1984
1984
Sources
Taper: Bill Bradt
2:37:47
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-31.176249.senn421.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Nubar and D5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "Althea", as well as a 0:12 patch in "He's Gone" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Bill Bradt
2:37:47
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-31.176248.senn421.bradt.miller.clugston.flac1648
Source:
Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Nubar and D5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "Althea", as well as a 0:12 patch in "He's Gone" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Chris Hecht
2:35:21
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-31.148340.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the shnid78162 (FOB) Sony ECM220t source which supplies the first 0:11 of "Althea - Thanks to Nubar and D5scott for the shnid111289 Beyer M160/Sennheiser 421 source which supplies a 9:49 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Chris Hecht
2:35:21
Rating:
9.00 / 2 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-31.148339.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the shnid78162 (FOB) Sony ECM220t source which supplies the first 0:11 of "Althea - Thanks to Nubar and D5scott for the shnid111289 Beyer M160/Sennheiser 421 source which supplies a 9:49 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Andrew F.
2:40:51
Taper:
Andrew F.
SHNID:
gd1984-03-31.sonyecm.andrewf.29916.sbeok.flac16
Source:
Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck > MAC (TDK AD-X normal bias tape, with Dolby on) > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes-- First notes of Minglewood are clipped. -- I messed up the tape-flip in He's Gone and ended up with aprx fifty seconds of blank tape. The sbd provided 30 seconds that I was missing, and my source added about five seconds that the sbd was missing. At the tail end of the patch, both sources were blank, so it's not cross-faded. -- The ambient speakers affect the vocals on this show; you hear it during Dupree's, Deal, and every song in the second set except Baby Blue. -- The break between Drums and Space is seamless for re-assembly to longer media. The Dead silence you hear was as it was at the show... -- Taped & Transferred by Andrew F. June 2005, ENJOY ! ! !