Bands
Featured
Bands
Grateful Dead
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1974
Sources
Transferrer: Charlie Miller
3:33:32
SBD
Rating:
8.40 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-06-30.sbd.miller.96275.sbeok.flac16
Source:
SBD -> Master Reel -> CD
Lineage:
CD -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesPatch Info: AKG D-1000E -> Cassette Master -> Dat -> CD (shnid=15537) supplies: Cumberland Blues (5:10 - 5:32) Eyes Of The World (10:30 - 10:55) Notes: -- All disc changes are seamless -- The show flows better if you put Seastones on disc 4 -- All other circulating sources have a cassette gen in them -- Thanks to Joe B. Jones for his help pitch correcting the patch source
Source 2 of 13
3:27:01
SBD
Rating:
10.00 / 1 rating
SHNID:
gd1974-06-30.dts.mtx.haugh.97225.flac16
Source:
Matrix mix (SBD/AUD)
Source 3 of 13
3:27:01
SBD
Rating:
10.00 / 2 ratings
SHNID:
gd1974-06-30.mtx.haugh.97185.flac16
Source:
SBD AUD Matrix Mix (65%/SBD 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN
Transferrer: SirMick
1:58:00
SBD
Transferrer:
SirMick
SHNID:
gd1974-06-30.mtx-set2.sirmick.89998.sbeok.flac16
Source:
sbd: SHNID 17814 aud: SHNID 15537
Lineage:
matrix: see notes
Taper Notes:
View Notes- I boosted the volume by 2 decibels for the first 1:06 of Big River as the sbd was a little quieter. I also did the same to El Paso, for the first 33 seconds, for the same reason. - the sbd was missing most of the crowd/tuning so I have copied this in from the aud and adjusted the volume accordingly. - several large clicks in d2t04 have been removed since I originally seeded this. - these two recordings compliment each other very well. The vocals on the sbd are a little low at times and the aud gives them a nice boost. The aud also helps to accentuate the sound of Phil's bass, which is never a bad thing.
Transferrer: SirMick
1:58:00
SBD
Transferrer:
SirMick
SHNID:
gd1974-06-30.sbd.set2-matrix.sirmick.82179.flac16
Source:
Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537)
Taper Notes:
View Notes- I boosted the volume by 2 decibels for the first 1:06 of Big River as the sbd was a little quieter. I also did the same to El Paso, for the first 33 seconds, for the same reason. - the sbd was missing most of the crowd/tuning so I have copied this in from the aud and adjusted the volume accordingly. comments: these two recordings compliment each other very well. The vocals on the sbd are a little low at times and the aud gives them a nice boost. The aud also helps to accentuate the sound of Phil's bass, which is never a bad thing. edited and mastered SIRMick January 2007
Source 6 of 13
3:25:48
SBD
Rating:
9.06 / 17 ratings
SHNID:
gd74-06-30.sbd.weiner.17814.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR > DATx2 > CD > SHN > WAV > SHN
Taper Notes:
View NotesSBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner
Transferrer: Skank
3:03:01
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Skank
SHNID:
gd1974-06-30.sbd.tiedrich-skank-andy-stern.216.shnf
Source:
SBD>MR>DATx3>Cassette>DATx2>ZA2>CDRx1>EAC>SHN
Taper Notes:
View NotesDeadlist states that it only circulates in an AUD, Now this circulates as a SBD... My lineage is SBD>MR>DATx3>Cassette>DATx2>ZA2>CDRx1>EAC>SHN. My DAT came from Tiedrich, so the lineage here is gospel. Show is complete except no Seastones. Thanks to Andy for getting this into our hot little hands. The cassette gen is consistent with a 'vault leak' by the late Mr. Latvala. Humbly Mastered by yours truly Skank
Taper: John Petrunis
1:16:56
Taper:
John Petrunis
Transferrer:
Transferred by Andrew F. 12/2021
SHNID:
gd1974-06-30.155034.s1.aud.flac1644
Lineage:
Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.
Taper Notes:
View NotesNote: Mono-mixed patches from ID-143331; Peggy-O complete track, and Playin' 10:56 > 11:11.
