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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1989
7/7/89
Tuning
0:41
Hell In A Bucket >
6:33
Iko Iko
7:26
Little Red Rooster
9:23
Ramble On Rose
7:28
Stuck Inside Of Mobile With The Memphis Blues Again
9:07
Loser >
7:22
Let It Grow
12:41
Blow Away
12:27
Box Of Rain >
5:04
Scarlet Begonias >
9:56
Fire On The Mountain
13:43
Estimated Prophet >
9:12
Standing On The Moon >
8:32
Drums >
9:12
Space >
11:11
The Other One >
7:09
Wharf Rat >
10:34
Turn On Your Lovelight
9:02
Knockin' On Heaven's Door
9:07
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:55:50
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-07.142785.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; <i>5.1 LPCM Surround Sound (48k)</i> - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side).
Lineage:
MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - surround mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-JUL-2018 - Trader Little Helper - Tagged 28-JUL-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:55:46
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-07.142783.mtx.tobin.flac1644
Source:
<b>flac16;</b> <i>Matrix 2 Source Mix</i> - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side).
Lineage:
MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (44/16) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-JUL-2018 - Trader Little Helper - Tagged 28-JUL-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:55:50
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-07-07.142782.mtx.tobin.flac2496
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side).
Lineage:
MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (96/24) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-JUL-2018 - Trader Little Helper - Tagged 28-JUL-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
2:58:53
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-07-07.140262.UltraMatrix.sbd.cm.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:58:53
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1989-07-07.140152.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete
Source 6 of 22
2:59:56
SBD
Rating:
9.20 / 94 ratings
SHNID:
gd89-07-07.aud.wiley.7855.sbeok.shnf
Source:
Audience (was labeled as sbd)
Lineage:
?>MC>DAT>CDR
Taper Notes:
View Noteswas labeled as (Healy Mix) SBD>MC>DAT>CDR; but this is an audience recording via Paul Bottiglio; Tim wiley
Taper: Ray Ackerman
2:54:23
Taper:
Ray Ackerman
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1989-07-07.145745.fob.akg460.ackerman.miller.noel.t-flac16
Source:
Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB)
Lineage:
Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
Taper Notes:
View NotesEdited & Mastered by Joe Noel WAV > Audacity > FLAC 24/96 April 16, 2018 This file set is 16 bit @ 44.1 Patch info: - shnid 133776 (AKG) supplies - s1t02; 07:09 - end - s1t03; start - 00:05 - s1t04; 07:09 - end - s1t05; start - 00:05 - s1t05; 08:51 - 09:16 - s2t06; 05:31 - 05:47 Notes: - Thanks to Ray for sharing his masters. - Thanks to Charlie for directing traffic. - Grateful for Dan Tepper's efforts that supply the patch source. - No music was effected by tape pauses. - Crowd noise was patched between songs to maintain a seamless flow, as cross fades didn't sound right. - All patches are virtually undetectable. - Bruce Hornsby & The Range opened. - final concert held at JFK (rightfully so). - The trio to close out s1 makes my highlight reel.
Taper: Ted Mattes
3:01:56
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-07-07.142464.fob.schoeps.cmc4.mk41.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK41 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Other One space included in "The Other One" Mastered by Scott Clugston June 22, 2018
Taper: Ray Ackerman
2:54:22
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1989-07-07.141727.FOB.AKG.Ackerman.Miller.Noel.t-flac2496
Source:
Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
Taper Notes:
View NotesPatch info: - shnid 133776 (AKG) supplies - s1t02; 07:09 - end - s1t03; start - 00:05 - s1t04; 07:09 - end - s1t05; start - 00:05 - s1t05; 08:51 - 09:16 - s2t06; 05:31 - 05:47 Notes: - Thanks to Ray for sharing his masters. - Thanks to Charlie for directing traffic. - Grateful for Dan Tepper's efforts that supply the patch source. - No music was effected by tape pauses. - Crowd noise was patched between songs to maintain a seamless flow, as cross fades didn't sound right. - All patches are virtually undetectable. - Bruce Hornsby & The Range opened. - final concert held at JFK (rightfully so). - The trio to close out s1 makes my highlight reel.
Source 10 of 22
2:57:15
SHNID:
gd1989-07-07.172500.mk2.hillwig.fix.flac1648
Source:
Fix of SNHID 139283 - The source DAT had an inverted right channel, likely from the master. This fix addresses that and additional issues. July 2025.
