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June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h63986
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k222
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.2k397
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.3k304
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k464
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.6k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k301
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k137
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k206
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h72381
7d2.3k257
30d12.5k1.4k
47 shows
683 tapes
1985
22.1k
PlaybackListensHours
48h1.5k171
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h2.9k340
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k162
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k145
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k180
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h5k563
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k227
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k241
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20.8k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.1k886
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h50751
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.4k978
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h5.9k752
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.4k302
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k192
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h2k223
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.8k285
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h929125
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13818
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29417
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h402
7d1076
30d59434
2 shows
2 tapes
1974
10/18/74
Around and Around
5:30
Sugaree
7:18
Beer Barrel Polka
1:13
Mexicali Blues
3:40
Peggy-O
7:04
Beat It On Down the Line
3:22
Brown Eyed Women
4:51
Cumberland Blues
6:16
El Paso
4:13
Tennessee Jed
6:25
Jack Straw
5:28
Row Jimmy
8:38
Weather Report Suite Prelude > Part 1
5:50
Let It Grow
9:42
Phil and Ned
26:23
Jam
10:36
Dark Star
23:51
Morning Dew
13:18
Crowd
4:35
Promised Land
3:14
Bertha
5:20
Greatest STory Ever Told
6:04
Ship of Fools
7:04
Tuning
2:38
Not Fade Away
8:51
Goin' Down the Road Feelin' Bad
7:42
One More Saturday Night
4:37
Crowd
5:56
US Blues
5:26
Crowd Greensleeves
3:12
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:41:11
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.miller.110771.flac16
Source:
Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Dat (44.1k) Set 3: SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC
Taper Notes:
View NotesNotes: -- Tracked by set, not by disc -- This transfer is much better than the previous transfer -- The first 2:14 of the show is patched from an audience recording -- The first 18 minutes of Set 2 is patched from the Set 1 SBD source -- 2 seconds of diginoise in Seastones (19:23 - 19:25) -- Set 1 was pitch corrected with Adobe Audition v3.0 -- The patch in the beginning of Seastones was also pitch corrected -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:20:37
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.miller.34950.shnf
Source:
SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat D
Lineage:
Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN
Taper Notes:
View NotesNotes: --Beer Barrel Polka after Sugaree
Transferrer: Charlie Miller
3:38:16
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd74-10-18.sbd.miller.21785.sbeok.shnf
Source:
Soundboard
Lineage:
Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN
Taper Notes:
View NotesSet I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller
Taper: DAT from David Hollister
3:20:24
SBD
Taper:
DAT from David Hollister
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.hollister-miller.21213.shnf
Source:
SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN
Transferrer: Jamie Waddell and Matt Smith
3:27:23
SBD
Rating:
9.78 / 10 ratings
Transferrer:
Jamie Waddell and Matt Smith
SHNID:
gd1974-10-18.111459.gems.BOSWELL-SMITH.flac24
Source:
Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011
Taper Notes:
View NotesI really don't know the exact lineage but they were drawn from the multitracks. All I know is these were dubs from Jerry's own reels back in early 1979. They were probably "work tapes" for the film soundtrack. I'm convinced these have not seen the light of day until now. Reason being at the time(late 70's) the circulating sources for this run of shows was drawn from cassettes via Rob Bertrando so when Will Boswell dubbed these everyone already had them in pretty good quality and keep in mind this was before tape trading was organized to the point that one could "pick and choose" the way it is now. Besides, Wilson was starting up a family during that period so as every father knows, things have to take a back seat for a period of time in order to raise kids so they sat in his workshop until I borrowed them around 2007 . If you want a version that "puts you there", these are it as the reel sources for this run of shows are incredibly clean with nice bottom and fairly rich highs esp. the 24/96 version.. Just hear the "warm" tone of Jerry's guitar during 'Morning Dew' and you'll soon realize how nice these really are!! - Matt Smith December 31, 2010
Source 6 of 12
3:38:17
SBD
Rating:
9.54 / 13 ratings
SHNID:
gd74-10-18.sbd.bertha-ashley.22796.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> MDAT (44.1k)> SHN> DAW (Bertha)> CDA/SHN
Taper Notes:
View NotesBertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+
Source 7 of 12
2:00:58
SBD
Rating:
7.00 / 2 ratings
SHNID:
gd74-10-18.sbd.romanski.5436.sbeok.shnf
Source:
Soundboard
Lineage:
SBD MR > PCM > DAT> CDR
Taper Notes:
View Notesset 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- <a href="http://www.gratefuldead.com" rel="ugc nofollow">go buy it</a>; see public commnets for flaw note on d2t5
Transferrer: via A. Fink, R. Nayfield, M. Ferguson
2:00:58
SBD
Rating:
9.43 / 7 ratings
Transferrer:
via A. Fink, R. Nayfield, M. Ferguson
SHNID:
gd1974-10-18.sbd.fink-nayfield-ferguson.225.shnf
Source:
Soundboard
Lineage:
MR > PCM > DAT 44.1kHz > CD
Taper: Louis Falanga
3:26:33
Rating:
10.00 / 1 rating
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-18.176647.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies the first 1:18 of "Seastones", as well as an 0:11 patch in "Dark Star" - "Beer Barrel Polka" tuning after "Sugaree" - Ned Lagin on electric piano and synthesizer for "Seastones" - Missing "US Blues" encore - Pitch corrected - First audience source in general circulation (4/2025) Mastered by Scott Clugston April 2025
Taper: Louis Falanga
3:26:33
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-18.176646.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies the first 1:18 of "Seastones", as well as an 0:11 patch in "Dark Star" - "Beer Barrel Polka" tuning after "Sugaree" - Ned Lagin on electric piano and synthesizer for "Seastones" - Missing "US Blues" encore - Pitch corrected - First audience source in general circulation (4/2025) Mastered by Scott Clugston April 2025
Taper: BEAR
2:33:40
Rating:
9.33 / 9 ratings
Taper:
BEAR
Transferrer:
Jamie Waddell and Jim Blackwood
SHNID:
gd1974-10-18.BEAR.gems.110558.flac24
Source:
RECORDING AND MIX BY BEAR Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
Taper Notes:
View Notes- Missing Some Stuff...we chose to patch nothing. - Sound quality is very good, exactly as the tape sounds - NFA starts in muffled for about 10 seconds a **Project GEMS** Original Art by GYRO www.shnflac.net October 2010
Taper: BEAR
2:33:51
Rating:
8.57 / 8 ratings
Taper:
BEAR
Transferrer:
Jim Blackwood
SHNID:
gd1974-10-18.BEAR.gems.110515.flac16
Source:
RECORDING AND MIX BY BEAR. Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
Taper Notes:
View Notes- Missing Some Stuff...we chose to patch nothing. - Sound quality is very good, exactly as the tape sounds - Cumberland Blues starts in wierd, as is from tape - NFA starts in muffled for about 10 seconds a **Project GEMS** Original Art by GYRO www.shnflac.net October 2010