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Today In History
June 15th
7 shows
74 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.4k169
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.7k254
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k238
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.7k363
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k357
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k718
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k268
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k137
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.4k545
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h86199
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.4k736
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.4k295
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h958121
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k163
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h1.9k241
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k455
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1k150
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k212
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.4k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h44046
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.1k400
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k527
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k314
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k165
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k148
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h77093
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12517
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h41925
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1989
4/15/89
Mississippi Half Step
7:01
Feel Like a Stranger >
7:47
Franklin's Tower
8:40
Walkin' Blues
7:40
When Push Comes to Shove
4:59
Queen Jane Approximately
8:22
Blow Away >
9:43
Promised Land [crowd fades out]
4:48
China Cat Sunflower
5:14
Know You Rider
6:09
Playing in the Band >
8:03
Terrapin Station >
12:55
Drums >
10:28
Drums //
1:51
Space >
6:19
I Will Take You Home >
4:01
All Along the Watchtower >
6:26
Morning Dew
13:40
One More Saturday Night
5:01
FIN
View on archive.org
Sources
Taper: Don Pearson
2:24:18
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-04-15.147385.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4 > PCM Master (shnid=141013) supplies: Space (2:59 - 3:09) All Transfers and Mastering By Charlie Miller [email protected] July 31, 2019 Notes: -- Recorded by Don Pearson -- Thanks to Ted Mattes for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:24:18
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-04-15.147300.sbd.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4 > PCM Master (shnid=141013) supplies: Space (2:59 - 3:09) Notes: -- Recorded by Don Pearson -- Thanks to Ted Mattes for the patch source
Transferrer: Charlie Miller
2:25:33
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-15.sbd.walker-scotton.miller.82405.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (2) Nakamichi 300/CP4 (2) Sennheiser 441 -> Cassette Master -> CD Space (2:55 - 3:03) Notes: -- Encore moved to end of 1st set to fit show onto 2 discs -- 2nd Set and Encore can be re-joined seamlessly -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Steve Cherson
Transferrer: SIRMick
1:00:33
SBD
Transferrer:
SIRMick
SHNID:
gd1989-04-15.128700.set1.mtx.sirmick.flac16
Source:
Set One 2 source Matrix 80% sbd/20% soundtrack; Audio edited with iZotope Ozone 5 advanced; Matrix created with Adobe Audition 1.5; Audio editing and matrix by SIRMick
Taper Notes:
View Notes2 source Matrix 80% sbd/20% soundtrack - I reduced the sbd gain in left channel to centre the vocals - The soundtrack has been edited to stereoise the mids and bass Audio edited with iZotope Ozone 5 advanced Matrix created with Adobe Audition 1.5 Thanks to all involved. Audio editing and matrix SIRMick May 2014
Transferrer: GEMS
2:18:33
SBD
Rating:
8.00 / 1 rating
Transferrer:
GEMS
SHNID:
gd1989-04-15.sbd.healy.gems.80277.flac16
Source:
Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2)
Lineage:
Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48)
Taper Notes:
View Notes* Tape flip after Push [4:48] and before Queen Jane (no gap) ** [09:17] Tape saturates w/ bass frequencies as does master (~4sec). *** [02:59] Tape Flip and 04 sec. gap. The removal won�t affect any future patches if they surface (hopefully). Transferred, re-mastered and lossless compression by [email protected] A GEMS production -+-+- www.shnflac.net -+-+- November 2006
Source 6 of 14
2:16:51
SBD
Rating:
7.07 / 15 ratings
SHNID:
gd89-04-15.dsbd.jerugim.430.sbefail.shnf
Source:
Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN
Taper Notes:
View NotesMatrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well;  via A. Jerugim
Transferrer: Scott Clugston and Charlie Miller
2:24:43
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-15.141013.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.patched.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesPatch info: Source #106308 Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3 - 2 Nakamichi CM300 CP4 - 1 Nakamichi CM300 CP1 supplies 3:39 - 4:49 of t10 - China Cat Sunflower
Taper: Ted Mattes
2:24:42
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-15.140992.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Source 9 of 14
2:24:05
SHNID:
gd1989-04-15.167804.mtx.seamons.ht168.flac1644
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) June 17, 2024
Taper Notes:
View NotesThe SBD source generally ran from 0.9% to 1.1% slow and was pitch corrected as needed. The older "Paul Scotton and Joani Walker" SBD source (2006) was preferred over the newer "Don Pearson" source (2019). The sound is virtually the same between the two sources, but after a bunch of A/B comparisons of different sections, including conducting several blind experiments that produced totally consistent results, we concluded that the Scotton/Walker source sounded SLIGHTLY brighter and fuller. The Pearson source was a tiny bit more subdued sounding. The 2018 transfer of Ted's audience tape was preferred over the 2021 remaster for this matrix project. Click removed in Half-Step. No EQ needed.
Taper: Master Audience PCM recording by Ted Mattes
2:25:41
Taper:
Master Audience PCM recording by Ted Mattes
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 11, 2021
SHNID:
gd1989-04-15.156416.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
Source:
(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)
Lineage:
PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44
Taper Notes:
View NotesNotes; - Same source as shnid 141013 w/ a fresh transfer & different mastering. - emphasis undecoded - DC Bias Adjust: 0% Thanks; - to Ted Mattes for sharing his recording - to Anon for the transfer while hiding out away from the Bay Area
Taper: Mike Darby
2:18:58
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-15.AKG451.Darby.118401.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:A Huge,Huge,Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent recording and perfomance from the spring 89 GD Tour!!!!!!!!! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:18:58
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-15.AKG451.Darby.118400.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:A Huge,Huge,Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent recording and perfomance from the spring 89 GD Tour!!!!!!!!! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Dave Cohen and Justin Lee
2:19:07
Rating:
7.00 / 2 ratings
Taper:
Dave Cohen and Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1989-04-15.nak300.lee-cohen.106308.sbeok.flac16
Source:
2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. OTS Sec. PP Row 5 Seat 3.
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Greg Holtz
2:15:36
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1989-04-15.nak100.holtz.jaz.102457.flac16
Source:
Nakamichi CM-100 mics with CP-1 caps -> Sony WM-D6
Lineage:
Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8