Source 11 of 22
2:59:27
Rating:
10.00 / 2 ratings
SHNID:
gd1989-07-07.153413.MTX.photoLeon.t-flac16
Source:
A photoLeon Matrix
Taper Notes:
View NotesMatrix Created in Adobe Audition by Joe Noel July 4, 2021 Notes: - D/O repaired in s1t01 (source #3) - Source #3 was speed corrected - First 1:32 of s1t01 & the first :28 of s2t01 is Source 2 + Source 3 only Thanks to: - Dan Tepper for the FOB recording, transfer & mastering. - Ted Mattes for the AUD recording & Scott Clugston for processing it. - Charlie Miller for the board source & transfer - Thanks to Jack Schlottman for the critique
Taper: Unknown
2:57:05
Transferrer:
Craig Hillwig & Lenny Stubbe
SHNID:
gd1989-07-07.139283.mk2.flac1648
Source:
<b>flac16/48kHz</b>; Source: Schoeps CMC4/MK2 > PCM > DAT (48 khz); Location: FOB;
Taper Notes:
View Notes- Bruce Hornsby and The Range opened
Taper: Dan Tepper
2:54:45
Taper:
Dan Tepper
Transferrer:
Dan Tepper
SHNID:
gd1989-07-07.133776.akg414btl-fob-dantepper.flac16
Source:
Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
Taper: Baker
3:00:09
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-07-07.Nak300CP4.Baker.Keo.125120.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Some Tape Warble During End * Comments:Another Huge Thanks out To Mr. Baker for sharing his source for this show!Tape flip at the end of "Standing On The Moon" some higher recording levels here and there still an excellent share from Mr. Baker's Masters and GD July 1989!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Baker
3:00:09
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-07-07.Nak300CP4.Baker.Keo.125119.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Some Tape Warble During End * Comments:Another Huge Thanks out To Mr. Baker for sharing his source for this show!Tape flip at the end of "Standing On The Moon" some higher recording levels here and there still an excellent share from Mr. Baker's Masters and GD July 1989!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Andrew F
2:58:42
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1989-07-07.nak300.andrewf.96994.flac16
Source:
Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90
Lineage:
MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC
Taper Notes:
View Notes- Patch from ShnID-4665 covers tape-flip in SOTM 7:35 > 7:43. - Second Set disc break is seamless.
Taper: Andrew F
2:58:41
Rating:
10.00 / 2 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1989-07-07.nak300.andrewf.96993.flac24
Source:
CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90
Lineage:
MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC
Taper Notes:
View Notes- Patch from ShnID-4665 covers tape-flip in SOTM 7:35 > 7:43. - R8Brain used to convert patch section to 2496.
Taper: Unknown
2:58:35
Rating:
9.00 / 2 ratings
Source:
AKG414 FOB (probably from Dan Tepper's rig - AKG414TL > AKG B18 power supplies > Technics SV-MD1)
Lineage:
CDs extracted with Max 0.7.1 using CD paranoia setting; compressed using XACT 1.6.2 FLAC level 5
Taper Notes:
View Notes- I got these discs from Dan Lynch probably in 1999 or 2000. All I know is they were AKG414s, and they sound exactly like the 2nd Gen cassettes I had from Dan Tepper's rig. - From what I recall (my college buddy was a close friend of Tepper's), Dan was running AKG414TL > AKG B18 power supplies > Technics SV-MD1. He typically ran FOB on a stand with the mics on cardioid setting, pointing roughly at the stacks. He had this black piece of sheer cloth that he used to cover the rig from view. - As best as I can tell, d2t08 is a crossover file of about 11 seconds ... from what I can tell, remove this file to make set 2 seamless. - You are getting this tracked exactly as I received it. The discs Dan Lynch sent me had some filler on disc three, and I understand that that's the way Dan's discs were. I omitted the filler. - Other than check the SBs (see the shntool report) these files are as they were extracted from the CDs. Everything's "as is."
Taper: Lucien Zaleski
2:54:49
Rating:
9.71 / 7 ratings
Taper:
Lucien Zaleski
Transferrer:
Alex Ford
SHNID:
gd1989-07-07.senn421.zaleski.89616.sbeok.flac16
Source:
1st Gen; (FOB) 2 x Sennheiser 421's > Sony D5 > Sony D5 > 2 x Maxell UDXL I C90 Location: FOB, 30 feet from the stage, slightly ROC, mics were run above head level (7 - 8 feet high)
Lineage:
Nakamichi Dragon > Kind Cables RCA/XLR > Lunatec V3 (@ 26/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16
Taper Notes:
View Notes- 1st Gen Cassettes were dubbed from the Masters in the parking lot after the show (Sony D5 > Sony D5). - shnid=7855 used to patch tape flips, Drums & first 4:40 of Space (all of Drums and part of Space were not taped). - slight pitch correction was applied in WaveLab. - SBE Free, files encoded @ level 8. - Master audience cassettes graciously provided by Mark McCue. - Transferred and mastered by Alex Ford January 2008.
Transferrer: Bill Tetzeli
2:59:00
Rating:
9.33 / 3 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1989-07-07.aud.wiley.tetzeli.fix-7855.35410.reflac.flac16
Source:
Fix of shnid 7855
Taper Notes:
View NotesThe transition between CDs 2 and 3 were made seamless. The overlap between the 2 had been faded out and then back in, so I had to do a reverse fade on the end of CD2 and beginning of CD 3. The volumes of preselected splice points were matched, the overlap between them deleted, then through careful listening (using the background crowd noise as a constant) I further tweaked the volume till I had it as close to the original as I thought possible. It's pretty darn indistinguishable. Shntool was used to clean up the SBEs and the shn files converted to flac. Overlapping fade tracks were added to the end of CD 2 and the beginning of CD 3 for those wishing to burn to CD. For seamless playback simply remove the fade tracks. Bill Tetzeli ([email protected]) 7:56 AM 4/18/2006
Transferrer: Chaz Connor and Scott Clugston
2:54:31
Rating:
9.63 / 16 ratings
Transferrer:
Chaz Connor and Scott Clugston
SHNID:
gd1989-07-07.fob.clugston.10925.sbeok.shnf
Transferrer: Dave
3:00:07
Transferrer:
Dave
SHNID:
gd1989-07-07.aud.dave.4665.sbeok.shnf
Source:
AKG 414TL's FOB