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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1989
10/9/89
Tuning
1:59
Feel Like A Stranger
7:51
Built To Last
5:21
Little Red Rooster
9:27
Ramble On Rose
8:03
We Can Run
6:41
Jack-A-Roe
4:36
Stuck Inside Of Mobile With The Memphis Blues Again
11:20
Row Jimmy
11:07
The Music Never Stopped
8:12
Tuning
3:52
Playing In The Band >
10:40
Uncle John's Band >
12:03
Playing In The Band >
2:20
Dark Star >
19:18
Drums >
9:23
Space >
7:24
Death Don't Have No Mercy >
8:32
Dear Mr. Fantasy >
4:37
Hey Jude >
3:45
Throwing Stones >
10:17
Good Lovin'
6:52
Encore Break
2:27
Attics Of My Life
5:31
FIN
View on archive.org
Sources
Taper: Don Pearson
3:01:38
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-10-09.147621.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson -- Billed as 'Formerly The Warlocks' -- Tape flips and Encore patched with a Dat Master -- This file set is 16 bit @ 44.1
Taper: Don Pearson
3:01:38
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-10-09.147611.ultramatrix.sbd.pearson.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson -- Billed as 'Formerly The Warlocks' -- Tape flips and Encore patched with a Dat Master
Transferrer: Charlie Miller
3:01:48
SBD
Rating:
8.75 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-10-09.sbd.miller.80840.sbeok.flac16
Source:
SBD -> Dat (48k) D
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: The following songs were patched from Cassette Master SBD Little Red Rooster, Ramble On Rose, Jack-A-Roe through Row Jimmy Notes: -- This has an upgraded patch source -- Discs 2 and 3 can be re-joined seamlessly -- Feel Like A Stranger appears on Without A Net
Transferrer: Charlie Miller
3:02:35
SBD
Rating:
9.00 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-10-09.sbd.miller.32902.sbeok.flac16
Source:
SBD -> Dat (48k) D
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: The following songs were patched from SBD>Cm>Dat>CD>Samplitude>WAV Little Red Rooster, Ramble On Rose, Jack-A-Roe through Row Jimmy There is also a patch in Row Jimmy from 0:09 - 0:15 from Schoeps CMC4/MK21>Dat>SEK'D Prodif32>Sound Forge>CD>Samplitude>WAV Notes: -- Discs 2 and 3 can be re-joined seamlessly -- Parts of Row Jimmy mono due channel loss in left channel -- Feel Like A Stranger appears on Without A Net
Transferrer: Matrix by Kevin Tobin
2:55:30
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1989-10-09.154041.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes- Mixed by [email protected] - FLAC conversion 21-OCT-2021 - Trader Little Helper - Tagged 21-OCT-2021 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: See Notes
3:02:05
SBD
Rating:
7.00 / 4 ratings
Taper:
See Notes
Transferrer:
Dan Haugh
SHNID:
gd1989-10-09.mtx.v2.haugh.92495.flac16
Source:
SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)
Lineage:
See Notes
Transferrer: Dan Haugh
2:59:15
SBD
Rating:
8.73 / 11 ratings
Transferrer:
Dan Haugh
SHNID:
gd1989-10-09.mtx.dan.26236.sbeok.shnf
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: PCM (analog out) > DAT x 4 > CDR AUD FOB: Schoeps CMC641 > DAT --------------------------------------------------------- Tech Notes I used EAC in secure mode to extract all tracks at 100% no reported errors. Cool Edit Pro 2.0 was used to align & synch both of the sources. This is a 60% SBD, 40% AUD mix. - Mixed by [email protected] - Shn conversion 8-SEP-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. - Special thanks to "For Your Eyes Only" for images used in this artwork. --------------------------------------------------------- Notes I performed a 'light NR' to the SBD source. Disc 2 and 3 can be assembled seamlessly on longer media. 38:55.468 - 39:20.585 First verse of Jack-A-Roe missing on SBD source. Patched 25.117 using the AUD. This patch was EQ'ed & levels raised +3db. Source change from SBD to AUD is obvious to the listener. 48:42.358 - 48:42.758 Zizzle/pop/dropout in Memphis Blues on right channel only. Corrected via channel swap using .400 seconds of left channel. The result is smooth and most likely undetectable. 49:52.712 - 49:53.222 Zizzle/pop/dropout in Memphis Blues on right channel only. Corrected via channel swap using .510 seconds of left channel. The result is smooth and most likely undetectable. 50:02.412 - 50:02.525 Zizzle/pop/dropout in Memphis Blues on right channel only. Corrected via channel swap using .113 seconds of left channel. The result is smooth and most likely undetectable. Between Jack-A-Roe and Memphis Blues the AUD was missing 37.221 seconds of crow cheer. The SBD was trimmed to match. The result is smooth and most likely undetectable. 59:52.730 - 59:59.107 Drums missing on SBD source. Patched 6.377 using the AUD. This patch was EQ'ed & levels raised +3db. The result is smooth and most likely undetectable. 1:31:48.154 - 1:32:54.219 A solo and a verse of Good Lovin' missing on SBD source. Patched 1:06.065 using the AUD. This patch was EQ'ed & levels raised +3db. Source change from SBD to AUD is obvious to the listener. Billed as "Formerly The Warlocks" Last "Dark Star": 7-13-84 Last "Attics Of My Life": 9-27-72 ---------------------------------------------------------
