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Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h58878
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.5k182
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.8k348
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.2k289
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h3.3k481
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h8.2k1k
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.3k290
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k130
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k182
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h62169
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.3k152
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h2k244
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.2k161
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.2k153
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.5k182
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h5.9k648
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k199
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k229
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h19.3k2.7k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h4.5k641
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h59259
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.3k959
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h4.8k612
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.2k276
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k168
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h2.4k253
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.9k314
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h831112
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12817
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23712
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h332
7d1156
30d59235
2 shows
2 tapes
1989
8/4/89
Bertha >
6:59
Greatest Story Ever Told
4:42
Althea
10:15
Mama Tried >
2:37
Mexicali Blues
6:17
Never Trust A Woman
7:22
Built To Last
4:59
Queen Jane Approximately
8:17
Jack-A-Roe
5:12
Cassidy
7:46
Deal
8:22
Crowd/Tuning
0:49
Truckin' >
7:16
Wang Dang Doodle >
4:37
Crazy Fingers >
9:20
Cumberland Blues >
5:33
Eyes Of The World >
9:34
Drums >
7:22
Space >
9:02
The Wheel >
4:09
I Need A Miracle >
4:40
Stella Blue >
7:41
Sugar Magnolia
10:04
E: It's All Over Now, Baby Blue
7:03
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:45:58
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2023
SHNID:
gd1989-08-04.164156.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA static at the end of Never Trust A Woman -- Multiple masters were used to make this show complete -- This is 163489 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:45:58
SBD
Rating:
8.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2023
SHNID:
gd1989-08-04.163489.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA static at the end of Never Trust A Woman -- Multiple masters were used to make this show complete
Transferrer: Charlie Miller
2:45:24
SBD
Rating:
8.83 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-08-04.sbd.miller.89884.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: AUD Source from David Minches supplies: Space (3:30 - 3:53) Notes: -- Discs 2 and 3 are seamless
Source 4 of 9
2:42:45
SBD
Rating:
8.91 / 22 ratings
SHNID:
gd89-08-04.sbd.11267.sbeok.shnf
Source:
SBD > MC > DAT > CDR
Taper Notes:
View NotesSBD > MC > DAT > CDR; Seeded to etree by Doug Nawrocki
Taper: Bill Bradt
2:39:58
Rating:
10.00 / 1 rating
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-08-04.177547.nak700.neumann.km84i.blend.bradt.miller.clugston.flac2496
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and Lance Deal for the Schoeps CMC44 source which supplies a 3:22 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2026
Taper: Bill Bradt
2:39:58
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-08-04.177546.nak700.neumann.km84i.blend.bradt.miller.clugston.flac1648
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and Lance Deal for the Schoeps CMC44 source which supplies a 3:22 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2026
Taper: Ted Mattes
2:43:34
Taper:
Ted Mattes
SHNID:
gd1989-08-04.131470.cmc44.mattes.flac16
Source:
Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal.
Lineage:
Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE's/Flac/md5)
Taper Notes:
View NotesNote: Digital dropout at 7:47-7:48 of Crazy Fingers on DAT.
Taper: Casey Coniff
2:41:25
Taper:
Casey Coniff
Transferrer:
Bill Koucky
SHNID:
gd1989-08-04.senn441.caniff.koucky.92598.sbeok.flac16
Source:
Sennheiser 441 > Marantz PDM 340 w/ dbx > Maxell MX-S 90
Lineage:
MAC > Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] > AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac
Taper Notes:
View NotesCrossfades applied at tape flips after Good Times, during Drums and before the encore. To burn to 2 discs place encore at end of 1st set disc. To Burn to 3 discs begin d3 with s2t08 (Space).
Taper: Taped and transfered thru CDR by Jon Pasternak.
2:43:03
Taper:
Taped and transfered thru CDR by Jon Pasternak.
Transferrer:
EAC thru FLAC by Andrew F.
SHNID:
gd1989-08-04.nak300.pasternak.andrewf.78877.flac16
Source:
Nakamichi CM-300's with CP-1 (cardioid) capsules > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 6-feet high.
Lineage:
MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
Taper Notes:
View NotesNotes: Soundforge was used to make fades. The break between Disc Two and Disc Three is where the MAC tape was flipped. There's some chatter during Drums and Space, and a few spots where the mic stand is bumped; otherwise, it's an excellent FOB.