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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1974
10/19/74
Bill Graham intro > Mississippi Half-Step Uptown Toodeloo
8:27
Me And My Uncle
2:58
Friend Of The Devil
4:42
Beat It On Down The Line
3:34
It Must Have Been The Roses
6:22
El Paso
4:29
Loose Lucy
5:04
Black Throated Wind
7:34
Scarlet Begonias
11:58
To Lay Me Down
8:01
Mama Tried
2:40
Eyes Of The World >
18:19
China Doll
6:06
Big River
4:56
Seastones - Phil Lesh and Ned lagin
13:29
Uncle John's Band
8:44
Big Railroad Blues
4:36
The Race Is On
3:17
Tomorrow Is Forever
6:10
Mexicali Blues
3:29
Dire Wolf
4:18
Sugar Magnolia >
5:47
He's Gone >
12:08
Truckin' Jam >
1:37
Caution Jam >
4:28
Drums >
1:25
Jam >
11:02
Truckin' >
7:58
Black Peter
10:07
Sunshine Daydream
3:07
One More Saturday Night
4:57
U.S. Blues
5:29
FIN
View on archive.org
Sources
Taper: From Gastwirt Collection
3:27:18
SBD
Rating:
10.00 / 1 rating
Taper:
From Gastwirt Collection
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1974-10-19.140626.sbd.gastwirt.miller.sirmick.fixed.flac1644
Source:
Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; This is a fixed version of <a href="http://db.etree.org/shn/139578">source ID 139578</a>
Taper Notes:
View NotesNotes: This is a fixed version of shnid 139578. I have now swapped the channels for BIODTL, Loose Lucy, To Lay Me Down, Big Railroad Blues, The Race Is On, Tomorrow Is Forever, Mexicali Blues, Dire Wolf and Sunshine Daydream. My apologies for the delay I had forgotten all about this Thanks to Rich Charlie for providing another great source. SIRMick January 2018
Taper: provided by Rich Gastwirt
3:27:18
SBD
Rating:
9.00 / 2 ratings
Taper:
provided by Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1974-10-19.139578.sbd.gastwirt.miller.sirmick.flac16
Source:
Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick
Taper Notes:
View Notes- This seems to be derived from the same source as shnid 228 - sbd seeded by D. Finney (rumoured to be a copy of a rough mix cassette made for SYF) - The channels had been switched so I have corrected that. - Some transitions cleaned up with crossfades. - Pitch corrections made. - "Seastones", "OMSN" and "U.S. Blues" provided by shnid 228. If I had to choose just one source to keep I think it would have to be this, It sounds so vibrant.
Transferrer: Charlie Miller
3:30:44
SBD
Rating:
8.97 / 33 ratings
Transferrer:
Charlie Miller
SHNID:
gd74-10-19.sbd.miller.21927.sbeok.shnf
Source:
Soundboard
Lineage:
SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info:Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Patch Info:SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD
Taper Notes:
View NotesRecording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller [email protected] 1/14/04
Transferrer: Matt Smith and Will Boswell
3:30:41
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matt Smith and Will Boswell
SHNID:
gd1974-10-19.131704.sbd.boswell-smith.flac16
Source:
Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith
Taper Notes:
View NotesTranfered October 2014 by Matt Smith Matt's notes: Yes I know there are other versions of this but I enjoy this transfer so much I thought I'd share it. The difference is the Telefunkens in the transfer chain. This reel was originally dubbed by Wilson in March of 1979. Long before the Betty Boards so at the time, this and the other shows were quite a score. I also have recently done traditional transfers with my new Technics RS1506(a big thanks to Adam Aegert!!) that I'm just as happy about so i'll mix it up if you all want more. Enjoy!!
Taper: Will Boswell
3:30:44
SBD
Rating:
10.00 / 2 ratings
Taper:
Will Boswell
Transferrer:
Matt Smith
SHNID:
gd1974-10-19.131694.sbd.boswell-smith.flac24
Source:
Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips. > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith
Taper Notes:
View NotesYes I know there are other versions of this but I enjoy this transfer so much I thought I'd share it. The difference is the Telefunkens in the transfer chain. This reel was originally dubbed by Wilson in March of 1979. Long before the Betty Boards so at the time, this and the other shows were quite a score. I also have recently done traditional transfers with my new Technics RS1506(a big thanks to Adam Aegert!!) that I'm just as happy about so i'll mix it up if you all want more. Enjoy!!
