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June 9th
Years
1995
29.8k
PlaybackListensHours
48h61984
7d4k544
30d29.8k4.2k
49 shows
341 tapes
1994
8.4k
PlaybackListensHours
48h1.7k207
7d1.4k195
30d8.4k1.2k
85 shows
460 tapes
1993
38.1k
PlaybackListensHours
48h3k368
7d8k1.1k
30d38.1k5k
83 shows
656 tapes
1992
35.9k
PlaybackListensHours
48h2.3k294
7d4k503
30d35.9k4.8k
57 shows
539 tapes
1991
38.5k
PlaybackListensHours
48h3.2k461
7d11k1.5k
30d38.5k5.2k
78 shows
973 tapes
1990
34.4k
PlaybackListensHours
48h9k1.1k
7d5.6k731
30d34.4k4.5k
78 shows
1,139 tapes
1989
46.7k
PlaybackListensHours
48h2.3k292
7d7.2k909
30d46.7k5.8k
78 shows
1,017 tapes
1988
21.1k
PlaybackListensHours
48h1.1k130
7d2.7k310
30d21.1k2.4k
82 shows
882 tapes
1987
33.6k
PlaybackListensHours
48h1.7k194
7d5.2k565
30d33.6k3.7k
88 shows
1,025 tapes
1986
12k
PlaybackListensHours
48h66574
7d1.9k211
30d12k1.4k
47 shows
683 tapes
1985
21.3k
PlaybackListensHours
48h1.4k155
7d3.9k464
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h2.5k304
7d2.8k363
30d15.3k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.2k157
7d3.2k413
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.7k457
30d41.6k5.2k
63 shows
753 tapes
1981
49.2k
PlaybackListensHours
48h1.4k169
7d4.6k599
30d49.2k6.2k
92 shows
868 tapes
1980
69.6k
PlaybackListensHours
48h5.1k577
7d11.8k1.3k
30d69.6k8.1k
91 shows
794 tapes
1979
24.5k
PlaybackListensHours
48h1.4k205
7d2.8k389
30d24.5k3.4k
79 shows
600 tapes
1978
53.2k
PlaybackListensHours
48h1.7k228
7d11k1.4k
30d53.2k7.3k
87 shows
592 tapes
1977
286k
PlaybackListensHours
48h19.8k2.8k
7d35.1k4.7k
30d286k39.4k
64 shows
419 tapes
1976
49.6k
PlaybackListensHours
48h5.5k793
7d14.8k2.1k
30d49.6k6.7k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h58858
7d1.7k157
30d6.2k638
25 shows
63 tapes
1974
98.7k
PlaybackListensHours
48h7.3k960
7d9.1k1.1k
30d98.7k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.5k697
7d9.2k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
69.8k
PlaybackListensHours
48h2.2k281
7d6.8k831
30d69.8k8.5k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.6k173
7d4.5k500
30d33.5k3.8k
82 shows
357 tapes
1970
44.4k
PlaybackListensHours
48h2.1k227
7d16.6k1.7k
30d44.4k4.7k
101 shows
376 tapes
1969
25.9k
PlaybackListensHours
48h1.8k295
7d5.7k931
30d25.9k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h889120
7d991122
30d6.7k831
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13918
7d26437
30d1.5k202
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h28515
7d76858
30d7.9k532
32 shows
78 tapes
1965
579
PlaybackListensHours
48h332
7d925
30d57934
2 shows
2 tapes
1984
3/31/84
Alabama Getaway
5:10
Feel Like A Stanger
9:02
Dupree's Diamond Blues
6:27
Minglewood Blues
8:21
Dire Wolf
4:33
Hell In A Bucket
5:43
Althea
8:18
Looks Like Rain
8:01
Deal
6:20
Tuning
0:26
Scarlet Begonias
12:27
Fire On the Mountain
5:05
Man Smart, Women Smarter
7:40
He's Gone
10:43
Drums
9:43
Blues for Allah Jam
9:11
Throwin' Stones
8:24
Not Fade Away
9:28
FIN
View on archive.org
Sources
Taper: Paul Scotton and Joani Walker
2:40:13
SBD
Rating:
10.00 / 1 rating
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1984-03-31.sbd.walker-scotton.miller.105821.flac16
Source:
SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Transferred/Edited by Charlie Miller
2:39:47
SBD
Rating:
8.40 / 6 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-03-31.sbd.walker-scotton.miller.32516.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton and Joani Walker for the Cassettes. -- Seamless transition between discs 2 and 3.
