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June 5th
5 shows
26 tapes
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1989
12/27/89
01 Tuning
1:42
02 Cold Rain And Snow
6:17
03 Greatest Story Ever Told
4:27
04 Never Trust A Woman
7:28
05 Althea
9:29
06 Me And My Uncle
3:11
07 Big River
7:24
08 Just Like Tom Thumb's Blues
5:35
09 Bird Song
13:39
10 The Promised Land
4:51
11 Tuning
1:17
12 Iko Iko
8:16
13 Playing In The Band
13:40
14 Crazy Fingers
8:44
15 Uncle John's Band
8:59
16 Drums
10:44
17 Space
9:29
18 The Wheel
5:43
19 I Need A Miracle
3:59
20 Morning Dew
12:45
21 Tuning
1:32
22 Johnny B Goode
4:03
23 Black Muddy River
6:19
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:39:33
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-12-27.142853.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Iko Iko, Playing In The Band, The Wheel and I Need A Miracle with Clarence Clemmons -- Two sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:39:33
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1989-12-27.142852.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Iko Iko, Playing In The Band, The Wheel and I Need A Miracle with Clarence Clemmons -- Two sets of masters were used to make this show complete -- This file set is 142853 24 -> 16 at 44.1
Transferrer: Charlie Miller
2:30:09
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-12-27.sbd.walker-scotton-miller.88397.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC3/MK4 -> Dat -> CD -> Samplitude supplies: Drums (5:31 - 6:05) Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:36:57
SBD
Rating:
10.00 / 1 rating
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1989-12-27.144151.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 08-DEC-2018 - Trader Little Helper - Tagged 08-DEC-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Bill Tetzeli
2:32:31
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1989-12-27.sbd.clugston.tetzeli.fix-6662.82051.sbeok.shnf
Source:
Patch fix of shnid 6662
Taper Notes:
View NotesI patched in about 30 secs that were missing from Drums from the LlaMA FOB (shnid 20785), starting at 5:28. Both drum tracks were merged into one at the end of d2. Resulting SBEs were corrected with shntool and the transition between CDs 2 and 3 is now seamless. Many thanks to Scott Clugston for the SBD source as well as to Chris Ladner for the FOB source. Bill Tetzeli ([email protected]) 8:22 AM 11/17/2006 -------------------------------------------------------------------------------- Main Source: Dan Healy's Master Soundboard Cassette > CDR * with Clarence Clemons made possible thru the usual group of suspects and mental patients Original CD Mastering by Scott Clugston 11/25/01 Patch Source: Source: FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3
Source 6 of 16
2:32:03
SBD
Rating:
8.17 / 12 ratings
SHNID:
gd89-12-27.sbd.clugston.6662.sbefail.shnf
Source:
Dan Healy's Master Soundboard Cassette > CDR
Taper Notes:
View NotesDan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd
Taper: Ted Mattes
2:44:54
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-12-27.142683.fob.schoeps.cmc3.mk4.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston July 11, 2018
Source 8 of 16
2:40:41
SHNID:
gd1989-12-27.165017.mtx.seamons.ht158.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) July 1, 2023
Taper Notes:
View NotesNotes: Clarence Clemons on saxophone for parts of the second set and encore, heard more prominently on Iko Iko and Johnny B. Goode. Loud click removed in Cold Rain And Snow, right channel. Loud pop reduced in Tom Thumb's Blues, left channel. Jerry's guitar cuts out towards the end of Promised Land and in the middle section of Morning Dew. The drums sometimes have an echoey/phasey effect during Drums/Space in the SBD.
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:36:57
Rating:
10.00 / 2 ratings
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-12-27.144153.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 08-DEC-2018 - Trader Little Helper - Tagged 08-DEC-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: AA
2:39:28
Taper:
AA
Transferrer:
AA
SHNID:
gd1989-12-27.140420.fob.AA.toak1.flac1644
Source:
Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his. The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there. I had DIY'd my To a K1 capsules to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands. Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too. No EQ or other effects were applied. Tech Notes: ________________ The first 23 minutes primarily patched with Right as Left (AKA mono). Cold Rain and Snow to Althea Multiple patches in Althea. You will notice patches, but they are better then "dead channel", trust me on that or the sever pops and transient spikes as well as the portions of buzz in the left if it were left untouched. Patches in Big River And the Crowd at the end and the beginning of Tom Thumbs, No further patches.... ! Birdsong intact as 2 channel Very amazing sounding - Check out Birdsong! No patches in second set For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended. enjoy - ArchivalAudio
Taper: Archival Audio
2:39:27
Taper:
Archival Audio
Transferrer:
Archival Audio
SHNID:
gd1989-12-27.140369.AA-fob-toak1.flac2448
Source:
Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his. The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there. I had DIY'd my To a K1 capsules to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands. Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too. No EQ or other effects were applied. Tech Notes: ________________ The first 23 minutes primarily patched with Right as Left (AKA mono). Cold Rain and Snow to Althea Multiple patches in Althea. You will notice patches, but they are better then "dead channel", trust me on that or the sever pops and transient spikes as well as the portions of buzz in the left if it were left untouched. Patches in Big River And the Crowd at the end and the beginning of Tom Thumbs, No further patches.... ! Birdsong intact as 2 channel Very amazing sounding - Check out Birdsong! No patches in second set For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended. enjoy - ArchivalAudio
Taper: Lance Deal
2:41:52
Rating:
8.00 / 1 rating
Taper:
Lance Deal
Transferrer:
jwpetty
SHNID:
gd1989-12-27.131027.cmc521.fob.deal.jwpetty.flac16
Source:
Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal;
Lineage:
Fostex D-5 (AES/EBU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty
Taper: Da Weez
1:30:47
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1989-12-27.117696.NeumannKMF4.daweez.d5scott.flac16
Source:
Set 2 only Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassette;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Mike Mahoney
2:38:41
Taper:
Mike Mahoney
Transferrer:
Mike Mahoney
SHNID:
gd1989-12-27.aud.mpmgumby.105433.flac16
Source:
Nakamichi Shotgun Mics>Sony D-5>Marantz PMD430
Source 15 of 16
2:42:09
Rating:
8.36 / 11 ratings
SHNID:
gd89-12-27.schoeps.ladner.20785.sbeok.shnf
Source:
FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3
Source 16 of 16
2:42:14
Rating:
7.60 / 5 ratings
SHNID:
gd89-12-27.aud.wiley.8960.sbeok.shnf
Source:
AUD>DAT>CDR
Taper Notes:
View NotesAUD>DAT>CDR; Seeded to etree by Tim W