Taper: Will Boswell
3:32:50
SBD
Rating:
9.00 / 4 ratings
Taper:
Will Boswell
Transferrer:
Matt Smith
SHNID:
gd1974-10-19.sbd.boswell-smith.116341.flac24
Source:
Lineage:16 track "truck monitor mix">2 track mixdown reel(Garcia's)>R @ 3 3/4 ips.>FLAC</br>Transferred by: Matt Smith
Taper Notes:
View NotesMatt's notes: This reel is part of the Debbie Stash. At the time(1979), everybody had copies of these 10/74 shows via Rob Bertrando and Bob so Will basically sat on these copies for 28 years until I got my hands on them. The mix is different on these vs. the 2 track source so it's all a matter of taste. As far as creating a feeling of "being there", these capture that. A fantastic show from start to finish!! Thanks to jpc3 for tagging
Taper: Bear
1:25:09
SBD
Rating:
10.00 / 1 rating
Taper:
Bear
Transferrer:
Jamie Waddell;Jim Blackwood
SHNID:
gd1974-10-19.sbd.set1-partial.bear.gems.116170.flac24
Source:
SBD Reel > cass Recorded by the Immortal Owsley Stanley; cass > 24bit/88.2kHz WAV by Blackwood/Waddell; WAV (shnid 112531) > CD Wave (remove "dead air" and split tracks) > FLAC (24/88) by Tim Keeler
Taper Notes:
View NotesThis is a partial copy of BEAR's 10 19 74 reels. There are cuts and missing songs, but I am sure the community will enjoy the value of this share. You are downloading tape side A and tape side B, as transferred by Jim Blackwood in 24 bit 88.2 kHz and presented by Jamie Waddell. Absolutely Untouched. Much Love to You Know Who You Are and of course safe travels to BEAR as he begins his residency in the cosmos. May he alter his new home as much as his did his terrestrial one! a **GEMS** Production www.shnflac.net March 15 2011
Transferrer: Jamie Waddell
1:23:54
SBD
Transferrer:
Jamie Waddell
SHNID:
gd1974-10-19.sbd-pset1.bear.gems.stevesw.112791.flac16
Source:
reel > cass recorded by Owsley Stanley<br> cass > 24bit/88.2kHz by Blackwood/Waddell<br> dithered/tracked by SteveSw<br>
Taper Notes:
View Notes========== Note from original seed: Reel > cass Recorded by the Immortal Owsley Stanley This is a partial copy of BEAR's 10 19 74 reels. There are cuts and missing songs, but I am sure the community will enjoy the value of this share. You are downloading tape side A and tape side B, as transferred by Jim Blackwood in 24 bit 88.2 kHz and presented by Jamie Waddell. Absolutely Untouched. Much Love to You Know Who You Are and of course safe travels to BEAR as he begins his residency in the cosmos. May he alter his new home as much as his did his terrestrial one! a **GEMS** Production www.shnflac.net March 15 2011 ========== Processing for this seed: Dithered: Ozone 4 (MBIT+, High, 16, Normal) in Wavelab 6 to 16/44.1 --- The original source has dead areas between some tracks. I have left all between-song noodling in this source when the tracks flowed smoothly from one to the next. When there was a stretch of no-signal between tracks, and no interesting noodling, I omitted the between- track material (including the dead air), and faded the track before the dead air (leaving 5-10 seconds of crowd after that song ended). Other than this, I made no changes to the original source. The source turns out to be most of the first set from 10/19, and then the Good Lovin' from 10/20. I have left the filler from 10/20 as part of this seed because it was part of the original seed. Tracked in Wavelab 6 tape side A: 00:00-00:10 - [omitted] dead air, then static 00:10-03:41 - Beat It On Down The Line // (faded at end) 03:41-04:28 - [omitted] crowd, then dead air/noise 04:28-11:04 - It Must Have Been The Roses 11:04-12:47 - tuning 12:47-17:10 - El Paso // (faded at end) 17:10-17:55 - [omitted] crowd, then dead air/noise 17:55-22:48 - Loose Lucy 22:48-22:49 - [omitted] dead air 22:49-30:24 - Black Throated Wind // (abrupt transition) 30:24-43:43 - Scarlet Begonias 43:43-43:58 - [omitted] dead air tape side B: 00:00-00:10 - [omitted] dead air 00:10-08:22 - // To Lay Me Down (split at cut in tuning) 08:22-10:56 - Mama Tried (split at cut in tuning) 10:56-21:28 - Eyes Of The World // (abrupt transition) 21:28-21:29 - [omitted] dead air 21:29-25:29 - // China Doll (split at cut in tuning) 25:29-30:15 - Big River 30:15-30:16 - [omitted] dead air 30:16-42:12 - Good Lovin' [from 10/20/74] 42:12-42:23 - [omitted] dead air --- Flac'ed with flac.exe to Level 8 --- Steve Swartz, April 10 2011 ========== Contents of Seed: 74-10-19 Set 1: [MISSING] Mississippi Half-Step Uptown Toodeloo [MISSING] Me And My Uncle [MISSING] Friend Of The Devil gd74-10-19.sat01 Beat It On Down The Line gd74-10-19.sat02 It Must Have Been The Roses gd74-10-19.sat03 tuning gd74-10-19.sat04 El Paso gd74-10-19.sat05 Loose Lucy gd74-10-19.sat06 Black Throated Wind gd74-10-19.sat07 Scarlet Begonias gd74-10-19.sbt01 To Lay Me Down gd74-10-19.sbt02 Mama Tried gd74-10-19.sbt03 Eyes Of The World gd74-10-19.sbt04 China Doll gd74-10-19.sbt05 Big River Filler: gd74-10-20.sbt06 Good Lovin' (from 10/20) ==========
Taper: Owsley Stanley
1:26:22
SBD
Rating:
10.00 / 1 rating
Taper:
Owsley Stanley
SHNID:
gd1974-10-19.112531.sbd.BEAR.partial.twotapesides.flac24
Source:
24 bit 88.2kHz SBD Reel > cass Recorded by the Immortal Owsley Stanley;
Taper Notes:
View NotesThis is a partial copy of BEAR's 10 19 74 reels. There are cuts and missing songs, but I am sure the community will enjoy the value of this share. You are downloading tape side A and tape side B, as transferred by Jim Blackwood in 24 bit 88.2 kHz and presented by Jamie Waddell. Absolutely Untouched. Much Love to You Know Who You Are and of course safe travels to BEAR as he begins his residency in the cosmos. May he alter his new home as much as his did his terrestrial one! a **GEMS** Production www.shnflac.net March 15 2011
Transferrer: D. Finney
3:25:52
SBD
Rating:
8.00 / 1 rating
Transferrer:
D. Finney
SHNID:
gd1974-10-19.sbd.dfinney.228.shnf
Source:
Soundboard
Taper Notes:
View Notes"sbd" This topic generates large amounts of message traffic on Deadlists. Briefly, the "Wall of Sound" was a fundamentally different type of sound system where each musician adjusted the levels of their own instruments. Owsley Stanley (Bear) claims that there can be no soundboard recordings because there wasn't a soundboard. During these "retirement" concerts there were apparently many recordings made, some of which were released as "Steal Your Face". There is a rumor that this recording is a copy of a rough mix cassette made for SYF provided to the taping community by Jerry Wexler's son or nephew (or something like that), along with 10.18.74 and 10.20.74. These shows came from the Frank's Picks tree, round 4 http://frankspicks.org/fp4_Source_tape_info.htm
Source 11 of 16
3:26:26
SBD
Rating:
8.25 / 8 ratings
SHNID:
gd74-10-19.sbd.fink.227.sbeok.shnf
Source:
Soundboard
Lineage:
SBD multitrack > DAT > CD
Taper Notes:
View NotesSBD multitrack > DAT > CD; via A. Fink, M. Ferguson; known flaw: d3 Beginning of Sugar Magnolia is cut; note some material from show appears on album Steal Your Face- <a href="http://www.gratefuldead.com" rel="ugc nofollow">go buy it</a>
Taper: Louis Falanga
3:34:17
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-19.176649.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charles Connor and the folks responsible for the Sony ECM 22p source which supplies some crowd and first notes of "Beast It On Down The Line" (0:06 total), the first 0:23 of "Seastones", as well as a 0:17 patch in "US Blues" - Thanks to Steve in Berkeley for the 1st generation reel of the Charles Connor ECM 22p source which supplies a 0:14 patch in "He's Gone" - Ned Lagin on electric piano and synthesizer for "Seastones" - Final "Tomorrow Is Forever" - Pitch corrected Mastered by Scott Clugston April 2025
Taper: Louis Falanga
3:34:17
