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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1989
5/6/89
01 Tuning
2:12
02 Jack Straw
6:08
03 Peggy-O
7:10
04 Walkin' Blues
8:22
05 They Love Each Other
8:18
06 The Race Is On
3:35
07 West LA Fadeaway
8:26
08 Just A Little Light
5:45
09 Queen Jane Approximately
7:01
10 China Cat Sunflower
6:27
11 I Know You Rider
6:21
12 Tuning
0:48
13 Let The Good Times Roll
4:16
14 Hey Pocky Way
6:18
15 Samson And Delilah
7:00
16 Ship Of Fools
7:35
17 Playing In The Band
7:57
18 Eyes Of The World
7:57
19 Drums
8:33
20 Space
6:30
21 I Will Take You Home
4:22
22 The Wheel
4:08
23 I Need A Miracle
4:21
24 Wharf Rat
10:12
25 Around And Around
3:50
26 Not Fade Away
8:14
27 Encore Break
2:26
28 Black Muddy River
6:10
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:50:22
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-05-06.141687.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:50:23
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-05-06.141608.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete
Taper: Bill Shaw
2:44:37
SBD
Rating:
10.00 / 2 ratings
Taper:
Bill Shaw
SHNID:
gd1989-05-06.137275.dsbd.flac1648
Source:
<b>flac16/48kHz</b>; Healy DSBD > DAT 16/48 > DAT clone (16/48) > Tascam US144mkII > PC > Wav > CD Wave > TLH Flac1648; Set I peaked at -8db, set II peaked at -16db. Both sets have been normalized to -1db
Transferrer: Bill Tetzeli
2:46:34
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1989-05-06.sbd.nawrocki.tetzeli.fix-14262.34769.sbeok.shnf
Source:
Fix of shnid 14262
Taper Notes:
View NotesI made the transition between CDs 2 and 3 seamless. Resulting SBEs fixed using shntool. Overlapping fade tracks were added to the end of CD 2 and the beginning of CD 3. For seamless playback simply remove the fade tracks. Bill Tetzeli ([email protected]) 3/30/2006
Source 5 of 10
2:46:14
SBD
Rating:
9.17 / 12 ratings
SHNID:
gd89-05-06.sbd.nawrocki.14262.sbefixed.shnf
Source:
shntool fixed shns of <a href= "http://db.etree.org/shninfo_detail.php?shnid=5423">Jay Serafin</a> dsbd seed
Taper Notes:
View Notesshntool fixed shns of <a href="http://db.etree.org/shninfo_detail.php?shnid=5423" rel="ugc nofollow">Jay Serafin</a> dsbd seed
Source 6 of 10
2:46:13
SBD
Rating:
8.45 / 23 ratings
SHNID:
gd89-05-06.dsbd.serifin.5423.sbefail.shnf
Source:
DSBD
Taper Notes:
View NotesDSBD, with some editing (see notes in info file); via Jay Serafin to gdlive
Taper: Ted Mattes
2:56:28
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-05-06.142355.fob.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston June 19, 2018
Taper: Archival Audio
2:51:31
Taper:
Archival Audio
Transferrer:
Archival Audio
SHNID:
gd1989-05-06.140948.AA-toak1-416-flac2448
Source:
Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c; media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ Not one of my favorite or best recordings that I have done, however since not many other Audience recordings circulate, here this is. My recordings of the year before in 1988 were much better and only the Toa K1’s. Overall a well played show and interesting selection of songs and a China > Rider first set closer was very exciting. I used a Sony MX-12 mixer, apparently grey market in the USA, That I found at the Rose Bowl flea market. The MX-12 is powered by 6 D cells and has only either 1/4” TS or RCA inputs for 6 channel mixer with 2 vu meters. This was a 4 mic mix Toa k1’s on wide bar spaced at 30” and the Sennheiser 416 t (I think) short shotguns into the mixer, mixed on the fly. The 416’s were borrowed from an unnamed art college that I used to attend by an old friend, it’s possible it was a pair of 415’s at some earlier shows I tried the 816 but liked the shorter 416/415’s better. Mic’s on same stand in the OTS just behind the board at one of my favorite outdoor venues. The Frost is so amazing and the sound was very full of fun. It was a windy day but you could see the wind sailing in the eucalyptus trees that surrounding the Amphitheater, at times this cause phasing and the music to swirl as well. I think the mix was more of the 416’s then the Toa K1’s which I think lost out on the low end and some of the openness but it doesn’t sound that bad. I think we were a level up and slightly on Phil’s side at the back corner of the house mix position, though its hard to remember exactly where we were. I didn’t always take notes, sometimes I did other times I didn’t and always thought I’d remember but now all these years later, it can be challenging. Set 2 sounds a bit more full, more to a k1’s in the mix, perhaps. The microphone mix at the start of Jack straw seems to be 416 heavy but it get’s dialed in… Kentucky Derby Day hence the Race Is On! Interesting China > Rider first set closer, you can tell folks are happy on this sunny afternoon! Very funk-groovy Not Fade Away. I will also be sharing the next day Sunday 1989-05-07 Billy’s Birthday, because the two sources are in a similar configuration. No other processing or eq’ing enjoy - ArchivalAudio
Transferrer: jchastain
2:40:34
Transferrer:
jchastain
SHNID:
gd1989-05-06.135821.aud.jc.flac1644
Source:
AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH
Taper Notes:
View NotesTape flip after West L.A. Fadeaway. Ending notes are clipped. Tape flip between Drums and Space. No audience patch available, so it just fades. Taper moved (or otherwise adjusted levels) during Ship of Fools, causing distortion throughout rest of show. This was in a collection of tapes being given away on craigslist. Thanks to John for the tapes and arfarf for the guidance, ears and support. jchastain, 5/21/16
Transferrer: jchastain
2:40:34
Transferrer:
jchastain
SHNID:
gd1989-05-06.135820.aud.jc.flac2448
Source:
AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > TLH
Taper Notes:
View NotesTape flip after West L.A. Fadeaway. Ending notes are clipped. Tape flip between Drums and Space. No audience patch available, so it just fades. Taper moved (or otherwise adjusted levels) during Ship of Fools, causing distortion throughout rest of show. This was in a collection of tapes being given away on craigslist. Thanks to John for the tapes and arfarf for the guidance, ears and support.