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Today In History
June 5th
5 shows
26 tapes
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1989
4/8/89
Tuning
1:13
Let The Good Times Roll >
3:47
Wang Dang Doodle >
6:52
West L.A. Fadeaway
8:47
Blow Away >
9:35
Queen Jane Approximately
7:34
Loser
8:04
Cassidy >
6:56
Don't Ease Me In
3:40
Tuning
0:42
China Cat Sunflower >
5:57
I Know You Rider >
5:54
Looks Like Rain >
9:08
Eyes Of The World >
11:14
Drums >
9:48
Space >
6:42
The Wheel >
4:57
Dear Mr. Fantasy >
5:52
Hey Jude >
1:47
I Need A Miracle >
4:08
Black Peter >
8:17
One More Saturday Night
5:04
Encore Break
1:21
Box Of Rain
5:13
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:22:32
SBD
Rating:
6.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-08.147895.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] October 27, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:22:32
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-08.147838.sbd.ultramatrix.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] October 27, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete
Transferrer: Kevin Tobin
2:21:16
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-08.135472.5-1.bhp.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - mixing by Kevin Tobin
Taper Notes:
View NotesSurround Sound 5.1 LPCM Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-APR-2016 - Trader Little Helper - Tagged 05-APR-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:21:14
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-08.135471.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-APR-2016 - Trader Little Helper - Tagged 05-APR-2016 - Tag&Rename --------------------------------------------------------- Front Left Channel 0db SBD Right Channel 0db SBD Center Mixed to mono -1db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Charlie Miller
2:23:38
SBD
Rating:
8.86 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-08.sbd.walker-scotton.miller.83510.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (FOB/14th Row) Beyer M88 -> Cassette Master -> CD (By Charlie Connor) Space (3:52 - 3:59) Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: Matrixing by Kevin Tobin
2:21:14
SBD
Transferrer:
Matrixing by Kevin Tobin
SHNID:
gd1989-04-08.135470.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix(47%-SBD/53%-AUD)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-APR-2016 - Trader Little Helper - Tagged 05-APR-2016 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1 SET TWO Stereo Matrix SBD 0 AUD -1 --------------------------------------------------------- Brokedown House Production
Transferrer: Hunter Seamons
2:22:38
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1989-04-08.mtx.seamons.94166.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesMatrix ---------------------------------------------------- SBD: Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] January 24, 2007 Patch Info: (FOB/14th Row) Beyer M88 -> Cassette Master -> CD (By Charlie Connor) Space (3:52 - 3:59) Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes ---------------------------------------------------- AUD: Source: Charlie Connor's Cassette Master Audience FOB (14th Row) Mics Beyer Dynamic M88's Tapedeck Sony TCD5M Media Maxell MX90 Taper Glen Charlton Digital Mastering by Charlie Connor Shn'd 11/16/01 by Charlie Connor AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT) --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Charlie Connor for recording and transferring the AUD, to Mr. B. for verifying the pitch, and to Ron (a.k.a. gratefulydeadicated) for suggesting such great sources to matrix! Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 24, 2008 Notes: 1) Vocals a little hot in Good Times (or they are just singing really loud, which is cool). Hot show. Underrated? Probably. 2) There are cuts in the AUD between songs, and for the latter half Space. There are also some small AUD cuts during the very beginning or end of some songs. 3) Bob sings "Come on, Georgia!," I think, at 2:04 in Saturday Night - not sure why. It's OHIO, Bobby!