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-19.176648.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charles Connor and the folks responsible for the Sony ECM 22p source which supplies some crowd and first notes of "Beast It On Down The Line" (0:06 total), the first 0:23 of "Seastones", as well as a 0:17 patch in "US Blues" - Thanks to Steve in Berkeley for the 1st generation reel of the Charles Connor ECM 22p source which supplies a 0:14 patch in "He's Gone" - Ned Lagin on electric piano and synthesizer for "Seastones" - Final "Tomorrow Is Forever" - Pitch corrected Mastered by Scott Clugston April 2025
Taper: Charlie Connor
3:43:08
Rating:
10.00 / 1 rating
Taper:
Charlie Connor
Transferrer:
Transferred and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
SHNID:
gd1974-10-19.169825.aud.Connor.gems.flac1648
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > Maxell UD C-90 cassettes
Lineage:
Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC
Taper Notes:
View NotesHighlights originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on October 20, 2024 https://spinitron.com/KXCI/pl/19681152/Dead-Air Originally shared to www.shnflac.net in January 2025 Jerry Garcia - guitar, vocals Bob Weir - guitar, vocals Phil Lesh - bass, vocals Keith Godchaux - keyboards Bill Kreutzmann - drums, percussion Donna Jean Godchaux - vocals Notes: - Thank you to Charles Conner for the master cassettes. - Thank you to Steve in Berkeley for the gen 1 reel to reel @ 7.5 IPS which supplies 'Uncle John's Band' through 'Drums'. - Charles' master cassette of this portion of Set 2 is missing, but the gen 1 reel is a fresh transfer by Jim Blackwood. - Ned Lagin plays electric piano and synthesizer on 'Seastones'. - Last 'Tomorrow Is Forever' performed by the Grateful Dead.
Taper: Charlie Connor
3:43:08
Rating:
10.00 / 2 ratings
Taper:
Charlie Connor
Transferrer:
Transferred and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
SHNID:
gd1974-10-19.169824.aud.Connor.gems.flac2496
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > Maxell UD C-90 cassettes
Lineage:
Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC
Taper Notes:
View NotesHighlights originally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on October 20, 2024 https://spinitron.com/KXCI/pl/19681152/Dead-Air Originally shared to www.shnflac.net in January 2025 Jerry Garcia - guitar, vocals Bob Weir - guitar, vocals Phil Lesh - bass, vocals Keith Godchaux - keyboards Bill Kreutzmann - drums, percussion Donna Jean Godchaux - vocals Notes: - Thank you to Charles Conner for the master cassettes. - Thank you to Steve in Berkeley for the gen 1 reel to reel @ 7.5 IPS which supplies 'Uncle John's Band' through 'Drums'. - Charles' master cassette of this portion of Set 2 is missing, but the gen 1 reel is a fresh transfer by Jim Blackwood. - Ned Lagin plays electric piano and synthesizer on 'Seastones'. - Last 'Tomorrow Is Forever' performed by the Grateful Dead.
Transferrer: Transferred by Andrew F. 06/2021
3:01:12
Transferrer:
Transferred by Andrew F. 06/2021
SHNID:
gd1974-10-19.152593.aud.flac1644
Lineage:
Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.
Taper Notes:
View NotesNote: Here's an AUD of this famous show, but be warned, the quality varies from decent to terrible, with the final 45 minutes sounding very much the worse for wear. Noted flaws: - The speed varied radically, and was off by 3.5% to 9.5%, adjustments were applied, but it remains far from perfect. - Extensive tape surface noise & hiss, this was EQ'ed a bit. - Gap in Scarlet Begonias at 4:51, approx 15 seconds missing. - About half of China Doll is missing, and there is horrible squealing-tape damage for much of the track, wasn't fixable. - Most of Big River is marred by tape damage & speed issues. - Two small gaps in He's Gone; at 4:15 and again at 6:41. - About one minute missing from the end of Sunshine Daydream. With thanks to John and Rich Petrunis for sharing their tapes!