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Bands
Grateful Dead
Today In History
June 13th
Years
1995
30.2k
PlaybackListensHours
48h50467
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.4k230
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.7k361
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.4k590
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h4.3k565
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.8k372
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k360
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.4k168
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h7.4k878
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k124
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k205
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h5.3k610
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k180
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.5k188
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k223
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h9.4k1.1k
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k247
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k268
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.3k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h15.7k2.1k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37839
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.9k502
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k710
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.9k375
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k208
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.7k197
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k198
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h49562
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14620
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h30623
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1268
30d63237
2 shows
2 tapes
1984
Sources
Taper: Paul Scotton and Joani Walker
2:26:29
SBD
Rating:
8.00 / 2 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1984-03-29.sbd.walker-scotton.miller.106071.flac16
Source:
SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:24:22
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-03-29.sbd.walker-scotton.miller.32515.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (Maxell XLIIS-90)
Lineage:
Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes51a43833837dd73ee63cf1de9ee56fa2 *gd84-03-29d1t01.flac 27129a5cbed90f856a1f164232fadc45 *gd84-03-29d1t02.flac ae7412f48ebd92397f071f2e6b509ee7 *gd84-03-29d1t03.flac 8e0ba5b6b8718c38af02fa0bb6bc4638 *gd84-03-29d1t04.flac 339406b6fcd594c4dc55a02dd7da1b1d *gd84-03-29d1t05.flac b1d93276328b29bfdd6a029a77c1b406 *gd84-03-29d1t06.flac c77fd2d3ee1c8f1a586e2e1db6ff4dec *gd84-03-29d1t07.flac 388802a13df52a2cf8645ae79f89dcdf *gd84-03-29d1t08.flac c0aef738e78706731467c8fa389041d2 *gd84-03-29d1t09.flac 7e6dba910a75c24557e6edd826e0faf6 *gd84-03-29d1t10.flac 64614a7e2ba892037df5ab71d91017da *gd84-03-29d2t01.flac b8869f7d84a6607772e0cf131c0e8bb2 *gd84-03-29d2t02.flac cc17c56d46417bcc33c7cd09baf7fd0e *gd84-03-29d2t03.flac 87c675073f2920abfd881973adabb2cd *gd84-03-29d2t04.flac 002865bc4cb8e3b2ba1e4ccf23d1c7b4 *gd84-03-29d2t05.flac 77ed09bf3b1fcb6ad4f0b3083bc830ac *gd84-03-29d2t06.flac 97101b61701d258c5553a17d7e4aa381 *gd84-03-29d2t07.flac 3e557ad00e55d95dfecc19807fa13043 *gd84-03-29d2t08.flac 9a33aabebede22dea01bce615ba3f0d5 *gd84-03-29d2t09.flac a35eed320d9ac109534a8247429b0e96 *gd84-03-29d2t10.flac
Source 3 of 9
2:19:01
SBD
Rating:
8.50 / 4 ratings
SHNID:
gd84-03-29.sbd.10559.sbeok.shnf
Source:
Soundboard > ??? > CDR
Taper Notes:
View NotesRex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini
Taper: Bill Bradt
2:26:08
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-29.176072.neumann.km84i.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Neumann KM84i mics > Sony D5M (Maxell UDXL-IIS)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and Charlie Miller for the AKG d330bt, Sennheiser 421 blend source which supplies a 0:24 patch in "Drums" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Chris Hecht
1:29:14
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-29.148307.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid106071 soundboard source which supplies a 0:49 patch in "Drums" (audience patch source available) - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Chris Hecht
1:29:14
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-29.148306.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid106071 soundboard source which supplies a 0:49 patch in "Drums" (audience patch source available) - Pitch corrected Mastered by Scott Clugston November 2019
Source 7 of 9
2:26:08
SHNID:
gd1984-03-29.176071.neumann.km84i.bradt.miller.clugston.flac1648
Taper: "Da Weez"
2:25:37
Rating:
9.00 / 4 ratings
Taper:
"Da Weez"
Transferrer:
D5scott
SHNID:
gd1984-03-29.3micSonyTCD5M.D5scott.109112.flac16
Source:
2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Andrew F.
2:27:36
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1984-03-29.sonyecm.andrewf.29645.sbeok.flac16
Source:
Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck > TDX AD-X tape (Dolby on)
Lineage:
MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC
Taper Notes:
View Notes-- I was seated near "air-wistle guy" (the taper's curse), so I used Soundforge to soften it up a bit where I could, and without disrupting the music. Now it's a little less jarring than on the master. -- Made a quick tape-flip in drums (at 7:51), only a few seconds missing. -- These shows featured the first use of the surround-sound ambient speakers. (They were only used in the first half of 1984.) You can't really hear it too well on the tape. It's mostly noticeable during some of Jerry's vocals on Eyes, and during parts of drums/space.