Bands
Featured
Bands
Grateful Dead
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h48365
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k295
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.6k335
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h3.3k444
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.3k432
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k394
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k364
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k171
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.9k965
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k121
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2k239
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.5k638
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.4k180
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k204
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k232
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h9.3k1.1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.7k237
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k253
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.8k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h12.1k1.6k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h36338
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k494
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.3k705
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k379
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k193
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k228
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k215
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h65181
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10315
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h26120
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h362
7d1037
30d62737
2 shows
2 tapes
1984
Sources
Taper: Paul Scotton and Joani Walker
2:26:29
SBD
Rating:
8.00 / 2 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1984-03-29.sbd.walker-scotton.miller.106071.flac16
Source:
SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:24:22
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-03-29.sbd.walker-scotton.miller.32515.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (Maxell XLIIS-90)
Lineage:
Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes51a43833837dd73ee63cf1de9ee56fa2 *gd84-03-29d1t01.flac 27129a5cbed90f856a1f164232fadc45 *gd84-03-29d1t02.flac ae7412f48ebd92397f071f2e6b509ee7 *gd84-03-29d1t03.flac 8e0ba5b6b8718c38af02fa0bb6bc4638 *gd84-03-29d1t04.flac 339406b6fcd594c4dc55a02dd7da1b1d *gd84-03-29d1t05.flac b1d93276328b29bfdd6a029a77c1b406 *gd84-03-29d1t06.flac c77fd2d3ee1c8f1a586e2e1db6ff4dec *gd84-03-29d1t07.flac 388802a13df52a2cf8645ae79f89dcdf *gd84-03-29d1t08.flac c0aef738e78706731467c8fa389041d2 *gd84-03-29d1t09.flac 7e6dba910a75c24557e6edd826e0faf6 *gd84-03-29d1t10.flac 64614a7e2ba892037df5ab71d91017da *gd84-03-29d2t01.flac b8869f7d84a6607772e0cf131c0e8bb2 *gd84-03-29d2t02.flac cc17c56d46417bcc33c7cd09baf7fd0e *gd84-03-29d2t03.flac 87c675073f2920abfd881973adabb2cd *gd84-03-29d2t04.flac 002865bc4cb8e3b2ba1e4ccf23d1c7b4 *gd84-03-29d2t05.flac 77ed09bf3b1fcb6ad4f0b3083bc830ac *gd84-03-29d2t06.flac 97101b61701d258c5553a17d7e4aa381 *gd84-03-29d2t07.flac 3e557ad00e55d95dfecc19807fa13043 *gd84-03-29d2t08.flac 9a33aabebede22dea01bce615ba3f0d5 *gd84-03-29d2t09.flac a35eed320d9ac109534a8247429b0e96 *gd84-03-29d2t10.flac
Source 3 of 9
2:19:01
SBD
Rating:
8.50 / 4 ratings
SHNID:
gd84-03-29.sbd.10559.sbeok.shnf
Source:
Soundboard > ??? > CDR
Taper Notes:
View NotesRex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini
Taper: Bill Bradt
2:26:08
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-29.176072.neumann.km84i.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Neumann KM84i mics > Sony D5M (Maxell UDXL-IIS)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and Charlie Miller for the AKG d330bt, Sennheiser 421 blend source which supplies a 0:24 patch in "Drums" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Chris Hecht
1:29:14
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-29.148307.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid106071 soundboard source which supplies a 0:49 patch in "Drums" (audience patch source available) - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Chris Hecht
1:29:14
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-29.148306.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid106071 soundboard source which supplies a 0:49 patch in "Drums" (audience patch source available) - Pitch corrected Mastered by Scott Clugston November 2019
Source 7 of 9
2:26:08
SHNID:
gd1984-03-29.176071.neumann.km84i.bradt.miller.clugston.flac1648
Taper: "Da Weez"
2:25:37
Rating:
9.00 / 4 ratings
Taper:
"Da Weez"
Transferrer:
D5scott
SHNID:
gd1984-03-29.3micSonyTCD5M.D5scott.109112.flac16
Source:
2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Andrew F.
2:27:36
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1984-03-29.sonyecm.andrewf.29645.sbeok.flac16
Source:
Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck > TDX AD-X tape (Dolby on)
Lineage:
MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC
Taper Notes:
View Notes-- I was seated near "air-wistle guy" (the taper's curse), so I used Soundforge to soften it up a bit where I could, and without disrupting the music. Now it's a little less jarring than on the master. -- Made a quick tape-flip in drums (at 7:51), only a few seconds missing. -- These shows featured the first use of the surround-sound ambient speakers. (They were only used in the first half of 1984.) You can't really hear it too well on the tape. It's mostly noticeable during some of Jerry's vocals on Eyes, and during parts of drums/space.