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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1974
10/18/74
Introduction
0:28
Around and Around
5:07
Sugaree
7:33
Beer Barrel Polka
1:15
Mexicali Blues
3:31
Peggy-O
7:30
Beat It On Down The Line
3:24
Brown Eyed Women
5:01
Cumberland Blues
6:23
El Paso
4:21
Tennessee Jed
6:35
Jack Straw
5:39
Row Jimmy
8:53
Weather Report Suite
16:03
Seastones ->
25:54
Jam ->
11:47
Dark Star ->
23:51
Morning Dew
17:55
Promised Land ->
3:15
Bertha ->
5:20
Greatest Story Ever Told
6:04
Ship Of Fools
9:42
Not Fade Away ->
8:51
Goin' Down The Road Feeling Bad ->
7:42
One More Saturday Night
10:33
U.S. Blues
8:34
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:41:11
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.miller.110771.flac16
Source:
Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Dat (44.1k) Set 3: SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC
Taper Notes:
View NotesNotes: -- Tracked by set, not by disc -- This transfer is much better than the previous transfer -- The first 2:14 of the show is patched from an audience recording -- The first 18 minutes of Set 2 is patched from the Set 1 SBD source -- 2 seconds of diginoise in Seastones (19:23 - 19:25) -- Set 1 was pitch corrected with Adobe Audition v3.0 -- The patch in the beginning of Seastones was also pitch corrected -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:20:37
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.miller.34950.shnf
Source:
SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat D
Lineage:
Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN
Taper Notes:
View NotesNotes: --Beer Barrel Polka after Sugaree
Transferrer: Charlie Miller
3:38:16
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd74-10-18.sbd.miller.21785.sbeok.shnf
Source:
Soundboard
Lineage:
Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN
Taper Notes:
View NotesSet I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller
Taper: DAT from David Hollister
3:20:24
SBD
Taper:
DAT from David Hollister
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.hollister-miller.21213.shnf
Source:
SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN
Transferrer: Jamie Waddell and Matt Smith
3:27:23
SBD
Rating:
9.78 / 10 ratings
Transferrer:
Jamie Waddell and Matt Smith
SHNID:
gd1974-10-18.111459.gems.BOSWELL-SMITH.flac24
Source:
Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011
Taper Notes:
View NotesI really don't know the exact lineage but they were drawn from the multitracks. All I know is these were dubs from Jerry's own reels back in early 1979. They were probably "work tapes" for the film soundtrack. I'm convinced these have not seen the light of day until now. Reason being at the time(late 70's) the circulating sources for this run of shows was drawn from cassettes via Rob Bertrando so when Will Boswell dubbed these everyone already had them in pretty good quality and keep in mind this was before tape trading was organized to the point that one could "pick and choose" the way it is now. Besides, Wilson was starting up a family during that period so as every father knows, things have to take a back seat for a period of time in order to raise kids so they sat in his workshop until I borrowed them around 2007 . If you want a version that "puts you there", these are it as the reel sources for this run of shows are incredibly clean with nice bottom and fairly rich highs esp. the 24/96 version.. Just hear the "warm" tone of Jerry's guitar during 'Morning Dew' and you'll soon realize how nice these really are!! - Matt Smith December 31, 2010
Source 6 of 12
3:38:17
SBD
Rating:
9.54 / 13 ratings
SHNID:
gd74-10-18.sbd.bertha-ashley.22796.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> MDAT (44.1k)> SHN> DAW (Bertha)> CDA/SHN
Taper Notes:
View NotesBertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+
Source 7 of 12
2:00:58
SBD
Rating:
7.00 / 2 ratings
SHNID:
gd74-10-18.sbd.romanski.5436.sbeok.shnf
Source:
Soundboard
Lineage:
SBD MR > PCM > DAT> CDR
Taper Notes:
View Notesset 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- <a href="http://www.gratefuldead.com" rel="ugc nofollow">go buy it</a>; see public commnets for flaw note on d2t5
Transferrer: via A. Fink, R. Nayfield, M. Ferguson
2:00:58
SBD
Rating:
9.43 / 7 ratings
Transferrer:
via A. Fink, R. Nayfield, M. Ferguson
SHNID:
gd1974-10-18.sbd.fink-nayfield-ferguson.225.shnf
Source:
Soundboard
Lineage:
MR > PCM > DAT 44.1kHz > CD
Taper: Louis Falanga
3:26:33
Rating:
10.00 / 1 rating
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-18.176647.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies the first 1:18 of "Seastones", as well as an 0:11 patch in "Dark Star" - "Beer Barrel Polka" tuning after "Sugaree" - Ned Lagin on electric piano and synthesizer for "Seastones" - Missing "US Blues" encore - Pitch corrected - First audience source in general circulation (4/2025) Mastered by Scott Clugston April 2025
Taper: Louis Falanga
3:26:33
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-18.176646.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies the first 1:18 of "Seastones", as well as an 0:11 patch in "Dark Star" - "Beer Barrel Polka" tuning after "Sugaree" - Ned Lagin on electric piano and synthesizer for "Seastones" - Missing "US Blues" encore - Pitch corrected - First audience source in general circulation (4/2025) Mastered by Scott Clugston April 2025
Taper: BEAR
2:33:40
Rating:
9.33 / 9 ratings
Taper:
BEAR
Transferrer:
Jamie Waddell and Jim Blackwood
SHNID:
gd1974-10-18.BEAR.gems.110558.flac24
Source:
RECORDING AND MIX BY BEAR Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
Taper Notes:
View Notes- Missing Some Stuff...we chose to patch nothing. - Sound quality is very good, exactly as the tape sounds - NFA starts in muffled for about 10 seconds a **Project GEMS** Original Art by GYRO www.shnflac.net October 2010
Taper: BEAR
2:33:51
Rating:
8.57 / 8 ratings
Taper:
BEAR
Transferrer:
Jim Blackwood
SHNID:
gd1974-10-18.BEAR.gems.110515.flac16
Source:
RECORDING AND MIX BY BEAR. Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
Taper Notes:
View Notes- Missing Some Stuff...we chose to patch nothing. - Sound quality is very good, exactly as the tape sounds - Cumberland Blues starts in wierd, as is from tape - NFA starts in muffled for about 10 seconds a **Project GEMS** Original Art by GYRO www.shnflac.net October 2010