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Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1989
4/11/89
Crowd/Tuning
2:43
Shakedown Street
13:35
Little Red Rooster
9:54
Friend Of The Devil
9:13
Victim Or The Crime
7:50
Built To Last
5:47
We Can Run
4:25
Memphis Blues>
9:11
Deal, Set Break
9:13
Tuning
3:13
Samson And Delilah>
7:12
Crazy Fingers>
7:40
Playing In The Band>
8:40
Terrapin Station>
12:31
Drums>
9:20
Space>
6:44
Gimme Some Lovin'>
5:19
Standing On The Moon>
6:39
Throwing Stones>
9:44
Not Fade Away,NFA Chant,Encore Break
7:53
U.S. Blues
5:42
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:47:59
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-11.148145.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] November 5, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:47:59
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-11.147985.sbd.ultramatrix.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] November 5, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete
Source 3 of 9
2:47:58
SBD
Rating:
7.87 / 17 ratings
SHNID:
gd89-04-11.sbd.miller.15109.sbeok.shnf
Source:
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
Taper Notes:
View NotesSBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
Taper: Ted Mattes
2:51:05
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-11.141850.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS)
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the PCM master - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mr. Darby and Keo for the shnid120303 AKG C451E/CK1 source which supplies a 0:04 patch in "Samson & Delilah", as well as 0:02.6, 0:01.5 and 0:01.9 patches in "Crazy Fingers" Mastered by Scott Clugston April 24, 2018
Taper: Master Audience PCM recording by Ted Mattes
2:51:25
Taper:
Master Audience PCM recording by Ted Mattes
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 01, 2021
SHNID:
gd1989-04-11.156413.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
Source:
(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)
Lineage:
PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44
Taper Notes:
View NotesNotes; - Same source as shnid 141850 just a fresh transfer w/ different mastering. - None of the d/o's that occurred in the previous transfer are present in this source. - emphasis undecoded - DC Bias Adjust: 0% Thanks; - to Ted Mattes for sharing his recording - to Anon for the transfer while hiding out away from the Bay Area
Taper: Mike Darby
2:42:28
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-11.AKG451.Darby.120303.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:42:28
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-11.AKG451.Darby.120302.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Justin Lee
2:41:23
Taper:
Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1989-04-11.nak300.lee.cohen.106238.flac16
Source:
2 Nakamichi CM300s CP4 + 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. .
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Greg Holtz
2:41:24
Rating:
9.00 / 2 ratings
Taper:
Greg Holtz
Transferrer:
Brian Green and Evan K.
SHNID:
gd1989-04-11.nak100.holtz.LMPP.94240.flac16
Source:
OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5
Lineage:
Master Audience Cassette > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH)
Taper Notes:
View NotesNotes: - There were multiple instances of dropouts throughout this source due to a faulty cable in the rig . Patches were required in Shakedown Street , Victim Or The Crime, Built to last, We Can Run But We Can't Hide, Memphis Blues, Deal, Samson & Delilah, and US Blues. All patch material was derived from the only other circulating source Shn ID 15109 - There are a few blemishes throughout that were less intrusive than a patch. - This is another fine specimen unearthed thanks to Greg. To date, this is the first and only aud of this show. The overall quality is nice, and the show is a good one. lots of energy. Enjoy!!!!