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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1989
4/3/89
Tuning
1:30
Greatest Story Ever Told >
3:59
Bertha >
7:17
Walkin' Blues
6:47
Jack-A-Roe
7:45
El Paso
5:31
Built To Last
5:39
Victim Or The Crime
7:49
Just Like Tom Thumb's Blues
5:06
Don't Ease Me In
3:24
Tuning
0:37
Blow Away
8:10
Estimated Prophet >
10:45
Crazy Fingers >
8:11
Uncle John's Band >
11:59
Drums >
7:21
Space >
9:41
Gimme Some Lovin' >
5:12
I Need A Miracle >
4:16
Stella Blue >
8:03
Sugar Magnolia
8:31
Encore Break
1:00
Johnny B. Goode >
3:58
Black Muddy River
6:26
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:28:57
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-03.147893.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] October 23, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:28:57
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-03.147794.sbd.ultramatrix.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] October 23, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete
Transferrer: Surround Sound Mix by Kevin Tobin
2:29:03
SBD
Transferrer:
Surround Sound Mix by Kevin Tobin
SHNID:
gd1989-04-03.135433.LPCM5-1.bhp.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor - mixing by Kevin Tobin
Taper Notes:
View NotesSurround Sound Mix 5.1 LPCM (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 27-MAR-2016 - Trader Little Helper - Tagged 27-MAR-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:27:42
SBD
Rating:
6.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-03.upg-sbd.tobin.125413.flac16
Source:
SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell (shnid 7507) - Patched, Pitch Correction and Tagged by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 15-AUG-2013 - Trader Little Helper - Tagged 15-AUG-2013 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) At the start of the show, 22.780 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the first 8 seconds of Greatest Story Ever Told. 2) Between Built To Last and Victim And The Crime, 55.682 seconds were missing from the soundboard and were filled in using audio from the video. 3) At the start of the 2nd set, 48.400 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the beginning of Blow Away. 4) About 7 minutes into Crazy Fingers, 3.338 seconds were missing from the soundboard and were filled in using audio from the audience2. 5) About 5 minutes into Uncle John's Band, 2.595 seconds were missing from the soundboard and were filled in using audio from the audience2. 6) About 8 minutes into Uncle John's Band, 7.833 seconds were missing from the soundboard and were filled in using audio from the audience2. 7) About 4 minutes into Drums, 2 minutes and 8.652 seconds were missing from the soundboard and were filled in using audio from the audience2. 8) About 5 minutes into Sugar Magnolia, 11.243 seconds were missing from the soundboard and were filled in using audio from the audience2. 9) Between Sugar Magnolia and Johnny B. Goode, 1 minute and 9.761 seconds were missing from the soundboard and were filled in using audio from the video\audience2. This includes the first notes of Johnny B. Goode. 10) At the end of the 2nd set, 27.656 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the last notes of Black Muddy River. 11) I used the video soundtrack as the timing reference and while the soundboard was fast averaging about .5 seconds a minute faster than the video, the audience1 matched the video almost exactly. Brokedown House Production
Transferrer: Kevin Tobin
2:27:42
SBD
Rating:
4.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-03.mtx.tobin.125281.flac16
Source:
Matrix 4 Source Mix - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 1-AUG-2013 - Trader Little Helper - Tagged 1-AUG-2013 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD +1 SET TWO Stereo Matrix SBD 0 AUD +1 --------------------------------------------------------- Audio Patches: 1) At the start of the show, 22.780 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the first 8 seconds of Greatest Story Ever Told. 2) Between Walkin' Blues and Jack-A-Roe, 12.101 seconds were missing from the audience1 and were filled in using audio from the soundboard. 3) Between Jack-A-Roe and El Paso, 2 minutes and 37.761 seconds were missing from the audience1 and were filled in using audio from the soundboard. 4) Between El Paso and Built To Last, 11.436 seconds were missing from the audience1 and were filled in using audio from the soundboard. 5) Between Built To Last and Victim And The Crime, 55.682 seconds were missing from the soundboard and were filled in using audio from the video. 