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Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h60078
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.3k156
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.3k283
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k278
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h5.3k753
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h6.7k839
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.7k342
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k142
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.8k197
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h76484
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k175
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k135
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.5k205
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.5k189
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.9k235
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h8.6k926
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.5k212
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.8k243
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h23.3k3.3k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3k417
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h81579
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.5k978
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.7k482
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.6k315
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k166
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h4.1k409
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.5k397
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h799109
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14819
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23914
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h372
7d1156
30d59235
2 shows
2 tapes
1989
4/11/89
Crowd/Tuning
2:43
Shakedown Street
13:35
Little Red Rooster
9:54
Friend Of The Devil
9:13
Victim Or The Crime
7:50
Built To Last
5:47
We Can Run
4:25
Memphis Blues>
9:11
Deal, Set Break
9:13
Tuning
3:13
Samson And Delilah>
7:12
Crazy Fingers>
7:40
Playing In The Band>
8:40
Terrapin Station>
12:31
Drums>
9:20
Space>
6:44
Gimme Some Lovin'>
5:19
Standing On The Moon>
6:39
Throwing Stones>
9:44
Not Fade Away,NFA Chant,Encore Break
7:53
U.S. Blues
5:42
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:47:59
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-11.148145.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] November 5, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:47:59
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-11.147985.sbd.ultramatrix.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] November 5, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete
Source 3 of 9
2:47:58
SBD
Rating:
7.87 / 17 ratings
SHNID:
gd89-04-11.sbd.miller.15109.sbeok.shnf
Source:
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
Taper Notes:
View NotesSBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
Taper: Ted Mattes
2:51:05
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-11.141850.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS)
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the PCM master - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mr. Darby and Keo for the shnid120303 AKG C451E/CK1 source which supplies a 0:04 patch in "Samson & Delilah", as well as 0:02.6, 0:01.5 and 0:01.9 patches in "Crazy Fingers" Mastered by Scott Clugston April 24, 2018
Taper: Master Audience PCM recording by Ted Mattes
2:51:25
Taper:
Master Audience PCM recording by Ted Mattes
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 01, 2021
SHNID:
gd1989-04-11.156413.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
Source:
(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)
Lineage:
PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44
Taper Notes:
View NotesNotes; - Same source as shnid 141850 just a fresh transfer w/ different mastering. - None of the d/o's that occurred in the previous transfer are present in this source. - emphasis undecoded - DC Bias Adjust: 0% Thanks; - to Ted Mattes for sharing his recording - to Anon for the transfer while hiding out away from the Bay Area
Taper: Mike Darby
2:42:28
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-11.AKG451.Darby.120303.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:42:28
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-11.AKG451.Darby.120302.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Justin Lee
2:41:23
Taper:
Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1989-04-11.nak300.lee.cohen.106238.flac16
Source:
2 Nakamichi CM300s CP4 + 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. .
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Greg Holtz
2:41:24
Rating:
9.00 / 2 ratings
Taper:
Greg Holtz
Transferrer:
Brian Green and Evan K.
SHNID:
gd1989-04-11.nak100.holtz.LMPP.94240.flac16
Source:
OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5
Lineage:
Master Audience Cassette > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH)
Taper Notes:
View NotesNotes: - There were multiple instances of dropouts throughout this source due to a faulty cable in the rig . Patches were required in Shakedown Street , Victim Or The Crime, Built to last, We Can Run But We Can't Hide, Memphis Blues, Deal, Samson & Delilah, and US Blues. All patch material was derived from the only other circulating source Shn ID 15109 - There are a few blemishes throughout that were less intrusive than a patch. - This is another fine specimen unearthed thanks to Greg. To date, this is the first and only aud of this show. The overall quality is nice, and the show is a good one. lots of energy. Enjoy!!!!