Source 8 of 25
2:56:23
SBD
Rating:
9.66 / 83 ratings
SHNID:
gd89-10-09.sbd.serafin.7721.sbeok.shnf
Source:
Lineage: SBD > PCM (analog output) > D > D > D > D
Lineage:
SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
Taper Notes:
View NotesLineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
Source 9 of 25
2:56:23
SBD
Rating:
9.25 / 8 ratings
SHNID:
gd89-10-09.sbd.paino.2276.sbeok.shnf
Source:
SBD> CASS(x)> DAT> CDR> EAC> SHN
Taper Notes:
View NotesSBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com
Taper: Ted Mattes
3:03:40
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-10-09.142510.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston July 2, 2018
Source 11 of 25
2:57:41
Rating:
10.00 / 2 ratings
SHNID:
gd1989-10-09.158308.mtx.seamons.ht144.flac16
Source:
Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) October 9, 2022
Taper Notes:
View NotesNotes: The cassette master soundboard patches were pitch corrected: Little Red Rooster, Ramble On Rose, Jack-A-Roe, Memphis Blues, and Row Jimmy. Clicks and pops removed throughout the SBD recording. A tonal shift occurs at the beginning of Memphis Blues in the SBD. No EQ done for this matrix.
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:55:40
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-10-09.154043.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 21-OCT-2021 - Trader Little Helper - Tagged 21-OCT-2021 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Lance Deal
3:00:12
Rating:
10.00 / 2 ratings
Taper:
Lance Deal
Transferrer:
Lance Deal and jwpetty
SHNID:
gd1989-10-09.131003.cmc521.fob.deal.flac16
Source:
Master Digital FOB Recording by Lance Deal using Schoeps CMC521's> Schoeps VMS 52 UB> Technics SVMD1;
Lineage:
Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5)
Taper: Ted Mattes
3:02:53
Rating:
9.50 / 4 ratings
Taper:
Ted Mattes
Transferrer:
Lenny Stubbe and Craig Hillwig
SHNID:
gd1989-10-09.125738.mk4.flac16
Source:
Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- show billed as "Formerly The Warlocks" - Dark Star last time played 07/13/1984 (359 shows) - Attics of My Life last time played 10/28/1972 (1082 shows) - This version of Feel Like A Stranger appears on the official release "Without A Net" - power supply and DAT deck in the gear chain are unconfirmed - 48khz version exists Seeded to etree on: 09/22/2013
Taper: Ted Mattes
3:02:53
Taper:
Ted Mattes
Transferrer:
Lenny Stubbe and Craig Hillwig
SHNID:
gd1989-10-09.125737.mk4.48khz.flac16
Source:
<b>flac16/48kHz</b>; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- show billed as "Formerly The Warlocks" - Dark Star last time played 07/13/1984 (359 shows) - Attics of My Life last time played 10/28/1972 (1082 shows) - This version of Feel Like A Stranger appears on the official release "Without A Net" - power supply and DAT deck in the gear chain are unconfirmed - 44.1khz version exists Seeded to etree on: 09/22/2013
Taper: Alabama Bob,Mr. Currier
2:55:22
Taper:
Alabama Bob,Mr. Currier
Transferrer:
Keo
SHNID:
gd1989-10-09.120404.Nak300sSenn441.AlabamaBob.Currier.Keo.Flac1644
Source:
Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby B>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Added From Ted Carpenter's Nak300/CP4>Sony-TC-D5M>Maxell MX-90's Thanks Ted and Andrew for the missing songs! * Comments:A Huge Huge Thanks out To Mr. Currier for supplying these master tapes and to Alabama Bob for running the sweet 3-Mic Mix!Mr. Currier stated that these tapes have not been played but maybe once or twice since they were recorded back in 1989!Hats off to you Mr. Currier for the excellent preservation of these excellent recordings!There were a few cuts one from the first set tape flip and a couple in the end of the "Jam" and in "Drums" and at the end of "Throwing Stones" and this set of masters was missing "Good Lovin and Attics". I chose to leave the 24/96 "As Is",this 16/44 bit was patched from Ted Carpenter's Nak 300/CP4 recording for the missing songs only.I beleive in the near future I will get the chance to work on the Nak 550 masters from the lead deck down the line as well!Even though some cuts exist the "Meat" of this transfer shines and a True Honor to work on! Thanks Gentlemen!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!
