Keep Your Day Job | 1984-03-29 | Grateful Dead

View NotesNotes:
-- Disc change is seamless
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Charlie Miller

2:24:22

SBD

gd1984-03-29.sbd.walker-scotton.miller.32515.sbeok.flac16

Source:

SBD -> Cassette Master -> Cassette (Maxell XLIIS-90)

Lineage:

Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

Taper Notes:

View Notes51a43833837dd73ee63cf1de9ee56fa2 *gd84-03-29d1t01.flac
27129a5cbed90f856a1f164232fadc45 *gd84-03-29d1t02.flac
ae7412f48ebd92397f071f2e6b509ee7 *gd84-03-29d1t03.flac
8e0ba5b6b8718c38af02fa0bb6bc4638 *gd84-03-29d1t04.flac
339406b6fcd594c4dc55a02dd7da1b1d *gd84-03-29d1t05.flac
b1d93276328b29bfdd6a029a77c1b406 *gd84-03-29d1t06.flac
c77fd2d3ee1c8f1a586e2e1db6ff4dec *gd84-03-29d1t07.flac
388802a13df52a2cf8645ae79f89dcdf *gd84-03-29d1t08.flac
c0aef738e78706731467c8fa389041d2 *gd84-03-29d1t09.flac
7e6dba910a75c24557e6edd826e0faf6 *gd84-03-29d1t10.flac
64614a7e2ba892037df5ab71d91017da *gd84-03-29d2t01.flac
b8869f7d84a6607772e0cf131c0e8bb2 *gd84-03-29d2t02.flac
cc17c56d46417bcc33c7cd09baf7fd0e *gd84-03-29d2t03.flac
87c675073f2920abfd881973adabb2cd *gd84-03-29d2t04.flac
002865bc4cb8e3b2ba1e4ccf23d1c7b4 *gd84-03-29d2t05.flac
77ed09bf3b1fcb6ad4f0b3083bc830ac *gd84-03-29d2t06.flac
97101b61701d258c5553a17d7e4aa381 *gd84-03-29d2t07.flac
3e557ad00e55d95dfecc19807fa13043 *gd84-03-29d2t08.flac
9a33aabebede22dea01bce615ba3f0d5 *gd84-03-29d2t09.flac
a35eed320d9ac109534a8247429b0e96 *gd84-03-29d2t10.flac

Source 3 of 9

gd84-03-29.sbd.10559.sbeok.shnf

Source:

Soundboard > ??? > CDR

Taper Notes:

View NotesRex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini

Taper: Bill Bradt

Scott Clugston, Charlie Miller

SHNID:

gd1984-03-29.176072.neumann.km84i.bradt.miller.clugston.flac2496

Source:

Bill Bradt's Master Audience Cassettes: Neumann KM84i mics > Sony D5M (Maxell UDXL-IIS)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht and Charlie Miller for the AKG d330bt, Sennheiser 421 blend source which supplies a 0:24 patch in "Drums"
- Rex Foundation Benefit
- Pitch corrected

Mastered by Scott Clugston
January 2026

Taper: Chris Hecht

Scott Clugston and Charlie Miller

SHNID:

gd1984-03-29.148307.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496

Source:

Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Miller for the shnid106071 soundboard source which supplies a 0:49 patch in "Drums" (audience patch source available)
- Pitch corrected

Mastered by Scott Clugston
November 2019

Taper: Chris Hecht

Scott Clugston and Charlie Miller

SHNID:

gd1984-03-29.148306.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648

Source:

Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Miller for the shnid106071 soundboard source which supplies a 0:49 patch in "Drums" (audience patch source available)
- Pitch corrected

Mastered by Scott Clugston
November 2019

Source 7 of 9

2:26:08

SHNID:

gd1984-03-29.176071.neumann.km84i.bradt.miller.clugston.flac1648

Taper: "Da Weez"

gd1984-03-29.3micSonyTCD5M.D5scott.109112.flac16

Source:

2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper: Andrew F.

gd1984-03-29.sonyecm.andrewf.29645.sbeok.flac16

Source:

Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck > TDX AD-X tape (Dolby on)

Lineage:

MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC

Taper Notes:

View Notes-- I was seated near "air-wistle guy" (the taper's curse), so I used Soundforge to soften it up a bit where I could, and without disrupting the music. Now it's a little less jarring than on the master.
-- Made a quick tape-flip in drums (at 7:51), only a few seconds missing.
-- These shows featured the first use of the surround-sound ambient speakers. (They were only used in the first half of 1984.) You can't really hear it too well on the tape. It's mostly noticeable during some of Jerry's vocals on Eyes, and during parts of drums/space.