Bands
Featured
Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h50269
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.5k401
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.4k311
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k308
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h3k388
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k399
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k365
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.4k164
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.7k978
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h945108
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.1k361
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.9k570
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.3k161
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k192
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k231
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h8.4k979
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k198
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.8k242
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
419 tapes
1976
85.9k
PlaybackListensHours
48h11.1k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h47948
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.8k472
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.9k648
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h3k380
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.6k170
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.8k214
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k276
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h830102
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12519
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21216
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h352
7d1128
30d63237
2 shows
2 tapes
1984
Sources
Taper: Paul Scotton and Joani Walker
2:40:13
SBD
Rating:
10.00 / 1 rating
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1984-03-31.sbd.walker-scotton.miller.105821.flac16
Source:
SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Transferred/Edited by Charlie Miller
2:39:47
SBD
Rating:
8.40 / 6 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-03-31.sbd.walker-scotton.miller.32516.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton and Joani Walker for the Cassettes. -- Seamless transition between discs 2 and 3.
Transferrer: MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT by Doug Nawrocki, via Vojo
2:28:02
SBD
Rating:
8.29 / 29 ratings
Transferrer:
MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT by Doug Nawrocki, via Vojo
SHNID:
gd84-03-31.sbd.nawrocki.14078.sbeok.shnf
Source:
SBD > MC
Taper Notes:
View NotesEAC'd/Pitch Corrected/SHN'd by Doug Nawrocki - missing Baby Blue encore * Cool Edit Pro notes: - Cut into Althea crossfaded - Used Sonic Foundry's Shift Pitch with the following settings: Semitones 0 Cents -80.0 Source kindly provided by Vojo
Source 4 of 12
2:15:02
SBD
Rating:
6.00 / 4 ratings
SHNID:
gd84-03-31.sbd.lai.2576.sbefail.shnf
Source:
Soundboard
Taper Notes:
View NotesSBD; via Mike Lai
Taper: Bill Bradt
2:37:47
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-31.176249.senn421.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Nubar and D5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "Althea", as well as a 0:12 patch in "He's Gone" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Bill Bradt
2:37:47
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-31.176248.senn421.bradt.miller.clugston.flac1648
Source:
Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Nubar and D5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "Althea", as well as a 0:12 patch in "He's Gone" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Chris Hecht
2:35:21
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-31.148340.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the shnid78162 (FOB) Sony ECM220t source which supplies the first 0:11 of "Althea - Thanks to Nubar and D5scott for the shnid111289 Beyer M160/Sennheiser 421 source which supplies a 9:49 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Chris Hecht
2:35:21
Rating:
9.00 / 2 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-31.148339.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the shnid78162 (FOB) Sony ECM220t source which supplies the first 0:11 of "Althea - Thanks to Nubar and D5scott for the shnid111289 Beyer M160/Sennheiser 421 source which supplies a 9:49 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Rango Keshavan
2:38:14
Rating:
9.60 / 5 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1984-03-31.sony220t.keshavan.miller.98823.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 300/CP4 -> Cassette Master (shnid=79468) supplies: Althea (4:15 - 4:27) Notes: -- Set 2 is seamless -- Thanks to Rango Keshavan for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: D5scott
2:39:41
Rating:
10.00 / 2 ratings
Transferrer:
D5scott
SHNID:
gd1984-03-31.111289.beyer-senn-nubar.d5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes-------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Mike G. and Tony Suraci
2:24:33
Taper:
Mike G. and Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-03-31.nak301.mikeg-suraci.79468.sbeok.flac16
Source:
Nakamichi CM301's>Sony D5M>Sony D5M Location: FOB/Stand at 6 Feet
Lineage:
Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View Notesthe ends of Althea and He's Gone are missing due to tape flips. Drums is completely missing
Taper: Andrew F.
2:40:51
Taper:
Andrew F.
SHNID:
gd1984-03-31.sonyecm.andrewf.29916.sbeok.flac16
Source:
Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck > MAC (TDK AD-X normal bias tape, with Dolby on) > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes-- First notes of Minglewood are clipped. -- I messed up the tape-flip in He's Gone and ended up with aprx fifty seconds of blank tape. The sbd provided 30 seconds that I was missing, and my source added about five seconds that the sbd was missing. At the tail end of the patch, both sources were blank, so it's not cross-faded. -- The ambient speakers affect the vocals on this show; you hear it during Dupree's, Deal, and every song in the second set except Baby Blue. -- The break between Drums and Space is seamless for re-assembly to longer media. The Dead silence you hear was as it was at the show... -- Taped & Transferred by Andrew F. June 2005, ENJOY ! ! !