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Today In History
June 9th
Years
1995
29.8k
PlaybackListensHours
48h62484
7d4k544
30d29.8k4.2k
49 shows
341 tapes
1994
8.4k
PlaybackListensHours
48h1.6k201
7d1.4k195
30d8.4k1.2k
85 shows
460 tapes
1993
38.1k
PlaybackListensHours
48h2.9k361
7d8k1.1k
30d38.1k5k
83 shows
656 tapes
1992
35.9k
PlaybackListensHours
48h2.2k291
7d4k503
30d35.9k4.8k
57 shows
539 tapes
1991
38.5k
PlaybackListensHours
48h3.1k455
7d11k1.5k
30d38.5k5.2k
78 shows
973 tapes
1990
34.4k
PlaybackListensHours
48h8.8k1.1k
7d5.6k731
30d34.4k4.5k
78 shows
1,139 tapes
1989
46.7k
PlaybackListensHours
48h2.3k283
7d7.2k909
30d46.7k5.8k
78 shows
1,017 tapes
1988
21.1k
PlaybackListensHours
48h1.1k127
7d2.7k310
30d21.1k2.4k
82 shows
882 tapes
1987
33.6k
PlaybackListensHours
48h1.7k193
7d5.2k565
30d33.6k3.7k
88 shows
1,025 tapes
1986
12k
PlaybackListensHours
48h66074
7d1.9k211
30d12k1.4k
47 shows
683 tapes
1985
21.3k
PlaybackListensHours
48h1.3k155
7d3.9k464
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h2.4k283
7d2.8k363
30d15.3k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.1k153
7d3.2k413
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.7k457
30d41.6k5.2k
63 shows
753 tapes
1981
49.2k
PlaybackListensHours
48h1.4k172
7d4.6k599
30d49.2k6.2k
92 shows
868 tapes
1980
69.6k
PlaybackListensHours
48h5.3k589
7d11.8k1.3k
30d69.6k8.1k
91 shows
794 tapes
1979
24.5k
PlaybackListensHours
48h1.4k204
7d2.8k389
30d24.5k3.4k
79 shows
600 tapes
1978
53.2k
PlaybackListensHours
48h1.7k227
7d11k1.4k
30d53.2k7.3k
87 shows
592 tapes
1977
286k
PlaybackListensHours
48h19.5k2.7k
7d35.1k4.7k
30d286k39.4k
64 shows
419 tapes
1976
49.6k
PlaybackListensHours
48h5.3k761
7d14.8k2.1k
30d49.6k6.7k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h58958
7d1.7k157
30d6.2k638
25 shows
63 tapes
1974
98.7k
PlaybackListensHours
48h7.3k960
7d9.1k1.1k
30d98.7k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.3k674
7d9.2k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
69.8k
PlaybackListensHours
48h2.2k274
7d6.8k831
30d69.8k8.5k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.6k172
7d4.5k500
30d33.5k3.8k
82 shows
357 tapes
1970
44.4k
PlaybackListensHours
48h2.1k232
7d16.6k1.7k
30d44.4k4.7k
101 shows
376 tapes
1969
25.9k
PlaybackListensHours
48h1.8k298
7d5.7k931
30d25.9k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h887120
7d991122
30d6.7k831
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13718
7d26437
30d1.5k202
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h26614
7d76858
30d7.9k532
32 shows
78 tapes
1965
579
PlaybackListensHours
48h332
7d925
30d57934
2 shows
2 tapes
1989
4/15/89
Tuning
0:47
Mississippi Half-Step Uptown Toodeloo >
6:57
Feel Like A Stranger >
7:45
Franklin's Tower >
8:38
Walkin' Blues
7:43
When Push Comes To Shove
5:37
Queen Jane Approximately
8:23
Blow Away >
9:39
Promised Land
5:00
Tuning
1:11
China Cat Sunflower >
5:20
I Know You Rider
5:51
Playing In The Band >
8:05
Terrapin Station >
12:53
Drums >
10:14
Space >
8:25
I Will Take You Home >
4:03
All Along The Watchtower >
6:23
Morning Dew
12:54
Encore Break
3:20
One More Saturday Night
5:10
FIN
View on archive.org
Sources
Taper: Don Pearson
2:24:18
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-04-15.147385.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4 > PCM Master (shnid=141013) supplies: Space (2:59 - 3:09) All Transfers and Mastering By Charlie Miller [email protected] July 31, 2019 Notes: -- Recorded by Don Pearson -- Thanks to Ted Mattes for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:24:18
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-04-15.147300.sbd.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4 > PCM Master (shnid=141013) supplies: Space (2:59 - 3:09) Notes: -- Recorded by Don Pearson -- Thanks to Ted Mattes for the patch source
Transferrer: Charlie Miller
2:25:33
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-15.sbd.walker-scotton.miller.82405.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (2) Nakamichi 300/CP4 (2) Sennheiser 441 -> Cassette Master -> CD Space (2:55 - 3:03) Notes: -- Encore moved to end of 1st set to fit show onto 2 discs -- 2nd Set and Encore can be re-joined seamlessly -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Steve Cherson
Transferrer: SIRMick
1:00:33
SBD
Transferrer:
SIRMick
SHNID:
gd1989-04-15.128700.set1.mtx.sirmick.flac16
Source:
Set One 2 source Matrix 80% sbd/20% soundtrack; Audio edited with iZotope Ozone 5 advanced; Matrix created with Adobe Audition 1.5; Audio editing and matrix by SIRMick