6) Between Built To Last and Victim And The Crime, 1 minutes and 13.075 seconds were missing from the audience1 and were filled in using audio from the soundboard/video. 7) About 5 minutes into Victim And The Crime, 33.520 seconds were missing from the aduience1 and were filled in using audio from the soundboard. 8) At the start of the 2nd set, 48.400 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the beginning of Blow Away. 9) About 7 minutes into Crazy Fingers, 3.338 seconds were missing from the soundboard and were filled in using audio from the audience2. 10) About 5 minutes into Uncle John's Band, 2.595 seconds were missing from the soundboard and were filled in using audio from the audience2. 11) About 8 minutes into Uncle John's Band, 7.833 seconds were missing from the soundboard and were filled in using audio from the audience2. 12) About 4 minutes into Drums, 2 minutes and 8.652 seconds were missing from the soundboard and were filled in using audio from the audience2. 13) About 1 minutes into Space, 3 minutes and 11.697 seconds were missing from the audience1 and were filled in using audio from the audience2. 14) About 5 minutes into Sugar Magnolia, 11.243 seconds were missing from the soundboard and were filled in using audio from the audience2. 15) About 6 minutes into Sugar Magnolia, 4 minutes and 57.484 seconds were missing from the audience1 and were filled in using audio from the video\audience2. This includes the break between Sugar Magnolia and Johnny B. Goode. 16) Between Sugar Magnolia and Johnny B. Goode, 1 minute and 9.761 seconds were missing from the soundboard and were filled in using audio from the video\audience2. This includes the first notes of Johnny B. Goode. 17) At the end of the 2nd set, 27.656 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the last notes of Black Muddy River. Brokedown House Production
Source 6 of 18
2:22:14
SBD
Rating:
8.50 / 13 ratings
SHNID:
gd89-04-03.sbd.harrel.7507.sbeok.shnf
Source:
SBD > PCM (analog output) > D > D > CDR
Taper Notes:
View NotesSBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell
Taper: Ray Ackerman
2:23:33
Taper:
Ray Ackerman
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1989-04-03.145689.ots.akg460.ackerman.miller.noel.t-flac16
Source:
Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5
Lineage:
Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
Taper Notes:
View NotesPatch info: - shnid 133939 (AKG) supplies - s2t05; 07:26 - end - s2t06; start - 00:27 Notes: - Thanks to Ray for sharing his masters - Thanks to Charlie for directing traffic - Grateful for Dan Tepper's efforts that supply the patch source - tape pause & flip were cross faded in set one - Beer Barrel Polka tuning after Jack A Roe - last El Paso: 04-09-87 [157]
Taper: Ray Ackerman
2:23:33
Rating:
10.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1989-04-03.141670.OTS.AKG.Ackerman.Miller.Noel.t-flac2496
Source:
Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
Taper Notes:
View NotesPatch info: - shnid 133939 (AKG) supplies - s2t05; 07:26 - end - s2t06; start - 00:27 Notes: - Thanks to Ray for sharing his masters - Thanks to Charlie for directing traffic - Grateful for Dan Tepper's efforts that supply the patch source - tape pause & flip were cross faded in set one - Beer Barrel Polka tuning after Jack A Roe - last El Paso: 04-09-87 [157]
Taper: FOB Recording by Jonathan Mow
2:23:21
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 03, 2020
SHNID:
gd1989-04-03.150551.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info: - shnid 133939 (AKG 414-BT) supplies - s1t08; 05:00 - 05:24 - s2t05; 05:00 - end - s2t06; start - 01:06 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for the transfer - Thanks to Dan Tepper for the patch source - pitch corrected - Beer Barrel Polka tuning after Jack A Roe - last El Paso: 04-09-87 [157]
Taper: Recording & Transfer by Ray Ackerman
2:25:32
Taper:
Recording & Transfer by Ray Ackerman
Transferrer:
Edited & Mastered (Adobe Audition) by Joe Noel January 4, 2021
SHNID:
gd1989-04-03.151420.OTS.AKG.Ackerman.Noel.t-flac1644
Source:
(OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette
Lineage:
Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit
Taper Notes:
View NotesPatch info: - shnid 133939 (AKG) supplies - s1t08; 07:34 - 08:00 - s2t05; 07:16 - end - s2t06; start - 00:35 Notes: - this is a fresh transfer and remaster of shnid 141670 - Thanks to Ray for sharing his masters - Grateful for Dan Tepper's efforts that supply the patch source - tape pause & flip were cross faded in set one - Beer Barrel Polka tuning after Jack A Roe - last El Paso: 04-09-87 [157] - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson January 9, 2021
