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June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k149
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h66695
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.6k894
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k355
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.1k802
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k402
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k430
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k162
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k304
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h922103
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k248
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k184
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k189
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k244
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k326
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k693
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k200
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k409
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k701
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h81767
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k602
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k666
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.9k479
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k266
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k614
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51562
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10316
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1974
10/18/74
Around And Around
5:31
Sugaree
7:23
Beer Barrel Polka
1:09
Mexicali Blues
3:36
Peggy-O
7:09
Beat It On Down The Line
3:21
Brown Eyed Women
4:52
Cumberland Blues
6:15
El Paso
4:14
Tennessee Jed
6:24
Jack Straw
5:29
Row Jimmy
8:37
Weather Report Suite Prelude
1:17
Weather Report Suite Part 1
4:38
Let It Grow
9:34
Phil And Ned
25:24
Jam
11:36
Dark Star
23:51
Morning Dew
14:04
Crowd
3:51
Promised Land
3:15
Bertha
5:20
Greatest Story Ever Told
6:04
Ship Of Fools
9:42
Not Fade Away
8:50
Goin' Down The Road Feeling Bad
7:43
One More Saturday Night
4:37
Crowd
5:56
U.S. Blues
5:19
Crowd/Green Sleeves
3:15
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:41:11
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.miller.110771.flac16
Source:
Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Dat (44.1k) Set 3: SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC
Taper Notes:
View NotesNotes: -- Tracked by set, not by disc -- This transfer is much better than the previous transfer -- The first 2:14 of the show is patched from an audience recording -- The first 18 minutes of Set 2 is patched from the Set 1 SBD source -- 2 seconds of diginoise in Seastones (19:23 - 19:25) -- Set 1 was pitch corrected with Adobe Audition v3.0 -- The patch in the beginning of Seastones was also pitch corrected -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:20:37
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.miller.34950.shnf
Source:
SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat D
Lineage:
Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN
Taper Notes:
View NotesNotes: --Beer Barrel Polka after Sugaree
Transferrer: Charlie Miller
3:38:16
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd74-10-18.sbd.miller.21785.sbeok.shnf
Source:
Soundboard
Lineage:
Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN
Taper Notes:
View NotesSet I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller
Taper: DAT from David Hollister
3:20:24
SBD
Taper:
DAT from David Hollister
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.hollister-miller.21213.shnf
Source:
SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN
Transferrer: Jamie Waddell and Matt Smith
3:27:23
SBD
Rating:
9.78 / 10 ratings
Transferrer:
Jamie Waddell and Matt Smith
SHNID:
gd1974-10-18.111459.gems.BOSWELL-SMITH.flac24
Source:
Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011
Taper Notes:
View NotesI really don't know the exact lineage but they were drawn from the multitracks. All I know is these were dubs from Jerry's own reels back in early 1979. They were probably "work tapes" for the film soundtrack. I'm convinced these have not seen the light of day until now. Reason being at the time(late 70's) the circulating sources for this run of shows was drawn from cassettes via Rob Bertrando so when Will Boswell dubbed these everyone already had them in pretty good quality and keep in mind this was before tape trading was organized to the point that one could "pick and choose" the way it is now. Besides, Wilson was starting up a family during that period so as every father knows, things have to take a back seat for a period of time in order to raise kids so they sat in his workshop until I borrowed them around 2007 . If you want a version that "puts you there", these are it as the reel sources for this run of shows are incredibly clean with nice bottom and fairly rich highs esp. the 24/96 version.. Just hear the "warm" tone of Jerry's guitar during 'Morning Dew' and you'll soon realize how nice these really are!! - Matt Smith December 31, 2010
Source 6 of 12
3:38:17
SBD
Rating:
9.54 / 13 ratings
SHNID:
gd74-10-18.sbd.bertha-ashley.22796.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> MDAT (44.1k)> SHN> DAW (Bertha)> CDA/SHN
Taper Notes:
View NotesBertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+
Source 7 of 12
2:00:58
SBD
Rating:
7.00 / 2 ratings
SHNID:
gd74-10-18.sbd.romanski.5436.sbeok.shnf
Source:
Soundboard
Lineage:
SBD MR > PCM > DAT> CDR
Taper Notes:
View Notesset 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- <a href="http://www.gratefuldead.com" rel="ugc nofollow">go buy it</a>; see public commnets for flaw note on d2t5
Transferrer: via A. Fink, R. Nayfield, M. Ferguson
2:00:58
SBD
Rating:
9.43 / 7 ratings
Transferrer:
via A. Fink, R. Nayfield, M. Ferguson
SHNID:
gd1974-10-18.sbd.fink-nayfield-ferguson.225.shnf
Source:
Soundboard
Lineage:
MR > PCM > DAT 44.1kHz > CD
Taper: Louis Falanga
3:26:33
Rating:
10.00 / 1 rating
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-18.176647.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies the first 1:18 of "Seastones", as well as an 0:11 patch in "Dark Star" - "Beer Barrel Polka" tuning after "Sugaree" - Ned Lagin on electric piano and synthesizer for "Seastones" - Missing "US Blues" encore - Pitch corrected - First audience source in general circulation (4/2025) Mastered by Scott Clugston April 2025
Taper: Louis Falanga
3:26:33
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-18.176646.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies the first 1:18 of "Seastones", as well as an 0:11 patch in "Dark Star" - "Beer Barrel Polka" tuning after "Sugaree" - Ned Lagin on electric piano and synthesizer for "Seastones" - Missing "US Blues" encore - Pitch corrected - First audience source in general circulation (4/2025) Mastered by Scott Clugston April 2025
Taper: BEAR
2:33:40
Rating:
9.33 / 9 ratings
Taper:
BEAR
Transferrer:
Jamie Waddell and Jim Blackwood
SHNID:
gd1974-10-18.BEAR.gems.110558.flac24
Source:
RECORDING AND MIX BY BEAR Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
Taper Notes:
View Notes- Missing Some Stuff...we chose to patch nothing. - Sound quality is very good, exactly as the tape sounds - NFA starts in muffled for about 10 seconds a **Project GEMS** Original Art by GYRO www.shnflac.net October 2010
Taper: BEAR
2:33:51
Rating:
8.57 / 8 ratings
Taper:
BEAR
Transferrer:
Jim Blackwood
SHNID:
gd1974-10-18.BEAR.gems.110515.flac16
Source:
RECORDING AND MIX BY BEAR. Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
Taper Notes:
View Notes- Missing Some Stuff...we chose to patch nothing. - Sound quality is very good, exactly as the tape sounds - Cumberland Blues starts in wierd, as is from tape - NFA starts in muffled for about 10 seconds a **Project GEMS** Original Art by GYRO www.shnflac.net October 2010