Taper Notes:
View Notes2 source Matrix 80% sbd/20% soundtrack - I reduced the sbd gain in left channel to centre the vocals - The soundtrack has been edited to stereoise the mids and bass Audio edited with iZotope Ozone 5 advanced Matrix created with Adobe Audition 1.5 Thanks to all involved. Audio editing and matrix SIRMick May 2014
Transferrer: GEMS
2:18:33
SBD
Rating:
8.00 / 1 rating
Transferrer:
GEMS
SHNID:
gd1989-04-15.sbd.healy.gems.80277.flac16
Source:
Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2)
Lineage:
Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48)
Taper Notes:
View Notes* Tape flip after Push [4:48] and before Queen Jane (no gap) ** [09:17] Tape saturates w/ bass frequencies as does master (~4sec). *** [02:59] Tape Flip and 04 sec. gap. The removal won�t affect any future patches if they surface (hopefully). Transferred, re-mastered and lossless compression by [email protected] A GEMS production -+-+- www.shnflac.net -+-+- November 2006
Source 6 of 14
2:16:51
SBD
Rating:
7.07 / 15 ratings
SHNID:
gd89-04-15.dsbd.jerugim.430.sbefail.shnf
Source:
Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN
Taper Notes:
View NotesMatrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well;  via A. Jerugim
Transferrer: Scott Clugston and Charlie Miller
2:24:43
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-15.141013.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.patched.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesPatch info: Source #106308 Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3 - 2 Nakamichi CM300 CP4 - 1 Nakamichi CM300 CP1 supplies 3:39 - 4:49 of t10 - China Cat Sunflower
Taper: Ted Mattes
2:24:42
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-15.140992.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
Source 9 of 14
2:24:05
SHNID:
gd1989-04-15.167804.mtx.seamons.ht168.flac1644
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) June 17, 2024
Taper Notes:
View NotesThe SBD source generally ran from 0.9% to 1.1% slow and was pitch corrected as needed. The older "Paul Scotton and Joani Walker" SBD source (2006) was preferred over the newer "Don Pearson" source (2019). The sound is virtually the same between the two sources, but after a bunch of A/B comparisons of different sections, including conducting several blind experiments that produced totally consistent results, we concluded that the Scotton/Walker source sounded SLIGHTLY brighter and fuller. The Pearson source was a tiny bit more subdued sounding. The 2018 transfer of Ted's audience tape was preferred over the 2021 remaster for this matrix project. Click removed in Half-Step. No EQ needed.
Taper: Master Audience PCM recording by Ted Mattes
2:25:41
Taper:
Master Audience PCM recording by Ted Mattes
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 11, 2021
SHNID:
gd1989-04-15.156416.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
Source:
(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)
Lineage:
PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44
Taper Notes:
View NotesNotes; - Same source as shnid 141013 w/ a fresh transfer & different mastering. - emphasis undecoded - DC Bias Adjust: 0% Thanks; - to Ted Mattes for sharing his recording - to Anon for the transfer while hiding out away from the Bay Area
Taper: Mike Darby
2:18:58
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-15.AKG451.Darby.118401.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:A Huge,Huge,Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent recording and perfomance from the spring 89 GD Tour!!!!!!!!! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:18:58
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-15.AKG451.Darby.118400.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:A Huge,Huge,Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent recording and perfomance from the spring 89 GD Tour!!!!!!!!! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Dave Cohen and Justin Lee
2:19:07
Rating:
7.00 / 2 ratings
Taper:
Dave Cohen and Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1989-04-15.nak300.lee-cohen.106308.sbeok.flac16
Source:
2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. OTS Sec. PP Row 5 Seat 3.
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Greg Holtz
2:15:36
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1989-04-15.nak100.holtz.jaz.102457.flac16
Source:
Nakamichi CM-100 mics with CP-1 caps -> Sony WM-D6
Lineage:
Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8