Taper: Recorded & Transferred by Ray Ackerman
2:25:32
Taper:
Recorded & Transferred by Ray Ackerman
Transferrer:
Edited & Mastered (Adobe Audition) by Joe Noel January 4, 2021
SHNID:
gd1989-04-03.151402.151402.OTS.AKG.Ackerman.Noel.t-flac2496
Source:
(OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette
Lineage:
Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit
Taper Notes:
View NotesPatch info: - shnid 133939 (AKG) supplies - s1t08; 07:34 - 08:00 - s2t05; 07:16 - end - s2t06; start - 00:35 Notes: - this is a fresh transfer and remaster of shnid 141670 - Thanks to Ray for sharing his masters - Grateful for Dan Tepper's efforts that supply the patch source - tape pause & flip were cross faded in set one - Beer Barrel Polka tuning after Jack A Roe - last El Paso: 04-09-87 [157]
Taper: Dan Tepper
2:25:07
Taper:
Dan Tepper
Transferrer:
Dan Tepper
SHNID:
gd1989-04-03.133939.akg414btl-fob-dantepper.flac16
Source:
Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
Taper: fitzy
2:27:05
Rating:
8.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1989-04-03.Nak300CP4.Fitzy.Keo.125023.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* End From John Bleich's Nak300/CP4 > Sony WM-D6 source * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters!Unfortunately the second encore came up short as the second set tape ran out.I tried to patch with the Bleich source though I could not add together as one track due to the 1 Bit transfer and the Bleich's source from the 16/44 FLAC. Result was me leaving the patch as a seperate track, still all and all a fantastic recording!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:27:05
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1989-04-03.Nak300CP4.Fitzy.Keo.125022.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* End From John Bleich's Nak300/CP4 > Sony WM-D6 source * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters!Unfortunately the second encore came up short as the second set tape ran out.I tried to patch with the Bleich source though I could not add together as one track due to the 1 Bit transfer and the Bleich's source from the 16/44 FLAC. Result was me leaving the patch as a seperate track, still all and all a fantastic recording!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Transferrer: M. Watson
2:31:06
Transferrer:
M. Watson
SHNID:
gd1989-04-03.fob.schoeps.watson.100161.flac16
Source:
(FOB) Schoeps CMC5/MK4->DAT (16/48)
Lineage:
Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0 (fades, normalize (127.20%/2.09dB), resample)->FLAC
Taper Notes:
View NotesDuring the first set tuning the right channel is much higher than the left. This lasts until 20 seconds into Greatest story when the taper corrects it. Last "El Paso" 04/09/1987 [157] -DeadBase This source is from a DAT I borrowed From Keith Litzenberger. I'd like to thank Keith for letting me transfer his GD DATS. I'm sure there is plenty more where this came from, Enjoy
Taper: John Bleich
2:29:22
Rating:
8.00 / 1 rating
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1989-04-03.nak300.bleich.sirmick.96796.sbeok.flac16
Source:
Nakamichi 300 shotguns > Sony WM-D6 > mac
Lineage:
mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav (16/44.1) > Cd Wave > TLH > flac16
Taper Notes:
View NotesNotes: - there is some distortion on the vocals towards the end of Bertha - Walkin' Blues has a small tape problem at 3:17 - 3:18 - tape flips after Built To Last and Sugar Magnolia crossfaded - tape flip in Drums patched 5:56 - 6:04 with Nakamichi CM300/CP4's > Marantz PMD-420 (shnid 89791) - seamless change between discs 2 and 3 Thanks to John for lending me his masters transferred, edited and mastered SIRMick January 2009
Taper: Jon Pasternak
2:29:54
Rating:
8.86 / 7 ratings
Taper:
Jon Pasternak
Transferrer:
Andrew F
SHNID:
gd1989-04-03.nak300.pasternak.andrewf.89791.sbeok.flac16
Source:
Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS.
Lineage:
MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - 4 Min 29 Sec patch from ShnID-29758, 4:02 Drums > 1:07 Space. - Break between Disc Two and Disc Three is seamless. - Two-disc burn option: make Disc One as 1st Set, Blow Away, plus Encore; make Disc Two as Estimated thru Sugar Magnolia. - Soundforge used to make fades and add patch. - TLH used for SBE-OK, FLAC compression, and checksums.
Source 18 of 18
2:13:11
Rating:
7.20 / 5 ratings
SHNID:
gd89-04-03.beyerM88.connor.29758.sbeok.shnf
Source:
FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT)
Taper Notes:
View NotesFOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor