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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1974
10/16/74
Bertha
5:49
Jack Straw
5:10
Deal
6:25
Mexicali Blues
3:50
It Must Have Been The Roses
7:04
Beat It On Down The Line
4:58
Scarlet Begonias
12:03
Me And Bobby McGee
5:22
Tennessee Jed
9:09
Cumberland Blues
7:23
Row Jimmy
11:13
Playing In The Band
31:39
Phil And Ned ->
23:54
Jam ->
23:19
Space ->
1:56
Wharf Rat ->
16:45
Eyes Of The World
19:49
Big River
5:48
Ship Of Fools
7:11
Truckin' ->
10:05
Goin' Down The Road Feeling Bad ->
8:13
Uncle John's Band
8:47
Johnny B. Goode
5:24
Happy Birthday Bobby
1:53
U.S. Blues
6:03
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
4:09:12
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-10-16.sbd.patched.eaton-miller.90145.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
Taper Notes:
View NotesPatch Info: -- Bertha through 1:16 of Deal patched from AUD source -- Reel flip in Playing In The Band patched from mulitrack reel (not from GDM) -- Set 1 tunings patched from Master Reel -> Cass -> Dat -- 18:03 of PITB through 7:35 of Jam patched from Master Reel -> Cass -> Dat Audience source (1st Gen reel) from Matt Smith supplies: Eyes Of The World (11:07 - 11:31) Uncle John's Band (4:07 - 4:34) Notes: -- All disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- I can confirm lineage 100% accurate
Transferrer: Charlie Miller
4:08:33
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-10-16.sbd.eaton-miller.88251.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
Taper Notes:
View NotesPatch Info: -- Bertha through 1:16 of Deal patched from AUD source -- Reel flip in Playing In The Band patched from mulitrack reel (not from GDM) -- Set 1 tunings patched from Master Reel -> Cass -> Dat -- 18:03 of PITB through 7:35 of Jam patched from Master Reel -> Cass -> Dat Notes: -- All disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- I can confirm lineage 100% accurate -- Reel flips in Eyes and UJB smoothed with crossfade
Transferrer: Charlie Miller
4:09:33
SBD
Transferrer:
Charlie Miller
SHNID:
gd1974-10-16.sbd.miller.88180.sbeok.flac16
Source:
SBD -> Master Reel -> Cassette -> Dat (48k) D
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
Taper Notes:
View NotesPatch Info: Bertha through 1:16 of Deal patched from AUD source Reel flip in Playing In The Band patched from mulitrack reel (not from GDM) Notes: -- All disc changes are seamless -- I can confirm lineage 100% accurate
Transferrer: Matrix by Dave Usborne
4:12:15
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1974-10-16.131539.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:90145) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC and Audience (shnid:107036) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120; Analog
Lineage:
Sony ECM 250 >> Sony 110 (mono) >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga
Taper Notes:
View NotesTagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 10-05-2014 -------------------------------------------------------------------------------------
Source 5 of 11
3:51:26
SBD
Rating:
6.50 / 4 ratings
SHNID:
gd74-10-16.sbd.fishman.12577.sbeok.shnf
Source:
Soundboard
Lineage:
Reel Master> Cassette> DAT> EAC> SHN
Taper Notes:
View NotesSource: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman
Source 6 of 11
4:10:39
SBD
Rating:
8.00 / 2 ratings
Source:
Soundboard
Lineage:
SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD
Taper Notes:
View NotesSBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; Known flaws: reel flip - d3 at 1:02, Eyes cut at 6:30, 11:08, UJB cut at 4:11, cut at ~19:06 in playin' - d/o removed and track split here
Taper: Louis Falanga
3:55:10
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-16.176619.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Matt Smith and SirMick for the alternate audience source which supplies "Seastones", as well as the first 6:53 of "Space > Jam" - Ned Lagin on electric piano and synthesizer for "Seastones" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston May 2025
Taper: Louis Falanga
3:55:10
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-16.176618.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Matt Smith and SirMick for the alternate audience source which supplies "Seastones", as well as the first 6:53 of "Space > Jam" - Ned Lagin on electric piano and synthesizer for "Seastones" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston May 2025
Transferrer: Matt Smith and SIRMick
2:15:19
Transferrer:
Matt Smith and SIRMick
SHNID:
gd1974-10-16.137664.set2.aud.smith.sirmick.sbeok.flac24
Source:
Set 2 Source: Master Audience Reel > Reel;
Lineage:
Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
Taper Notes:
View NotesNotes: The following patches have been put in - The last 1:08 of Jam - The first 25.8 seconds of Space - Wharf Rat 4:28 - 5:49 - The first 4:23 of Eyes Of The World - The last 48 seconds of GDTRFB - The first minute of UJB - The whole of U.S. Blues The patch source used is the MOTB release shnind 107036. Thanks to Matt Smith for providing this source and doing the transfer. Thanks to Charlie Miller for getting this to me and thanks to Joe B. Jones for advice on pitch correction. edited and mastered SIRMick January 2017
Transferrer: Matt Smith and SIRMick
2:15:19
Rating:
4.00 / 1 rating
Transferrer:
Matt Smith and SIRMick
SHNID:
gd1974-10-16.137663.set2.aud.smith.sirmick.sbeok.flac16
Source:
Set 2 Source: Master Audience Reel > Reel;
Lineage:
Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > iZotope RX5 Advanced > wav 16/44.1 > CD Wave > TLH > flac16; edited and mastered SIRMick
Taper Notes:
View NotesNotes: The following patches have been put in - The last 1:08 of Jam - The first 25.8 seconds of Space - Wharf Rat 4:28 - 5:49 - The first 4:23 of Eyes Of The World - The last 48 seconds of GDTRFB - The first minute of UJB - The whole of U.S. Blues The patch source used is the MOTB release shnind 107036. Thanks to Matt Smith for providing this source and doing the transfer. Thanks to Charlie Miller for getting this to me and thanks to Joe B. Jones for advice on pitch correction. edited and mastered SIRMick January 2017
Taper: Louis Falanga
3:53:41
Rating:
8.67 / 4 ratings
Taper:
Louis Falanga
Transferrer:
Bob Menke and David Minches and Derek McCabe
SHNID:
gd1974-10-16.fob.sonyecm250.falenga.motb-0131.107036.flac16
Source:
Sony ECM 250 >> Sony 110 (mono) >> MAC
Lineage:
MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesNotes: Seastones and the beginning of the jam was patched using SHNID 90145. This show is a mono recording and unfortunatley all that is available as an aud source for this date. The sound quality is average to say the least. This recording is for completists only and was done to add an aud source into the db.