Taper: Alabama Bob,Mr. Currier
2:40:27
Rating:
9.00 / 2 ratings
Taper:
Alabama Bob,Mr. Currier
Transferrer:
Keo
SHNID:
gd1989-10-09.120403.Nak300sSenn441.AlabamaBob.Currier.Keo.Flac2496
Source:
Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Huge Thanks out To Mr. Currier for supplying these master tapes and to Alabama Bob for running the sweet 3-Mic Mix!Mr. Currier stated that these tapes have not been played but maybe once or twice since they were recorded back in 1989!Hats off to you Mr. Currier for the excellent preservation of these excellent recordings!There were a few cuts one from the first set tape flip and a couple in the end of the "Jam" and in "Drums" and at the end of "Throwing Stones" and this set of masters was missing "Good Lovin and Attics". I chose to leave this 24/96 transfer "As Is".I beleive in the near future I will get the chance to work on the Nak 550 masters from the lead deck down the line as well!Even though some cuts exist the "Meat" of this transfer shines and a True Honor to work on!Thanks Gentlemen! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!
Transferrer: Jeff Bowen;Brad Foster
3:04:21
Transferrer:
Jeff Bowen;Brad Foster
SHNID:
gd1989-10-09.nak300.juteau.116646.flac
Source:
Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10;
Lineage:
DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster
Taper Notes:
View NotesNotes: - Billed as 'Formerly The Warlocks.' - Dark Star LTP = 1984-07-13. - Attics Of My Life LTP = 1972-10-28. - One sec. spot of digi-noise during s2t05 Dark Star at [12:53]. - Tracked by set, burn to disc however you please. -- Thanks to Gene for sharing his master! Thanks to Jeff for sharing his transfer! All discs extracted in secure/range mode, seamlessly joined to one file and re-tracked by set. Log and cue files included. Enjoy!
Source 19 of 25
2:47:32
Rating:
8.67 / 4 ratings
SHNID:
gd1989-10-09.099647
Taper: See Notes
3:02:05
Taper:
See Notes
Transferrer:
Dan Haugh
SHNID:
gd1989-10-09.mtx.dts.haugh.92005.flac16
Source:
Three Source DTS-Audio-CD 5.1 Mix
Lineage:
See Notes
Taper: Ted Carpenter
2:59:35
Rating:
9.60 / 10 ratings
Taper:
Ted Carpenter
Transferrer:
Andrew F.
SHNID:
gd1989-10-09.nak304.carpenter.89563.sbeok.flac16
Source:
Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes- ShnID-443 patches cover the 2nd set tape-flips, as follows: - Dark Star 18:28 > 18:32, and Good Lovin' 0:10 > 0:21. - Second set disc break is seamless. - Soundforge used to make fades, add patches, and adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums.