Taper: Jimmy Warburton
3:19:48
Rating:
8.00 / 1 rating
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & Sirmick
SHNID:
gd1974-06-30.145133.fob.sony.ecm99.warburton.smith.sirmick.flac1644
Source:
Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission.
Lineage:
Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesComments: - "Truckin'" includes a "Nobody's Fault But Mine Jam" Notes: - Pitch correction - This was early in Jimmy's career as a taper, only his second show. See the tapebox pic enclosed with Jimmy's "self portrait." He was friends with Barry Glassberg and they later decided that their masters would be better preserved if they transferred them from cassettes to reels. On this occasion when he transfered it from the cassette masters to reel he put in fades at the start and end of each song, a number of them because the songs were clipped. I have restored the fades by patching in from shnid 106027 which needed to be pitch adjusted. I also made azimuth and phase adjustments. - Thank you Jerry Moore and Rob Berger. - Some of the patches are for continuity purposes, some are to replace some other small problems* . Apart from the clipping mentioned there are also some patches to cover where larger sections of music are missing as follows:- Don't Ease Me Greatest Story Ever Told - first 7.5 seconds, I Know You Rider Truckin' Stella Blue - Jimmy says that most of the problems were caused by Sonny Heard as he had cut the mic cable a couple of days before. He fixed the cable as well as he could but it gave intermittent problems.* Despite the problems that this source started out with it does sound very good. Thanks to Jimmy Warburton for lending us his reels. Thanks to Matt Smith for the transfer. Thanks to Joe B. Jones for his help with pitch correction. edited and mastered SIRMick October 2018
Taper: Jerry Moore
3:48:21
Rating:
10.00 / 1 rating
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1974-06-30.145132.aud.akg.1000e.moore.berger.flac1644
Source:
new fresh 24 bit transfer This file set is 16 bit @ 44.1 source: aud cassette master taped by Jerry Moore
Lineage:
lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/12/10
Taper: Jimmy Warburton
3:19:48
Rating:
10.00 / 1 rating
Taper:
Jimmy Warburton
Transferrer:
Matt Smith and Sirmick
SHNID:
gd1974-06-30.143331.sony-ecm99.warburton.smith.sirmick.flac2496
Source:
Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission.
Lineage:
Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesComments: - "Truckin'" includes a "Nobody's Fault But Mine Jam" Notes: - Pitch correction - This was early in Jimmy's career as a taper, only his second show. See the tapebox pic enclosed with Jimmy's "self portrait." He was friends with Barry Glassberg and they later decided that their masters would be better preserved if they transferred them from cassettes to reels. On this occasion when he transfered it from the cassette masters to reel he put in fades at the start and end of each song, a number of them because the songs were clipped. I have restored the fades by patching in from shnid 106027 which needed to be pitch adjusted. I also made azimuth and phase adjustments. - Thank you Jerry Moore and Rob Berger. - Some of the patches are for continuity purposes, some are to replace some other small problems* . Apart from the clipping mentioned there are also some patches to cover where larger sections of music are missing as follows:- Don't Ease Me Greatest Story Ever Told - first 7.5 seconds, I Know You Rider Truckin' Stella Blue - Jimmy says that most of the problems were caused by Sonny Heard as he had cut the mic cable a couple of days before. He fixed the cable as well as he could but it gave intermittent problems.* Despite the problems that this source started out with it does sound very good. Thanks to Jimmy Warburton for lending us his reels. Thanks to Matt Smith for the transfer. Thanks to Joe B. Jones for his help with pitch correction. edited and mastered SIRMick October 2018
Taper: Jerry Moore
3:48:21
Rating:
9.33 / 3 ratings
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1974-06-30.akgd1000e.moore.berger.106027.flac24
Source:
aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b
Lineage:
master cassette > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger
Taper: Jerry Moore
3:46:11
Rating:
7.33 / 3 ratings
Taper:
Jerry Moore
Transferrer:
Mark Cohen
SHNID:
gd74-06-30.moore.weiner.gdADT16.15537.sbeok.shnf
Source:
Audience Recording: AKG D-1000E mics
Lineage:
AudMC > DAT > WAV > SHN Recorded 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON
Taper Notes:
View NotesAudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16