Feel Like A Stranger > | 1989-04-15 | Grateful Dead

View NotesPatch Info:
Schoeps CMC4/MK4 > PCM Master (shnid=141013) supplies:
Space (2:59 - 3:09)

All Transfers and Mastering By Charlie Miller
[email protected]
July 31, 2019

Notes:
-- Recorded by Don Pearson
-- Thanks to Ted Mattes for the patch source
-- This file set is 16 bit @ 44.1

Taper: Don Pearson

2:24:18

SBD

gd1989-04-15.147300.sbd.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesPatch Info:
Schoeps CMC4/MK4 > PCM Master (shnid=141013) supplies:
Space (2:59 - 3:09)

Notes:
-- Recorded by Don Pearson
-- Thanks to Ted Mattes for the patch source

Transferrer: Charlie Miller

gd1989-04-15.sbd.walker-scotton.miller.82405.sbeok.flac16

Source:

SBD -> Cassette Master (TDK MA-XG90) D

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesPatch Info:
(2) Nakamichi 300/CP4   (2) Sennheiser 441 -> Cassette Master -> CD
Space (2:55 - 3:03)
Notes:
-- Encore moved to end of 1st set to fit show onto 2 discs
-- 2nd Set and Encore can be re-joined seamlessly
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- Patch source recorded By Steve Cherson

Transferrer: SIRMick

gd1989-04-15.128700.set1.mtx.sirmick.flac16

Source:

Set One 2 source Matrix 80% sbd/20% soundtrack; Audio edited with iZotope Ozone 5 advanced; Matrix created with Adobe Audition 1.5; Audio editing and matrix by SIRMick

Taper Notes:

View Notes2 source Matrix  80% sbd/20% soundtrack
- I reduced the sbd gain in left channel to centre the vocals
- The soundtrack has been edited to stereoise the mids and bass

Audio edited with iZotope Ozone 5 advanced
Matrix created with Adobe Audition 1.5


Thanks to all involved.

Audio editing and matrix
SIRMick
May 2014

Transferrer: GEMS

gd1989-04-15.sbd.healy.gems.80277.flac16

Source:

Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2)

Lineage:

Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48)

Taper Notes:

View Notes* Tape flip after Push [4:48] and  before Queen Jane (no gap)
** [09:17] Tape saturates w/ bass frequencies as does master (~4sec).
*** [02:59] Tape Flip and 04 sec. gap.  The removal won�t affect any future patches if they surface (hopefully). 

Transferred, re-mastered and lossless compression by [email protected]

A GEMS production -+-+- www.shnflac.net -+-+- November 2006

Source 6 of 14

gd89-04-15.dsbd.jerugim.430.sbefail.shnf

Source:

Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN

Taper Notes:

View NotesMatrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws
- 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some
clipping on the left channel due to drums and bass being too high in the
SBD mix. The master has this flaw as well;Â  via A. Jerugim

Transferrer: Scott Clugston and Charlie Miller

2:24:43

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1989-04-15.141013.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.patched.flac1644

Source:

Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesPatch info:
Source #106308
Recorded by Justin Lee & Dave Cohen
OTS Sec. PP Row 5 Seat 3
- 2 Nakamichi CM300 CP4
- 1 Nakamichi CM300 CP1
supplies 3:39 - 4:49 of t10 - China Cat Sunflower

Taper: Ted Mattes

Scott Clugston and Charlie Miller

SHNID:

gd1989-04-15.140992.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644

Source:

Source 9 of 14

2:24:05

SHNID:

gd1989-04-15.167804.mtx.seamons.ht168.flac1644

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) June 17, 2024

Taper Notes:

View NotesThe SBD source generally ran from 0.9% to 1.1% slow and was pitch corrected as needed.

The older "Paul Scotton and Joani Walker" SBD source (2006) was preferred over the newer "Don Pearson" source (2019). The sound is virtually the same between the two sources, but after a bunch of A/B comparisons of different sections, including conducting several blind experiments that produced totally consistent results, we concluded that the Scotton/Walker source sounded SLIGHTLY brighter and fuller. The Pearson source was a tiny bit more subdued sounding.

The 2018 transfer of Ted's audience tape was preferred over the 2021 remaster for this matrix project.

Click removed in Half-Step.

No EQ needed.

Taper: Master Audience PCM recording by Ted Mattes

2:25:41

Taper:

Master Audience PCM recording by Ted Mattes

Transferrer:

Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 11, 2021

SHNID:

gd1989-04-15.156416.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16

Source:

(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)

Lineage:

PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44

Taper Notes:

View NotesNotes;
- Same source as shnid 141013 w/ a fresh transfer & different mastering.
- emphasis undecoded
- DC Bias Adjust: 0%

Thanks;
- to Ted Mattes for sharing his recording
- to Anon for the transfer while hiding out away from the Bay Area

Taper: Mike Darby

gd1989-04-15.AKG451.Darby.118401.Flac1644

Source:

Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software

Taper Notes:

View NotesComments:A Huge,Huge,Huge Thanks out to Mr. Darby
for recording and sharing his source for this 
excellent recording and perfomance from the spring
89 GD Tour!!!!!!!!!
As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Mike Darby

gd1989-04-15.AKG451.Darby.118400.Flac2448

Source:

Taper Notes:

View NotesComments:A Huge,Huge,Huge Thanks out to Mr. Darby
for recording and sharing his source for this 
excellent recording and perfomance from the spring
89 GD Tour!!!!!!!!!
As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Dave Cohen and Justin Lee

Dave Cohen and Justin Lee

Transferrer:

Dave Cohen

SHNID:

gd1989-04-15.nak300.lee-cohen.106308.sbeok.flac16

Source:

2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. OTS Sec. PP Row 5 Seat 3.