Deal, Set Break | 1989-04-11 | Grateful Dead

View NotesAll Transfers and Mastering By Charlie Miller
[email protected]
November 5, 2019

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Two sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

Taper: Don Pearson and Dan Healy

2:47:59

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

Charlie Miller

SHNID:

gd1989-04-11.147985.sbd.ultramatrix.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesAll Transfers and Mastering By Charlie Miller
[email protected]
November 5, 2019

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Two sets of masters were used to make this show complete

Source 3 of 9

gd89-04-11.sbd.miller.15109.sbeok.shnf

Source:

SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller

Taper Notes:

View NotesSBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller

Taper: Ted Mattes

Scott Clugston and Charlie Miller

SHNID:

gd1989-04-11.141850.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644

Source:

Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS)

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the PCM master
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mr. Darby and Keo for the shnid120303 AKG C451E/CK1 source which supplies a 0:04 patch in "Samson & Delilah", as well as 0:02.6, 0:01.5 and 0:01.9 patches in "Crazy Fingers"

Mastered by Scott Clugston
April 24, 2018

Taper: Master Audience PCM recording by Ted Mattes

2:51:25

Taper:

Master Audience PCM recording by Ted Mattes

Transferrer:

Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 01, 2021

SHNID:

gd1989-04-11.156413.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16

Source:

(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)

Lineage:

PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44

Taper Notes:

View NotesNotes;
- Same source as shnid 141850 just a fresh transfer w/ different mastering.
- None of the d/o's that occurred in the previous transfer are present in this source.
- emphasis undecoded
- DC Bias Adjust: 0%

Thanks;
- to Ted Mattes for sharing his recording
- to Anon for the transfer while hiding out away from the Bay Area

Taper: Mike Darby

gd1989-04-11.AKG451.Darby.120303.Flac1644

Source:

Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Huge Thanks out to Mr. Darby
for recording and sharing his sources from this run
of shows from the Rosemont Horizon!Another excellent
recording and share from the Darby collection of
recorded master Grateful Dead audience sources!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Mike Darby

gd1989-04-11.AKG451.Darby.120302.Flac2448

Source:

Taper Notes:

View NotesComments:Another Huge Huge Thanks out to Mr. Darby
for recording and sharing his sources from this run
of shows from the Rosemont Horizon!Another excellent
recording and share from the Darby collection of
recorded master Grateful Dead audience sources!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Justin Lee

gd1989-04-11.nak300.lee.cohen.106238.flac16

Source:

2 Nakamichi CM300s CP4 + 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. .

Lineage:

The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).

Taper: Greg Holtz

Brian Green and Evan K.

SHNID:

gd1989-04-11.nak100.holtz.LMPP.94240.flac16

Source:

OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5

Lineage:

Master Audience Cassette > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH)

Taper Notes:

View NotesNotes:

- There were multiple instances of dropouts throughout this source due to a faulty cable in the rig . Patches were required in  Shakedown Street , Victim Or The Crime, Built to last, We Can Run But We Can't Hide, Memphis Blues, Deal, Samson & Delilah, and US Blues. All patch material was derived from the only other circulating source Shn ID  15109

- There are a few blemishes throughout that were less intrusive than a patch. 

- This is another fine specimen unearthed thanks to Greg. To date, this is the first and only aud of this show. The overall quality is nice, and the show is a good one. lots of energy. 
Enjoy!!!!