Source 8 of 17
2:21:41
SBD
Rating:
8.07 / 28 ratings
SHNID:
gd89-04-08.sbd.26348.sbeok.shnf
Source:
SBD> Cassette Master> Dat> CD> EAC> SHN
Taper Notes:
View NotesSBD> Cassette Master> Dat> CD> EAC> SHN; Converted to SHN By Charlie Miller
Taper: Ted Mattes
2:28:54
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-08.141804.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS)
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the PCM master - Thanks to Charlie Miller for the transfer and coordinating this effort - Wheel space included in "The Wheel" Mastered by Scott Clugston April 14, 2018
Taper: Unknown - provided by Rich Gastwirt
59:39
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1989-04-08.140807.s1.FOB.Schoeps.Gastwirt.Miller.Noel.t-flac1644
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - this is a transfer upgrade to source #84175 - DC offset removed - minor eq'ing was done - normalized -2.0dB
Taper: Pete Ebel
2:16:16
Taper:
Pete Ebel
Transferrer:
Pete Ebel
SHNID:
gd1989-04-08.149284.nak300.ebel.flac16
Source:
TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's)
Lineage:
Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)-> Down Sample 16-44.1
Taper Notes:
View NotesNotes: Set #2 Is Seamless
Transferrer: Kevin Tobin
2:21:14
Rating:
8.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-08.135469.upg-aud.tobin.flac16
Source:
(original shnid = 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-APR-2016 - Trader Little Helper - Tagged 05-APR-2016 - Tag&Rename --------------------------------------------------------- Some major patching (including first notes) before Blow Away and Loser and Space. Speedwise the audience was quite fast when compared to other recordings - .900 seconds per minute fast. Brokedown House Production
Taper: Lance Deal
2:22:37
Taper:
Lance Deal
Transferrer:
jwpetty
SHNID:
gd1989-04-08.131015.kmr81.deal.jwpetty.flac16
Source:
Master Digital Audience recording: Neumann KMR-81's> ?> Technics SVMD1; Master DAT provided by Lance Deal;
Lineage:
Panasonic SV-3700 (spdif)> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracks)> TLH (SBE/Flac16/ffp); Tranfer completed and uploaded to etree.org on August 22, 2014 by jwpetty
Taper: Robert Mullen
2:15:34
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1989-04-08.111975.aud.dak5245-pzm.cincinnati-oh.flac16
Source:
Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
Taper Notes:
View NotesI was chasing the "Dew", didn't get one in Ann Arbor, so we went down to Cincy to record the Boys. No Dew, but a quite interesting show. I know there are multiple versions from different recorded sources for this show. However, I thought I'd offer this up as I used a 4 Mic configuration that would be a bit unique. The recording came out very well. Enjoy.
Source 15 of 17
2:19:00
Rating:
8.00 / 1 rating
SHNID:
gd1989-04-08.fob.nawrocki.84175.sbeok.flac16
Source:
FOB Schoeps > PCM > DAT > CDR > EAC > *Adobe Audition 2.0 (Waves Q10 [pre-emphasis removal] and L3) > CDWave > FLAC
Taper Notes:
View NotesCrowd between Saturday Night and Box Of Rain edited on source. There's still some there just not much. *Used Multitrack View to: - Reassemble the Rider and LLR and remove some repeat music as a disc break was illogically placed between these two tunes - Patch/Crossfade a two second d/o at the start of Don't Ease with Charlie Connor's FOB Beyer m88's > D5 source - Bump to mic in left channel at 2:01 in Black Peter patched with right channel
Taper: John Bleich
2:19:12
Taper:
John Bleich
Transferrer:
SirMick
SHNID:
gd1989-04-08.aud.bleich.sirmick.83802.sbeok.flac16
Source:
aud > Nak 300 shotguns > WMD-6 > mac
Lineage:
mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac. transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
Taper Notes:
View NotesMany thanks to John for lending me his tapes. notes: - tape flip in Space crossfaded - seamless join between discs 2 & 3 Digitally mastered using a jerry-built pc called Cheese ;-) transferred, edited and mastered SIRMick March 2007
Source 17 of 17
2:13:02
Rating:
7.71 / 16 ratings
SHNID:
gd89-04-08.beyer-fob.conner.7857.sbeok.shnf
Source:
Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M
Taper Notes:
View NotesAudience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor