Bands
Featured
Bands
Grateful Dead
Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57177
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k252
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k299
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.4k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k304
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k133
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2k225
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h76687
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k191
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.4k626
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k232
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k303
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k206
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k251
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.5k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k553
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.4k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k272
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k196
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k197
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k167
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72390
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41826
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1989
Sources
Taper: Don Pearson
2:24:18
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-04-15.147385.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4 > PCM Master (shnid=141013) supplies: Space (2:59 - 3:09) All Transfers and Mastering By Charlie Miller [email protected] July 31, 2019 Notes: -- Recorded by Don Pearson -- Thanks to Ted Mattes for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:24:18
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-04-15.147300.sbd.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4 > PCM Master (shnid=141013) supplies: Space (2:59 - 3:09) Notes: -- Recorded by Don Pearson -- Thanks to Ted Mattes for the patch source
Transferrer: Charlie Miller
2:25:33
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-15.sbd.walker-scotton.miller.82405.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (2) Nakamichi 300/CP4 (2) Sennheiser 441 -> Cassette Master -> CD Space (2:55 - 3:03) Notes: -- Encore moved to end of 1st set to fit show onto 2 discs -- 2nd Set and Encore can be re-joined seamlessly -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Steve Cherson
Transferrer: SIRMick
1:00:33
SBD
Transferrer:
SIRMick
SHNID:
gd1989-04-15.128700.set1.mtx.sirmick.flac16
Source:
Set One 2 source Matrix 80% sbd/20% soundtrack; Audio edited with iZotope Ozone 5 advanced; Matrix created with Adobe Audition 1.5; Audio editing and matrix by SIRMick
Taper Notes:
View Notes2 source Matrix 80% sbd/20% soundtrack - I reduced the sbd gain in left channel to centre the vocals - The soundtrack has been edited to stereoise the mids and bass Audio edited with iZotope Ozone 5 advanced Matrix created with Adobe Audition 1.5 Thanks to all involved. Audio editing and matrix SIRMick May 2014
Transferrer: GEMS
2:18:33
SBD
Rating:
8.00 / 1 rating
Transferrer:
GEMS
SHNID:
gd1989-04-15.sbd.healy.gems.80277.flac16
Source:
Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2)
Lineage:
Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48)
Taper Notes:
View Notes* Tape flip after Push [4:48] and before Queen Jane (no gap) ** [09:17] Tape saturates w/ bass frequencies as does master (~4sec). *** [02:59] Tape Flip and 04 sec. gap. The removal won�t affect any future patches if they surface (hopefully). Transferred, re-mastered and lossless compression by [email protected] A GEMS production -+-+- www.shnflac.net -+-+- November 2006
Source 6 of 14
2:16:51
SBD
Rating:
7.07 / 15 ratings
SHNID:
gd89-04-15.dsbd.jerugim.430.sbefail.shnf
Source:
Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN
Taper Notes:
View NotesMatrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well;  via A. Jerugim
Transferrer: Scott Clugston and Charlie Miller
2:24:43
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-15.141013.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.patched.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesPatch info: Source #106308 Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3 - 2 Nakamichi CM300 CP4 - 1 Nakamichi CM300 CP1 supplies 3:39 - 4:49 of t10 - China Cat Sunflower
Taper: Ted Mattes
2:24:42
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-15.140992.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Source 9 of 14
2:24:05
SHNID:
gd1989-04-15.167804.mtx.seamons.ht168.flac1644
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) June 17, 2024
Taper Notes:
View NotesThe SBD source generally ran from 0.9% to 1.1% slow and was pitch corrected as needed. The older "Paul Scotton and Joani Walker" SBD source (2006) was preferred over the newer "Don Pearson" source (2019). The sound is virtually the same between the two sources, but after a bunch of A/B comparisons of different sections, including conducting several blind experiments that produced totally consistent results, we concluded that the Scotton/Walker source sounded SLIGHTLY brighter and fuller. The Pearson source was a tiny bit more subdued sounding. The 2018 transfer of Ted's audience tape was preferred over the 2021 remaster for this matrix project. Click removed in Half-Step. No EQ needed.
Taper: Master Audience PCM recording by Ted Mattes
2:25:41
Taper:
Master Audience PCM recording by Ted Mattes
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 11, 2021
SHNID:
gd1989-04-15.156416.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
Source:
(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)
Lineage:
PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44
Taper Notes:
View NotesNotes; - Same source as shnid 141013 w/ a fresh transfer & different mastering. - emphasis undecoded - DC Bias Adjust: 0% Thanks; - to Ted Mattes for sharing his recording - to Anon for the transfer while hiding out away from the Bay Area
Taper: Mike Darby
2:18:58
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-15.AKG451.Darby.118401.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:A Huge,Huge,Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent recording and perfomance from the spring 89 GD Tour!!!!!!!!! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:18:58
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-15.AKG451.Darby.118400.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:A Huge,Huge,Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent recording and perfomance from the spring 89 GD Tour!!!!!!!!! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Dave Cohen and Justin Lee
2:19:07
Rating:
7.00 / 2 ratings
Taper:
Dave Cohen and Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1989-04-15.nak300.lee-cohen.106308.sbeok.flac16
Source:
2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. OTS Sec. PP Row 5 Seat 3.
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Greg Holtz
2:15:36
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1989-04-15.nak100.holtz.jaz.102457.flac16
Source:
Nakamichi CM-100 mics with CP-1 caps -> Sony WM-D6
Lineage:
Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8