Transferrer: MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT by Doug Nawrocki, via Vojo
2:28:02
SBD
Rating:
8.29 / 29 ratings
Transferrer:
MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT by Doug Nawrocki, via Vojo
SHNID:
gd84-03-31.sbd.nawrocki.14078.sbeok.shnf
Source:
SBD > MC
Taper Notes:
View NotesEAC'd/Pitch Corrected/SHN'd by Doug Nawrocki - missing Baby Blue encore * Cool Edit Pro notes: - Cut into Althea crossfaded - Used Sonic Foundry's Shift Pitch with the following settings: Semitones 0 Cents -80.0 Source kindly provided by Vojo
Source 4 of 12
2:15:02
SBD
Rating:
6.00 / 4 ratings
SHNID:
gd84-03-31.sbd.lai.2576.sbefail.shnf
Source:
Soundboard
Taper Notes:
View NotesSBD; via Mike Lai
Taper: Bill Bradt
2:37:47
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-31.176249.senn421.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Nubar and D5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "Althea", as well as a 0:12 patch in "He's Gone" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Bill Bradt
2:37:47
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-31.176248.senn421.bradt.miller.clugston.flac1648
Source:
Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Nubar and D5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "Althea", as well as a 0:12 patch in "He's Gone" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Chris Hecht
2:35:21
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-31.148340.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the shnid78162 (FOB) Sony ECM220t source which supplies the first 0:11 of "Althea - Thanks to Nubar and D5scott for the shnid111289 Beyer M160/Sennheiser 421 source which supplies a 9:49 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Chris Hecht
2:35:21
Rating:
9.00 / 2 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-31.148339.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the shnid78162 (FOB) Sony ECM220t source which supplies the first 0:11 of "Althea - Thanks to Nubar and D5scott for the shnid111289 Beyer M160/Sennheiser 421 source which supplies a 9:49 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Rango Keshavan
2:38:14
Rating:
9.60 / 5 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1984-03-31.sony220t.keshavan.miller.98823.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 300/CP4 -> Cassette Master (shnid=79468) supplies: Althea (4:15 - 4:27) Notes: -- Set 2 is seamless -- Thanks to Rango Keshavan for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: D5scott
2:39:41
Rating:
10.00 / 2 ratings
Transferrer:
D5scott
SHNID:
gd1984-03-31.111289.beyer-senn-nubar.d5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes-------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Mike G. and Tony Suraci
2:24:33
Taper:
Mike G. and Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-03-31.nak301.mikeg-suraci.79468.sbeok.flac16
Source:
Nakamichi CM301's>Sony D5M>Sony D5M Location: FOB/Stand at 6 Feet
Lineage:
Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View Notesthe ends of Althea and He's Gone are missing due to tape flips. Drums is completely missing
Taper: Andrew F.
2:40:51
Taper:
Andrew F.
SHNID:
gd1984-03-31.sonyecm.andrewf.29916.sbeok.flac16
Source:
Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck > MAC (TDK AD-X normal bias tape, with Dolby on) > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes-- First notes of Minglewood are clipped. -- I messed up the tape-flip in He's Gone and ended up with aprx fifty seconds of blank tape. The sbd provided 30 seconds that I was missing, and my source added about five seconds that the sbd was missing. At the tail end of the patch, both sources were blank, so it's not cross-faded. -- The ambient speakers affect the vocals on this show; you hear it during Dupree's, Deal, and every song in the second set except Baby Blue. -- The break between Drums and Space is seamless for re-assembly to longer media. The Dead silence you hear was as it was at the show... -- Taped & Transferred by Andrew F. June 2005, ENJOY ! ! !