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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1974
6/26/74
01 Big River
5:14
02 Brown Eyed Women
5:44
03 Beat It On Down The Line
3:59
04 Scarlet Begonias
8:18
05 Black Throated Wind
8:54
06 Row Jimmy
8:47
07 Mexicali Blues
4:49
08 Deal
5:12
09 The Race Is On
3:46
10 Mississippi Half-Step Uptown Toodeloo
8:40
11 El Paso
5:47
12 Ship Of Fools
6:45
13 Weather Report Suite
16:43
14 It Must Have Been The Roses
6:11
15 Seastones
22:17
16 Tuning
2:07
17 US Blues
5:58
18 Me And My Uncle
3:07
19 Jam
2:28
20 China Cat Sunflower
13:04
21 I Know You Rider
6:05
22 Beer Barrel Polka
1:07
23 Truckin'
31:00
24 Wharf Rat
9:50
25 Sugar Magnolia
9:46
26 Eyes Of The World
11:37
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:37:15
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-06-26.140081.sbd.miller.patched.flac1644
Source:
SBD > Master Reel > Dat (Panasonic SV-3800/44.1k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- U.S. Blues has some crazy mix issues -- Reel flip in Truckin' smoothed with crossfade -- Truckin' contains an Other One jam and a Spanish Jam -- Thanks to David Gans and Dick Latvala for their help with this project -- Thanks to Jerry Moore and David Minches for the patch source
Source 2 of 9
3:33:45
SBD
Rating:
9.54 / 14 ratings
SHNID:
gd1974-06-26.119613.mtx.dusborne.flac16
Source:
2 source matrix: Soundboard (shnid=00214): Source for disc 1: SBD>MR>C>DAT>CDR; Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) and Audience (shnid=105919): source: aud cassette master taped by Jerry Moore
Lineage:
aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby bnak dragon>hd-p2 24/96>cd wave>flac
Taper Notes:
View NotesSource: 2 source matrix: Soundboard (shnid=00214): ------------------------------------------------------------------------- gd74-06-26.00214.sbd.oleynick.flac16 Source for disk 1: SBD>MR>C>DAT>CDR Contributed by Skankweed Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) Contributed by John Oleynick (previous d1 from this source had problems, was withdrawn) Audience (shnid=105919): ------------------------------------------------------------------------------ gd1974-06-26.akgd1000e.moore.berger.105919.flac24 new fresh 24 bit transfer source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/9/10 -------------------------------------------------------------------------------- -Thank you to Skankweed and John Oleynick for making the SBD available. -Thank you to Jerry Moore for recording the show. -Thank you to Rob Berger for making the Audience recording available. -Thanks to germain for everything;seeding,encouragement,advice and tutelage. No soundboard circulates for Phil & Ned's Seastones. I have elected not to include it. It can be obtained here: http://archive.org/details/gd1974-06-26.akgd1000e.moore.berger.105919.flac24 Matrix by dusborne using Sound Forge Pro 10.0, Samplitude 11.5 Producer and Audacity 1.3 Beta for tracking. 03-23-2012 -------------------------------------------------------------------------------- Notes: Mix Ratio: SBD -0 db Aud -8 db ** some minor mix adjustments here and there when needed ** The audience recording is slow, an adjustment of about + .3 or.4 will put it in standard tuning. No noise reduction was used in this matrix. set 1 ---The SBD reels seem to be paused between most songs in this set. ---There were mix flucuations and drop outs on the sbd during Big River, I have attempted to fix these. Drop outs on the sbd patched with the aud. recording. ---The right channel on the sbd needed to be slightly amplified during the first minute of Black-Throated Wind. The vocals are still some what muffled during this section. Set 2 ---The right channel in all songs with the exception of jam>china>rider was louder than the left. On jam>china>rider the left channel was louder. This was fixed in Sound Forge Pro 10.0. ---There are many mix flucuations during U.S. Blues. ---A sbd reel flip during the jam coming out of truckin' was patched with 22 seconds of the aud. ---There were two small drop outs in the sbd during Other One/Spanish Jam that were patched with the aud. ---Eyes of The World was at a very low recording level on the sbd. I increased it by a few db in Sound Forge Pro 10.0. ---The first few notes of Eyes are cut from the sbd as it cuts in late and has tape wobble. ---The sbd is patched for 26 seconds during the outro jam in Eyes with the aud. recording. ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 03-23-2012
Source 3 of 9
3:04:01
SBD
Rating:
9.00 / 10 ratings
SHNID:
gd74-06-26.sbd.oleynick.214.sbeok.shnf
Source:
Soundboard
Lineage:
MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2)
Taper Notes:
View NotesMSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it</a>
Taper: Gerry Moskal
3:28:43
Taper:
Gerry Moskal
Transferrer:
Brian Mandel
SHNID:
gd1974-06-26.151833.SonyStereo.ECM.Moskal.t.flac16
Source:
Sony Stereo ECM -->SONY TCD126 Location: TBD
Lineage:
Master Cassette Nakamichi BX-150 Transfer->Nakamichi BX300 Cassette Maxell XL11-S90 x3 circa 1984 Wave/ Flac Conversion & Editing 2-20-21 Brian Mandel [email protected] Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac Edits Tape Flips - Audacity
Transferrer: Matrix by Hunter Seamons
3:53:33
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1974-06-26.149947.mtx.seamons.ht119.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: The Wall of Sound setup had a tendency to produce a slight metallic reverb in the vocals at times. This effect appears most prominent here during Black-Throated Wind, after a speaker had blown during Scarlet Begonias. The issue gets better during Row Jimmy and more thereafter. The third set vocals are pretty clean. Big River and U.S. Blues have some soundboard mix fluctuations, typical for set openers in '74. Given U.S. Blues was particularly bad initially, only the AUD plays up to the first chorus. A couple clicks were removed in Half-Step and Eyes. The first 7 seconds of Eyes strangely did not match, indicating one of the sources was subtly patched or there was an unusual cut. Only the SBD plays for this brief moment. The sound on this and the 6/28 matrix is very similar. Jerry Moore's tapes were ideal for these and blended well. A great pair of shows from the middle of the year, also featured on Dick's Picks 12. Thank you to all involved!
Taper: Jim Cooper
3:42:59
Rating:
10.00 / 1 rating
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-06-26.136648.aud.cooper.berger.flac16
Source:
source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
Taper Notes:
View Notes* patched from Jerry Moore’s master, shnid 105919
Taper: Jim Cooper
3:42:59
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-06-26.136647.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
Taper Notes:
View Notes* patched from Jerry Moore’s master, shnid 105919
Taper: Jerry Moore
3:57:23
Rating:
9.33 / 6 ratings
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1974-06-26.akgd1000e.moore.berger.105919.flac24
Source:
aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b
Lineage:
cassettes re-shelled > nak dragon > hd-p2 24/96 > cd wave > flac
Taper: Jerry Moore
3:57:08
Rating:
9.00 / 30 ratings
Taper:
Jerry Moore
SHNID:
gd74-06-26.moore.weiner.gdADT17.16037.sbeok.shnf
Source:
Audience Recording: Sony ECM-99 Stereo mic
Lineage:
AudMC > WAV > CD > EAC > SHN recorded near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON
Taper Notes:
View NotesAudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones.