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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1989
4/6/89
Tuning
1:05
Touch Of Grey
6:14
Little Red Rooster
10:49
Brown Eyed Women
5:54
Mama Tried >
2:34
Mexicali Blues
5:56
Althea
6:58
When I Paint My Masterpiece
6:17
Bird Song
13:16
Promised Land
4:43
Tuning
1:07
Scarlet Begonias >
9:44
Fire On The Mountain
13:43
Playing In The Band >
12:49
Built To Last >
7:18
Drums >
10:19
Space >
6:46
I Will Take You Home >
4:04
The Other One >
7:44
Wharf Rat >
9:48
Around And Around >
4:00
Playing In The Band
3:49
Encore Break
0:50
Brokedown Palace
5:28
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:41:15
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-06.148148.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] October 26, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:41:15
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-06.147831.sbd.ultramatrix.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] October 26, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete
Transferrer: Kevin Tobin
2:33:48
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-06.dts.tobin.126153.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5
Lineage:
By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - DTS mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-NOV-2013 - Trader Little Helper - Tagged 17-NOV-2013 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) About 1 minute into Drums, 1 minute and 07.276 seconds were missing from the audience and were filled in with audio from the soundboard. ----------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db MTX Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1db MTX -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:33:48
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-06.mtx.tobin.126150.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5
Lineage:
By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (50%-SBD/50%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-NOV-2013 - Trader Little Helper - Tagged 17-NOV-2013 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD 0 SET TWO Stereo Matrix SBD 0 AUD 0 --------------------------------------------------------- Audio Patches: 1) About 1 minute into Drums, 1 minute and 07.276 seconds were missing from the audience and were filled in with audio from the soundboard. Brokedown House Production
Transferrer: Charlie Miller
2:41:12
SBD
Rating:
7.33 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-06.sbd.walker-scotton.miller.83508.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 6 of 15
2:39:02
SBD
Rating:
7.71 / 7 ratings
Source:
Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source
Taper Notes:
View Notescomplete; Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source
Source 7 of 15
5:07:06
SBD
Rating:
8.31 / 13 ratings
SHNID:
gd89-04-06.sbd-matrix.kowalski.1092.sbeok.shnf
Source:
Healy Ultra Mix - sbd+aud> cm> dat> cd
Taper Notes:
View NotesHealy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop; missing encore; note most md5s and/or tracks of d3 were accidentally labelled as d2tn; renamed version (md5s shown here) may circulate >8/15/01 thanks to Aaron
Taper: Ted Mattes
2:47:19
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-06.141803.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the PCM master - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston April 24, 2018
Source 9 of 15
2:47:30
Rating:
10.00 / 1 rating
SHNID:
gd1989-04-06.158252.MTX.photoLeon.t-flac16
Source:
Matrix created in Adobe Audition by Joe Noel July 29, 2022
Taper Notes:
View NotesThanks to; - Ted Mattes for sharing his recording - Anon for the transfer while hiding out away from the Bay Area - Don Pearson & Dan Healy for the SBD recording - Charlie Miler for processing the SBD Notes; - s1t01 is source 1 for the first 2:00 - s2t01 is source 1 for the first 2:04 - Bob & Jer have a slight case of lyrigitis in the 1st set that catches em both good in the encore - There's a hint of a Playin' jam at the end of BTL
Taper: Master Audience PCM recording by Ted Mattes
2:38:06
Taper:
Master Audience PCM recording by Ted Mattes
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 08, 2021
SHNID:
gd1989-04-06.156411.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
Source:
(OTS) Schoeps CMC441 hypercardiod capsules (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)
Lineage:
PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44
Taper Notes:
View NotesNotes; - same source as shnid 141803 w/ fresh transfer & different mastering. - emphasis undecoded - DC Bias Adjust: 0% - there's a hint of a Playin' jam at the end of BTL Thanks; - to Ted Mattes for sharing his recording - to Anon for the transfer while hiding out away from the Bay Area
Transferrer: Kevin Tobin
2:33:48
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-06.upg-aud.tobin.126149.flac16
Source:
(original shnid = 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5
Lineage:
By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - pitch correction and patches by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-NOV-2013 - Trader Little Helper - Tagged 17-NOV-2013 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) About 1 minute into Drums, 1 minute and 07.276 seconds were missing from the audience and were filled in with audio from the soundboard. Brokedown House Production
Taper: Robert Mullen
2:33:03
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1989-04-06.111974.aud.dak5245-pzm.annarbor-mi.flac16
Source:
Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
Taper Notes:
View NotesComments: This was the second of two nights at this basketball venue. The sound was pretty good for an arena, IMHO. I know there are multiple versions from different recorded sources for this show. However, I thought I'd offer this up as I used a 4 Mic configuration that would be a bit unique. The recording came out very well. Enjoy.
Taper: Greg Holtz
2:33:53
Rating:
8.00 / 1 rating
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1989-04-06.nak100.holtz.jaz.100672.flac16
Source:
Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5
Lineage:
Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8
Source 14 of 15
2:43:38
Rating:
8.00 / 1 rating
SHNID:
gd1989-04-06.mtx.sirmick.85256.sbeok.flac16
Source:
Matrix by Sir Mick
Taper Notes:
View Notesmatrix sources: 1) SBD -> Cassette Master (TDK MA-XG90) transfer : Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 2) aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer : mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone except for Brokedown which is is from B&K 4011 source
Taper: John Bleich
2:37:46
Rating:
10.00 / 1 rating
Taper:
John Bleich
Transferrer:
SirMick
SHNID:
gd1989-04-06.aud.bleich.sirmick.83801.sbeok.flac16
Source:
aud > Nak 300 shotguns > WMD-6 > mac
Lineage:
mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac
Taper Notes:
View NotesMany thanks to John for lending me his tapes. notes: - tape flip in Drums cross faded - heavy burst of static right channel in Playin' reduced so that it is now acceptable - several large pops and some small dropouts removed from d2 & d3 - seamless join between d2 & d3 - mastered with iZotope Ozone and TC Works Native Dex transfer, editing and mastering SIRMick March 2007