Taper: Rob R
3:05:32
Rating:
9.00 / 2 ratings
Taper:
Rob R
SHNID:
gd1989-10-09.aud.robr.31211.sbeok.shnf
Source:
3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn
Transferrer: Dan Haugh
2:59:15
Transferrer:
Dan Haugh
SHNID:
gd1989-10-09.dts.dan.26235.sbeok.shnf
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: PCM (analog out) > DAT x 4 > CDR AUD FOB: Schoeps CMC641 > DAT --------------------------------------------------------- Tech Notes I used EAC in secure mode to extract all tracks at 100% no reported errors. Cool Edit Pro 2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the AUD source, center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - Shn conversion 8-SEP-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. - Special thanks to "For Your Eyes Only" for images used in this artwork. --------------------------------------------------------- DTS-Audio-CD Info Front Left Left Channel SBD: PCM (analog out) > DAT Front Right Right Channel SBD: PCM (analog out) > DAT Center Mono Mix -5db SBD: PCM (analog out) > DAT Surround Left Left Channel FOB: Schoeps CMC641 > DAT Surround Right Right Channel FOB: Schoeps CMC641 > DAT Sub/LFE Mono Mix -4db SBD: PCM (analog out) > DAT --------------------------------------------------------- Notes I performed a 'light NR' to the SBD source. Disc 2 and 3 can be assembled seamlessly on longer media. 38:55.468 - 39:20.585 First verse of Jack-A-Roe missing on SBD source. Patched 25.117 using the AUD. This patch was EQ'ed & levels raised +3db. Source change from SBD to AUD is obvious to the listener. 48:42.358 - 48:42.758 Zizzle/pop/dropout in Memphis Blues on right channel only. Corrected via channel swap using .400 seconds of left channel. The result is smooth and most likely undetectable. 49:52.712 - 49:53.222 Zizzle/pop/dropout in Memphis Blues on right channel only. Corrected via channel swap using .510 seconds of left channel. The result is smooth and most likely undetectable. 50:02.412 - 50:02.525 Zizzle/pop/dropout in Memphis Blues on right channel only. Corrected via channel swap using .113 seconds of left channel. The result is smooth and most likely undetectable. Between Jack-A-Roe and Memphis Blues the AUD was missing 37.221 seconds of crow cheer. The SBD was trimmed to match. The result is smooth and most likely undetectable. 59:52.730 - 59:59.107 Drums missing on SBD source. Patched 6.377 using the AUD. This patch was EQ'ed & levels raised +3db. The result is smooth and most likely undetectable. 1:31:48.154 - 1:32:54.219 A solo and a verse of Good Lovin' missing on SBD source. Patched 1:06.065 using the AUD. This patch was EQ'ed & levels raised +3db. Source change from SBD to AUD is obvious to the listener. Billed as "Formerly The Warlocks" Last "Dark Star": 7-13-84 Last "Attics Of My Life": 9-27-72 --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way you would burn any normal Audio-CD from .shn files. ---------------------------------------------------------
Transferrer: JR Fishman
2:58:29
Rating:
10.00 / 1 rating
Transferrer:
JR Fishman
SHNID:
gd1989-10-09.aud.fishman.17704.sbeok.shnf
Source:
Schoeps CMC421>DAT>CD>EAC>ADDAWAV>CDWav>WAV>SHN (FOB)
Taper Notes:
View NotesRecording Notes ------------------------ This is a slightly boomy but a very good recording of the classic 2nd "stealth show" from the 2 nite Hampton 10/89 mini-run. Some minor retracking of the original CD's was done with ADDAWAV/CDWAV from a copy burned in 1998 using a Fostex D-10 STudio DAT Standalone hhb CD recorder. All CD's can be placed back together on one contiguous medium (DAT, DVD-R) Music Notes ------------------ * - The tracking for UJB is correct / Garcia was offkey for the 1st few notes of Uncle's Johns Band (1) - A slightly amusing loud woman (nearing an auditory orgasm) is heard prominently during the 1st 2 minutes of Dark Star All conversions done by JR Fishman [email protected] NY, NY
Source 25 of 25
2:59:40
Rating:
8.15 / 14 ratings
SHNID:
gd89-10-09.schoeps.howland.443.sbeok.shnf
Source:
Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav>WAV > SHN
Taper Notes:
View NotesSchoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif 32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav> WAV > SHN; via T. Howland; note set 1 will fit all on d1 if you overburn 26 sec; listener M. Burgess reports, "first set sounds ok, maybe a little muddy, but the second sounds thin and trebley, totally different from the first set"; note Mark Ferguson renamed md5s and shns with his 8/3/00 rehosting- see his public comments, and md5s marked "ren" (for "rename")