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Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1989
8/4/89
Bertha >
6:59
Greatest Story Ever Told
4:42
Althea
10:15
Mama Tried >
2:37
Mexicali Blues
6:17
Never Trust A Woman
7:22
Built To Last
4:59
Queen Jane Approximately
8:17
Jack-A-Roe
5:12
Cassidy
7:46
Deal
8:22
Crowd/Tuning
0:49
Truckin' >
7:16
Wang Dang Doodle >
4:37
Crazy Fingers >
9:20
Cumberland Blues >
5:33
Eyes Of The World >
9:34
Drums >
7:22
Space >
9:02
The Wheel >
4:09
I Need A Miracle >
4:40
Stella Blue >
7:41
Sugar Magnolia
10:04
E: It's All Over Now, Baby Blue
7:03
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:45:58
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2023
SHNID:
gd1989-08-04.164156.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA static at the end of Never Trust A Woman -- Multiple masters were used to make this show complete -- This is 163489 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:45:58
SBD
Rating:
8.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2023
SHNID:
gd1989-08-04.163489.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA static at the end of Never Trust A Woman -- Multiple masters were used to make this show complete
Transferrer: Charlie Miller
2:45:24
SBD
Rating:
8.83 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-08-04.sbd.miller.89884.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: AUD Source from David Minches supplies: Space (3:30 - 3:53) Notes: -- Discs 2 and 3 are seamless
Source 4 of 9
2:42:45
SBD
Rating:
8.91 / 22 ratings
SHNID:
gd89-08-04.sbd.11267.sbeok.shnf
Source:
SBD > MC > DAT > CDR
Taper Notes:
View NotesSBD > MC > DAT > CDR; Seeded to etree by Doug Nawrocki
Taper: Bill Bradt
2:39:58
Rating:
10.00 / 1 rating
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-08-04.177547.nak700.neumann.km84i.blend.bradt.miller.clugston.flac2496
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and Lance Deal for the Schoeps CMC44 source which supplies a 3:22 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2026
Taper: Bill Bradt
2:39:58
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-08-04.177546.nak700.neumann.km84i.blend.bradt.miller.clugston.flac1648
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and Lance Deal for the Schoeps CMC44 source which supplies a 3:22 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2026
Taper: Ted Mattes
2:43:34
Taper:
Ted Mattes
SHNID:
gd1989-08-04.131470.cmc44.mattes.flac16
Source:
Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal.
Lineage:
Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE's/Flac/md5)
Taper Notes:
View NotesNote: Digital dropout at 7:47-7:48 of Crazy Fingers on DAT.
Taper: Casey Coniff
2:41:25
Taper:
Casey Coniff
Transferrer:
Bill Koucky
SHNID:
gd1989-08-04.senn441.caniff.koucky.92598.sbeok.flac16
Source:
Sennheiser 441 > Marantz PDM 340 w/ dbx > Maxell MX-S 90
Lineage:
MAC > Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] > AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac
Taper Notes:
View NotesCrossfades applied at tape flips after Good Times, during Drums and before the encore. To burn to 2 discs place encore at end of 1st set disc. To Burn to 3 discs begin d3 with s2t08 (Space).
Taper: Taped and transfered thru CDR by Jon Pasternak.
2:43:03
Taper:
Taped and transfered thru CDR by Jon Pasternak.
Transferrer:
EAC thru FLAC by Andrew F.
SHNID:
gd1989-08-04.nak300.pasternak.andrewf.78877.flac16
Source:
Nakamichi CM-300's with CP-1 (cardioid) capsules > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 6-feet high.
Lineage:
MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
Taper Notes:
View NotesNotes: Soundforge was used to make fades. The break between Disc Two and Disc Three is where the MAC tape was flipped. There's some chatter during Drums and Space, and a few spots where the mic stand is bumped; otherwise, it's an excellent FOB.