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June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.9k397
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h713100
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.2k577
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k133
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2k261
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.9k379
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4.1k520
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k305
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h975108
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k242
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.6k204
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k205
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k235
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k289
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k687
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k191
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h8.6k1.1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h16.6k2.2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h9.4k1.3k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h92478
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k564
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.5k582
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k388
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.3k253
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.4k717
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54567
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h16224
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h51739
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h432
7d1277
30d57234
2 shows
2 tapes
1974
6/22/74
The Promised Land ->
3:22
Bertha ->
5:18
Greatest Story Ever Told
5:43
Deal
5:22
Me And Bobby McGee
5:54
Scarlet Begonias
6:56
Jack Straw
4:45
Loose Lucy
4:41
Mexicali Blues
3:23
Sugaree
7:17
The Race Is On
3:19
It Must Have Been The Roses
5:31
Playing In The Band
28:48
China Cat Sunflower >
9:51
I Know You Rider
5:38
Me And My Uncle
3:13
Ship Of Fools
6:09
El Paso
4:39
Eyes Of The World ->
15:14
Wharf Rat ->
9:51
Sugar Magnolia
9:29
Johnny B. Goode
3:44
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:38:07
SBD
Rating:
8.25 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-06-22.sbd.miller.90200.sbeok.flac16
Source:
SBD -> Master Reel -> Cassette -> Dat -> CD D
Lineage:
CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesPatch Info: Alternate SBD Source supplies: Playing In The Band (8:39 - 9:23) Johnny B. Goode (complete track) Some between song banter (FOB) AKG D-1000E -> Master Cassette -> Dat -> CD (shnid=14193) supplies: Playing In The Band (8:35 - 8:39) (9:23 - 9:26) (set break announcement) Wharf Rat (8:56 - 9:14) Notes: -- All disc changes are seamless -- Ramble On Rose tease after El Paso -- Patch source recorded by Jerry Moore -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Hunter Seamons
3:03:42
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Hunter Seamons
SHNID:
gd74-06-22.mtx.seamons.106156.flac24
Source:
SBD (shnid 90200) + AUD (SHNID 105825)
Lineage:
(FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24)
Taper Notes:
View NotesSBD transferred by Charlie Miller AUD recorded by Jerry Moore and transferred by Rob Berger
Transferrer: Chris Chappell
3:02:18
SBD
Rating:
9.71 / 7 ratings
Transferrer:
Chris Chappell
SHNID:
gd1974-06-22.sbd.matrix-sb21a.chappell.83488.flac16
Source:
Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193).
Taper Notes:
View NotesSource: Matrix (SBD/AUD mix): SBD: (shnid=212) - via Darrin Sacks Lineage: MR>C>DAT2>CDR3>EAC>SHN AUD: (shnid=14193) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer) AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Transfer/Editing: Both sources were converted to WAV > Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8) Matrixed by Chris Chappell [email protected] 2-15-07 __________________________________________________ Since the second set fits on one disc, I would put the tuning + Playin' by themselves on disc 2. Tracks are named by set as opposed to disc as there are many media options now for output. ____________________________________________________________ General Notes: Both nights at the Miami Jai-Alai Fronton are excellent shows in their own right, following closely on the heels of the amazing 6-16 and 6-18 shows, all part of a short 8 show summer run. This Saturday night show, often overshadowed by the unique show the following night, is crackling with energy, and features an amazing China>Rider, a 28+ minute Playin', and the 9th Scarlet ever. As a foreshadow of the Healy weirdness to follow the next night, there is a strange electronic effect at the beginning of Greatest Story - the first time I have heard this type of effect used at a Dead show. Healy must have had a new toy. The SBD mix is somewhat low in terms Garcia's guitar due to his loud stage volume. Thus, when coupled with the excellent Jerry Moore AUD, which is predominated by Garcia, the matrix really works well with everyone represented and balanced. Many thanks to Jerry Moore for recording the AUD, and to Mark Cohen for the transfer, and to Noah Weiner for converting it to shn. Thanks to Darrin Sacks for the SBD source. Thanks to Bill Zormeir (AKA Zman) for the excellent artwork. Enjoy! -Chappy ____________________________________________________________ Editing Notes: - Pitch/Synch Both sources were very close in pitch, the SBD being the closest to A=440. I synched the AUD to the SBD and the AUD had to be pitched up only 4 to 6 cents. The alt. SBD which provides the encore had to be pitched up 50 cents and was treated with some light NR due to excessive hiss from multi-gen analog transfers. - Sonic Quality/Matrix ratio No EQ was applied to either of the two sources. I applied very sparingly Waves L2 (limiter) to the master 2 buss to keep things contained, the levels rarely hitting zero, thus the limiting is quite scarce. All I was trying to do here is to add some dimension to the SBD by using the ambience of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the SBD/AUD ratio would be somewhere between 3:1 and 2:1. Note that Jerry's presence in the matrix mix is enhanced greatly from the AUD due to his loud stage volume. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. SBD: s1t01 (0:00 - 2:31) - missing (tuning) s1t04 (5:33 - 6:26) - missing (tuning) s1t06 (5:30 - 6:21) - missing (tuning) s1t07 (6:45 - 8:10) - missing (tuning) s1t07 (8:16 - 8:45) - missing (tuning) s1t08 (4:38 - 5:11) - missing (tuning) s1t09 (4:37 - 6:21) - missing (tuning) s1t10 (3:21 - 4:08) - missing (tuning) s1t11 (7:03 - 8:26) - missing (tuning) s1t12 (3:18 - 4:17) - missing (tuning) s1t13>14 (5:20 - 1:04) - missing (tuning) s1t15 (9:21:58 - 9:21:65) - missing s1t15 (28:22 - 28:42) - missing (crowd) s1t15 (8:16 - 8:45) - missing (tuning) s2t01 (0:00 - 1:17) - missing (tuning) s2t03 (5:02 - 6:48) - missing (tuning) s2t04 (3:05 - 5:02) - missing (tuning) s2t05 (6:08 - 6:31) - missing (tuning) s2t06 (4:35 - 6:15) - missing (tuning) s2t08 (9:23 - 9:37) - missing s2t09 (8:41 - 11:17) - missing (tuning) s2t10 - missing all - supplied by alt. SBD AUD: s2t07 (12:56 - 13:03) - missing Full coverage is achieved, and almost all the missing elements from the SBD are tuning/crowd. __________
Transferrer: Mark Cohen, Noah Weiner, and The Wizard
3:03:08
SBD
Rating:
9.64 / 11 ratings
Transferrer:
Mark Cohen, Noah Weiner, and The Wizard
SHNID:
gd74-06-22.sbd.obv.30972.flacf
Source:
Soundboard patched with Audience
Lineage:
SBD > MR > CASS > DAT > CD > EAC > SHN > DC6 > CD
Taper Notes:
View NotesTo burn to longer media (DVD-A), leave out "a" and "b" fade tracks. Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz AUD Patches:AudMC > DAT Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner ([email protected]) December, 2002 Editing and Mastering by The Wizard - [email protected] Both the Audience and the Soundboard are available from The Owen Brothers Vault. This was a nice SBD recording with only minor issues. Most tunings were cut. These were patched from the AUD source where available. A light Continuous Noise filter was used to minimize tape hiss. The sound was a bit flat so equalization was used to bring up the top and bottom ends a bit. Other specific issues corrected: The old SBD patch in Playin' was cleaned up and adjusted to better match the rest. Mix was bad on Promised Land on both SBD and AUD - couldn't fix that! All AUD patches were matched up as well as possible through EQ, Noise reduction and gain adjustments. Misc. loud handclaps, pops and other anomalies were corrected. All editing done with Diamond Cut DC6 software.
Source 5 of 11
2:37:30
SBD
Rating:
7.71 / 7 ratings
SHNID:
gd74-06-22.sbd.sacks.212.sbefail.shnf
Source:
Soundboard
Lineage:
SBD > MR > Cass > DAT2 > CDR3 > EAC > SHN
Taper Notes:
View NotesMR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks
Source 6 of 11
3:04:12
REMASTER
SHNID:
gd1974-06-22.148680.Moore.acetboy.flac1644
Source:
Remaster by acetboy
Taper Notes:
View NotesThis is a new master created with the original shn #105825 files. It seems like the drums were not loud enough in the Wall this night. Or it could be the tapers location in the hall. I kind of get the impression that the taper was sitting close and on the left side of the audience in front of Jerry with most of the band sound coming from the right. I have equal energy in both channels but it still leans a bit to the right. For this I worked on the hi-res files but only saved as cd ready. 44.1 16 bit Work done in ProTools LE with final eq tweaks in ocenaudio. The original files have the mids around 400 to 500 Hz louder than everything else. Here I've brought out the low and high end more. The flac files are tagged. Much thanks to Jerry Moore and those who have worked to make this music available. acetboy 2019-12-07
Taper: Jerry Moore
3:04:11
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1974-06-22.145646.aud.cm.moore.berger.flac16
Source:
source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled
Lineage:
nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/3/10
Taper Notes:
View Notesnotes: show promoted by Howard Stein
Transferrer: Hunter Seamons
3:03:40
Rating:
10.00 / 5 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1974-06-22.mtx.seamons.106179.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
Taper: Jerry Moore
3:04:11
Rating:
8.67 / 3 ratings
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1974-06-22.akgd1000e.moore.berger.105825.flac24
Source:
aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes
Lineage:
Master Cassettes > cassettes re-shelled > nak dragon>hd-p2 24/96 > cd wave > flac
Taper: Jerry Moore
3:03:45
REMASTER
Rating:
8.50 / 9 ratings
Taper:
Jerry Moore
Transferrer:
Mark Cohen, Noah Weiner and The Wizard
SHNID:
gd74-06-22.aud.obv.30999.shnf
Source:
Audience: AKG D-1000E's (remastered by Wizard)
Lineage:
AKG D-1000E mics > Sony 152 deck (Maxell UD-120's) >
Taper Notes:
View NotesRecorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner ([email protected]) December, 2002 Editing and Mastering by The Wizard - [email protected] Both the Audience and the Soundboard are available from The Owen Brothers Vault. This was a nice AUD recording from the Wall of Sound era. It has good guitar and vocals but drums are low. Did what I could with EQ but you can't put back what isn't there... A light Continuous Noise filter was used to minimize tape hiss. Other specific issues corrected: ================================ -- The crossfaded tape flip in Eyes was removed and patched with the SBD that was adjusted to match up. Wish folks would't crossfade cuts, makes it harder to patch! -- Mix was bad on Promised Land on both SBD and AUD - couldn't fix that! -- I used an upward compressor as a form of limiter to decrease the audience applause at the end of some tracks without losing anything. -- A lot of loud handclaps, and other anomalies were corrected. All editing done with Diamond Cut DC6 software. To burn to longer media (DVD-A), leave out "a" and "b" fade tracks. Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz
Taper: Jerry Moore
3:02:33
Rating:
9.40 / 10 ratings
Taper:
Jerry Moore
Transferrer:
Mark Cohen and Noah Weiner
SHNID:
gd74-06-22.moore.weiner.gdADT13.14193.sbeok.shnf
Source:
Audience: AKG D-1000E's
Taper Notes:
View NotesAudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner ([email protected]) December, 2002 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn)