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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1974
6/23/74
Tuning
3:15
Ramble On Rose
7:51
Black Throated Wind
7:03
Equipment Issues
7:09
Mississippi Half-Step Uptown Toodeloo
8:24
Beat It On Down The Line
4:41
Row Jimmy
9:16
Jack Straw
6:04
Let It Rock
4:49
Cumberland Blues
7:57
El Paso
7:41
To Lay Me Down
9:26
Weather Report Suite Prelude >
5:41
Let It Grow >
10:40
China Doll
5:47
Seastones (From shnid=105755)
15:13
Jam >
4:07
Ship Of Fools
6:22
Big River
5:46
Black Peter
10:54
Around And Around
6:21
Dark Star Jam >
17:21
Spanish Jam >
4:43
U.S. Blues
10:32
Uncle John's Band >
7:59
One More Saturday Night
4:46
Tuning
4:47
Casey Jones
6:48
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
3:31:23
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1974-06-23.122271.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-OCT-2012 - Trader Little Helper - Tagged 04-OCT-2012 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1. 2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2. 3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2. 4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack. 8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2. 12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2. 13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2. 16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2. 18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge. 19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1. 24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match. 25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44. 28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience. ----------------------------------------------------------- Front Left Channel -1db SBD Right Channel -1db SBD Center Mixed to mono -1db Matrix Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1db Matrix -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
3:31:24
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1974-06-23.122270.mtx.tobin.flac16
Source:
Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-OCT-2012 - Trader Little Helper - Tagged 04-OCT-2012 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1 AUD +1 SET TWO Stereo Matrix SBD -1 AUD +1 --------------------------------------------------------- Audio Patches: 1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1. 2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2. 3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2. 4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack. 8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2. 12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2. 13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2. 16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2. 18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge. 19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1. 24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match. 25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44. 28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience. Brokedown House Production
Transferrer: Kevin Tobin
3:31:22
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1974-06-23.122269.mtx.tobin.flac24
Source:
Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-OCT-2012 - Trader Little Helper -Tagged 04-OCT-2012 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1 AUD +1 SET TWO Stereo Matrix SBD -1 AUD +1 --------------------------------------------------------- Audio Patches: 1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1. 2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2. 3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2. 4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack. 8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2. 12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2. 13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2. 16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2. 18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge. 19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1. 24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match. 25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44. 28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience. Brokedown House Production
Transferrer: Matt Smith and Kevin Tobin
3:31:24
SBD
Transferrer:
Matt Smith and Kevin Tobin
SHNID:
gd1974-06-23.122255.upg-sbd.smith-tobin.flac16
Source:
sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-OCT-2012 - Trader Little Helper - Tagged 04-OCT-2012 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1. 2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2. 3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2. 4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack. 8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2. 12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2. 13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2. 16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2. 18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge. 19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1. 24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match. 25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44. 28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience. Brokedown House Production
Taper: Unknown
3:04:43
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matt Smith
SHNID:
gd1974-06-23.sdb.smith.116312.flac16
Source:
sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith
Transferrer: Chris Chappell
3:28:06
SBD
Rating:
9.46 / 28 ratings
Transferrer:
Chris Chappell
SHNID:
gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16
Source:
Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)
Taper Notes:
View NotesSource: Matrix (SBD/AUD mix): SBD: (shnid=213) - mastered by Josh Belkin Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496 AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer) AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Transfer/Editing: Both sources were converted to WAV > Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8) Matrixed by Chris Chappell [email protected] 2-15-07 _____________________________ End disc 1 after To Lay Me Down and end disc 2 after Around & Around. Seastones is named s1t19 so as to keep in the order played, although there was a set break before and after this track. Tracks are named by set as opposed to disc as there are many media options now for output. ____________________________________________________________ General Notes: This show was probably one of those events for those who attended where the response afterwards was like "what the hell was that?" - in other words, not your normal Dead show, festooned with wierd sound effects, in between song banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all of this before even the second set which starts with a Jam. The Dark Star, which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes, and is one of only 6 played in '74, and the only one in '74 without vocals. Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus. The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74. Two repeats from the night before, Jack Straw and Ship Of Fools, had different feels, yet I still prefer the 22nd versions. Sonically, the weird part is the beginning of the show which is a matrix from the SBD source which finally goes to straight SBD in the middle of Ramble On Rose. This first portion, which is quite phasey, was left alone and not matrixed with the AUD source due to the fact it had already been matrixed (by Healy?, real time at the show? - could this be the first matrix experiment at a Deadshow?). Also, Seastones is AUD only. Thanks to Jerry Moore for recording the AUD at such a perfect FOB location which picked up alot of Garcia's amp, thus making the matrix work well. Thanks to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters. Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his SBD source used as a patch in Belkin's source. Thanks to Bill Zormeir (AKA Zman) for the excellent artwork. -Enjoy! Chappy ____________________________________________________________ Editing Notes: - Pitch/Synch Both sources were very close in pitch, the SBD being the closest to A=440. I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. The alt. SBD "Phil's tape" which provides the patch in US Blues did not need to be pitch adjusted, although some EQ was applied to match the regular SBD in tone/timbre (high shelf starting at 1.5kHz +6dB). - Sonic Quality/Matrix ratio No EQ was applied to either of the two main sources. I applied very sparingly Waves L2 (limiter) to the master 2 buss to keep things contained, the levels rarely hitting zero, thus the limiting is quite scarce. All I was trying to do here is to add some dimension to the SBD by using the ambience of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the SBD/AUD ratio would be somewhere between 3:1 and 2:1. Note that Jerry's presence in the matrix mix is enhanced greatly from the AUD due to his loud stage volume. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. SBD: s1t01 (0:00 - 3:14) - missing (tuning) s1t02 (6:18 - 6:51) - missing (tuning) s1t04 (0:13 - 0:47) - missing (tuning) s1t04 (1:11 - 1:43) - missing (tuning) s1t04 (3:19 - 4:34) - missing (tuning) s1t06>7 (7:43 - 0:02) - missing (tuning) s1t07 (3:31 - 4:20) - missing (tuning) s1t08 (7:55 - 9:12) - missing (tuning) s1t09 (4:08 - 4:09) - missing s1t09 (5:18 - 5:50) - missing (tuning) s1t10 (3:26 - 4:09) - missing (tuning) s1t11 (9:08 - 7:50) - missing (tuning) s1t12 (4:22 - 5:45) - missing (tuning) s1t13>14 (7:58 - 0:56) - missing (tuning) s1t17 (5:21) - removed subsecond glitch s1t18 (5:32 - 5:44) - missing (tuning) s2t01 (0:00 - 2:21) - missing (tuning) s2t03 (6:04 - 6:19) - missing (tuning) s2t04 (4:44 - 5:39) - missing (tuning) s2t05 (4:40 - 4:41) - missing (splice) s2t05 (9:24 - 10:47) - missing (tuning) s2t06 (5:17 - 6:03) - missing (tuning) s2t07 (9:07 - 9:16) - missing (flip) s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape" s2t09 (8:14 - 10:25) - missing (tuning) s2t11 (4:54 - 8:54) - missing (tuning) s2t12 (6:40 - 6:50) - missing (tuning) AUD: s1t16 (4:17) - fixed sbe s2t05 (10:50) - removed mic bump Full coverage is achieved, and almost all the missing elements from the SBD are tuning/crowd.
Source 7 of 18
3:27:43
SBDREMASTER
Rating:
8.25 / 8 ratings
SHNID:
gd1974-06-23.sbd.OBV.30846.shnf
Source:
Soundboard
Lineage:
Remaster of sbd w/ aud patches by Owens Brothers
Taper Notes:
View NotesRemaster of sbd w/ aud patches by Owens Brothers
Source 8 of 18
3:07:06
SBD
Rating:
9.31 / 62 ratings
SHNID:
gd74-06-23.sbd.cribbs.16780.sbeok.shnf
Source:
Soundboard
Lineage:
MSR> DAT> CD w/ MAC> DAT patches
Taper Notes:
View NotesMSR>DAT>CD w/ MAC>DAT patches
Transferrer: Josh Belkin
3:13:15
SBD
Transferrer:
Josh Belkin
SHNID:
gd1974-06-23.sbd.sacks.213.shnf
Source:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
Lineage:
See info file
Taper Notes:
View NotesSource Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496 (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.) ** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496 Sound processing: AUD source: Dehum, Denoise, Timestretched to match SBD speed "Phil's Tape" SBD: Timestretched to match SBD speed The "Phil's Tape" source is probably the one mentioned in www.deadlists.com, "made by Phil with mikes onstage", since the tape has no cuts. The AUD source is probably the one mentioned in Taper's Compendium Vol. 1: Jerry Moore & Les Kippel , AKG D-200 mikes > Sony 152 deck Mastered Dec '99/Jan '00 by Josh Belkin [email protected] [Additional note on disc assembly from Josh (more details below)]: "Two tracks, D1T3 and D3T1, don't have song titles. In the case of D1T3, it's there so that the previous AUD/SBD mixed Ramble On Rose track is the same length (well, nearly so, I goofed slightly I guess) as the straight-SBD RoR at the end of Disk three, so that purists can take out the mixed RoR and swap in the straight-SBD one if they want to rearrange the tracks on Disk1. It was that or else make the straight-SBD RoR about :58 longer. D3T1 mini-track is there so that I can have a proper track marker at the start of Dark Star." -- additional comments from Darrin Sacks: Date: Fri, 4 Feb 2000 09:29:19 -0700 From: "Darrin N. Sacks" To: [email protected] Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction Hi, A newly circulating show has an erroneous info file attached to it -- Contrary to the statement in the info file accompanying the 6.23.74 patched soundboard that is circulating, the primary soundboard source used for this show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few short segments was NOT subject to noise reduction. Although Josh, the guy who performed the tremendous job of splicing in the cuts on the primary soundboard from previously circulating audience and alternate soundboard sources, did digitally process the alternate sources (he time aligned them and denoised/dehummed them), he did not perform noise reduction on the primary soundboard source that is circulating on the etree. This misunderstanding occurred because Josh did perform noise reduction on the primary soundboard source that he traded to a few of his friends. However, we collectively decided that the version circulated on the etree & on alt.binaries.gdead should not contain noise reduction -- and it does not. Josh accidentally sent out cd covers to the etree and alt.binaries.gdead seed sources for this show indicating that the primary soundboard source was processed with noise reduction -- which it was not. So, please disregard this annotation and don't pass up this gem of a show on the mistaken understanding that it contains noise reduction. While I'm on the topic, I should also point out that disk 3 of the show was redone and re-seeded after its initial seeding to the etree. The show should not have been distributed prior to the updated disk 3's seeding, but its easy to tell if you have the "correct" disk 3 -- it has ten tracks. Disk 3 was reseeded because, after Josh initially distributed the show, we discovered that there was a reel flip in the middle of US Blues. On So Many Roads, this reel flip was edited out by removing a chunk of the song (see the liner notes). On the re-seeded version, this 20 second gap (pretty impressive timing for re-threading a reel-to-reel deck, imho), was spliced in from what is believed to be a stage miced version recorded by Phil (the prior version had a cut at this point). This is the only difference. That ought to do it -- given the recent thread regarding the "evils" of noise reduction, I didn't want this amazing show & work of restoration to be passed by. My advice -- download and uncompress a track or 2 (Josh's blending of the aud source with the sbd source on Ramble On Rose -- d1t1 -- is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people with SMR to compare this source's sound quality to the very same song on SMR) and decide what to do from there. Siteops hosting this show -- it would be nice if you modified the info file to remove the erroneous noise reduction info. Darrin
Taper: Jerry Moore
3:31:22
REMASTER
Rating:
10.00 / 1 rating
Taper:
Jerry Moore
Transferrer:
acetboy
SHNID:
gd1974-06-23.148679.Moore.acetboy.flac1644
Source:
Remaster by acetboy
Taper Notes:
View NotesThis is a new master created from the original files from shn #105755. Like the first night at this venue it seems like the drums could have been louder. Maybe they do come through a bit better this night. For this I worked on the hi-res files but only saved as cd ready. 44.1 16 bit Work done in ProTools LE with final eq tweaks in ocenaudio. The original files have the mids around 400 to 500 Hz louder than everything else. Here I've brought out the low and high end more. The flac files are tagged. Much thanks to Jerry Moore and those who have worked to make this music available. acetboy 2019-12-10
Taper: Jerry Moore
3:31:19
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16
Source:
source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled
Lineage:
nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10
Taper Notes:
View Notesnotes: show promoted by Howard Stein
Transferrer: Hunter Seamons
3:29:42
Rating:
10.00 / 8 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1974-06-23.mtx.seamons.105983.flac16
Source:
Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)
Transferrer: Hunter Seamons
3:29:42
Rating:
9.11 / 10 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1974-06-23.mtx.seamons.105867.flac24
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)
Taper: Jerry Moore
3:31:19
Rating:
8.86 / 8 ratings
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1974-06-23.akgd1000e.moore.berger.105755.flac24
Source:
akg d1000e's>sony tc-152
Lineage:
cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac
Taper: Jerry Moore
3:28:37
Rating:
7.00 / 2 ratings
Taper:
Jerry Moore
Transferrer:
Owen Brothers remaster of Jerry Moore recording
SHNID:
gd1974-06-23.aud.obv.96890.sbeok.shnf
Source:
AudMC > DAT>CD>DC6>CD
Taper Notes:
View NotesEditing and Mastering by The Wizard - [email protected] Both the Audience and the Soundboard are available from The Owen Brothers Vault. This was a nice AUD recording with only minor issues. A light Continuous Noise filter was used to minimize tape hiss. Equalization was used to adjust the sound a bit. Cuts were cleaned up. Misc. loud handclaps, pops and other anomalies were corrected. All editing done with Diamond Cut DC6 software. Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks. Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz
Taper: Jerry Moore
3:29:43
Rating:
9.43 / 14 ratings
Taper:
Jerry Moore
Transferrer:
Rob Berger and John Tallmadge
SHNID:
gd1974-06-23.aud.moore.berger.84615.flac16
Source:
akg d1000e's>Sony TC-152
Lineage:
aud c.m.>dat>cdr>eac>cd wave>flac
Taper: Jerry Moore
3:27:31
Rating:
8.43 / 14 ratings
Taper:
Jerry Moore
SHNID:
gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf
Source:
Audience Recording: AKG D-1000E
Lineage:
AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.
Taper Notes:
View NotesAudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON.
Taper: Neil Merin
2:59:44
Rating:
10.00 / 3 ratings
Taper:
Neil Merin
Transferrer:
Noah Weiner
SHNID:
gd1974-06-23.aud-merin.weiner.7894.shnf
Lineage:
AUDMR>R>DAT/1>HD>SHN>CD
Taper Notes:
View NotesFrom comment posted by Noah at etree: Hey all, This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...). I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)