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Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h63986
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k223
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.2k387
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.2k292
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k458
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.2k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k304
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k138
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k199
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h72180
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k174
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.1k372
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k160
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k143
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k176
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.4k497
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k231
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k251
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20k2.8k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.5k942
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h43846
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h6.6k882
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.4k819
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.3k293
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k190
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.9k206
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.6k258
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h898120
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13117
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h28316
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h412
7d1076
30d59434
2 shows
2 tapes
1989
8/4/89
Bertha >
6:59
Greatest Story Ever Told
4:42
Althea
10:15
Mama Tried >
2:37
Mexicali Blues
6:17
Never Trust A Woman
7:22
Built To Last
4:59
Queen Jane Approximately
8:17
Jack-A-Roe
5:12
Cassidy
7:46
Deal
8:22
Crowd/Tuning
0:49
Truckin' >
7:16
Wang Dang Doodle >
4:37
Crazy Fingers >
9:20
Cumberland Blues >
5:33
Eyes Of The World >
9:34
Drums >
7:22
Space >
9:02
The Wheel >
4:09
I Need A Miracle >
4:40
Stella Blue >
7:41
Sugar Magnolia
10:04
E: It's All Over Now, Baby Blue
7:03
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:45:58
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2023
SHNID:
gd1989-08-04.164156.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA static at the end of Never Trust A Woman -- Multiple masters were used to make this show complete -- This is 163489 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:45:58
SBD
Rating:
8.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2023
SHNID:
gd1989-08-04.163489.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA static at the end of Never Trust A Woman -- Multiple masters were used to make this show complete
Transferrer: Charlie Miller
2:45:24
SBD
Rating:
8.83 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-08-04.sbd.miller.89884.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: AUD Source from David Minches supplies: Space (3:30 - 3:53) Notes: -- Discs 2 and 3 are seamless
Source 4 of 9
2:42:45
SBD
Rating:
8.91 / 22 ratings
SHNID:
gd89-08-04.sbd.11267.sbeok.shnf
Source:
SBD > MC > DAT > CDR
Taper Notes:
View NotesSBD > MC > DAT > CDR; Seeded to etree by Doug Nawrocki
Taper: Bill Bradt
2:39:58
Rating:
10.00 / 1 rating
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-08-04.177547.nak700.neumann.km84i.blend.bradt.miller.clugston.flac2496
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and Lance Deal for the Schoeps CMC44 source which supplies a 3:22 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2026
Taper: Bill Bradt
2:39:58
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-08-04.177546.nak700.neumann.km84i.blend.bradt.miller.clugston.flac1648
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and Lance Deal for the Schoeps CMC44 source which supplies a 3:22 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2026
Taper: Ted Mattes
2:43:34
Taper:
Ted Mattes
SHNID:
gd1989-08-04.131470.cmc44.mattes.flac16
Source:
Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal.
Lineage:
Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE's/Flac/md5)
Taper Notes:
View NotesNote: Digital dropout at 7:47-7:48 of Crazy Fingers on DAT.
Taper: Casey Coniff
2:41:25
Taper:
Casey Coniff
Transferrer:
Bill Koucky
SHNID:
gd1989-08-04.senn441.caniff.koucky.92598.sbeok.flac16
Source:
Sennheiser 441 > Marantz PDM 340 w/ dbx > Maxell MX-S 90
Lineage:
MAC > Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] > AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac
Taper Notes:
View NotesCrossfades applied at tape flips after Good Times, during Drums and before the encore. To burn to 2 discs place encore at end of 1st set disc. To Burn to 3 discs begin d3 with s2t08 (Space).
Taper: Taped and transfered thru CDR by Jon Pasternak.
2:43:03
Taper:
Taped and transfered thru CDR by Jon Pasternak.
Transferrer:
EAC thru FLAC by Andrew F.
SHNID:
gd1989-08-04.nak300.pasternak.andrewf.78877.flac16
Source:
Nakamichi CM-300's with CP-1 (cardioid) capsules > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 6-feet high.
Lineage:
MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
Taper Notes:
View NotesNotes: Soundforge was used to make fades. The break between Disc Two and Disc Three is where the MAC tape was flipped. There's some chatter during Drums and Space, and a few spots where the mic stand is bumped; otherwise, it's an excellent FOB.