soundboard Casette> PCM> DAT> DAT> Serafin Studios> CDR> EAC> SHN
Taper: Bill Bradt
2:33:02
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-01.176251.senn421.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Kirschner for the Sony ECM220t source and Tony Suraci and Mike G for the Nakamichi 304 source, which, when combined, supply an 11:22 patch in "Drums" - Rex Foundation Benefit - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2026
Taper: Bill Bradt
2:33:02
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-01.176250.senn421.bradt.miller.clugston.flac1648
Source:
Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Kirschner for the Sony ECM220t source and Tony Suraci and Mike G for the Nakamichi 304 source, which, when combined, supply an 11:22 patch in "Drums" - Rex Foundation Benefit - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2026
Taper: Michael Kirschner
2:33:57
Rating:
9.45 / 11 ratings
Taper:
Michael Kirschner
Transferrer:
Charlie Miller
SHNID:
gd1984-04-01.fob.sonyECM220t.kirschner.miller.95693.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 300/CP4 -> Cassette Master (shnid=79458) supplies: Drums (3:34 - 3:46) Good Lovin' (0:00 - 0:35) (4:48 - 5:04) Notes: -- Set 2 is seamless -- Thanks to Michael Kirschner for lending me his masters
Taper: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt
2:17:35
Taper:
Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-01.152073.beyerm88.holbrook.flac1644
Source:
Source: 1st Gen AUDCA: Beyer M88's XY > Marantz PMD430 w dbx > Maxell MX 90s No Dolby -lead deck Location: 50 feet from stage DFC, shoulder height
Lineage:
Original Transfer: Marantz PMD430 dbx on > Sony TCD5M no nr Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes/ tape paused between songs ** cut in middle
Taper: nubar
2:32:45
Taper:
nubar
Transferrer:
D5scott
SHNID:
gd1984-04-01.111291.beyer-senn.nubar.d5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes---------------------------------- R.I.P. Sandy - aka "Bigfoot" ----------------------------------
Taper: Jim Quirk
2:30:08
Taper:
Jim Quirk
SHNID:
gd1984-04-01.beyerm160.quirk.perez.32797.sbeok.flac16
Source:
2 Beyer M160s + 1 Senn. 421>D5>MC>CDR>EAC>FLAC
Taper Notes:
View Notesd1t06 - cuts in at "ball and chain" d2t06 - Drums is cut continues on d3t01
Taper: Andrew F.
2:33:33
Taper:
Andrew F.
SHNID:
gd1984-04-01.sonyecm.andrewf.30828.sbeok.flac16
Source:
Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck (Dolby On) > MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesThe split between D2 & D3 is where the cassette tape was flipped. Soundforge was used for fades, and minor edits, and to attenuate loud claps and noises that interfered with the music in a few spots. There were small left-channel drop-outs due to a faulty mic cord. I used Soundforge to patch the right channel over the drop-outs at: - Mexicali Blues 03:59 - Drums (d2) 04:22 -> 05:02 - Drums (d3) 01:12, 03:22, 03:37 -> 03:38 - Space 02:59 - Good Lovin' 04:26 -> 04:28, 06:39, 07:47 -> 08:12