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Grateful Dead
Today In History
June 8th
Years
1995
30k
PlaybackListensHours
48h763105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h68395
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.7k495
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k364
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k346
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k374
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k152
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k247
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h929103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k212
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k144
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k202
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.7k215
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k300
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.3k668
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k180
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k282
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.3k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.7k504
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h81181
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k557
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.5k582
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k414
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k227
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.2k941
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k359
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h38046
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23518
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h412
7d1026
30d57334
2 shows
2 tapes
1974
Sources
Transferrer: Charlie Miller
3:41:11
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.miller.110771.flac16
Source:
Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Dat (44.1k) Set 3: SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC
Taper Notes:
View NotesNotes: -- Tracked by set, not by disc -- This transfer is much better than the previous transfer -- The first 2:14 of the show is patched from an audience recording -- The first 18 minutes of Set 2 is patched from the Set 1 SBD source -- 2 seconds of diginoise in Seastones (19:23 - 19:25) -- Set 1 was pitch corrected with Adobe Audition v3.0 -- The patch in the beginning of Seastones was also pitch corrected -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:20:37
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.miller.34950.shnf
Source:
SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat D
Lineage:
Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN
Taper Notes:
View NotesNotes: --Beer Barrel Polka after Sugaree
Transferrer: Charlie Miller
3:38:16
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd74-10-18.sbd.miller.21785.sbeok.shnf
Source:
Soundboard
Lineage:
Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN
Taper Notes:
View NotesSet I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller
Taper: DAT from David Hollister
3:20:24
SBD
Taper:
DAT from David Hollister
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.hollister-miller.21213.shnf
Source:
SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN
Transferrer: Jamie Waddell and Matt Smith
3:27:23
SBD
Rating:
9.78 / 10 ratings
Transferrer:
Jamie Waddell and Matt Smith
SHNID:
gd1974-10-18.111459.gems.BOSWELL-SMITH.flac24
Source:
Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011
Taper Notes:
View NotesI really don't know the exact lineage but they were drawn from the multitracks. All I know is these were dubs from Jerry's own reels back in early 1979. They were probably "work tapes" for the film soundtrack. I'm convinced these have not seen the light of day until now. Reason being at the time(late 70's) the circulating sources for this run of shows was drawn from cassettes via Rob Bertrando so when Will Boswell dubbed these everyone already had them in pretty good quality and keep in mind this was before tape trading was organized to the point that one could "pick and choose" the way it is now. Besides, Wilson was starting up a family during that period so as every father knows, things have to take a back seat for a period of time in order to raise kids so they sat in his workshop until I borrowed them around 2007 . If you want a version that "puts you there", these are it as the reel sources for this run of shows are incredibly clean with nice bottom and fairly rich highs esp. the 24/96 version.. Just hear the "warm" tone of Jerry's guitar during 'Morning Dew' and you'll soon realize how nice these really are!! - Matt Smith December 31, 2010
Source 6 of 12
3:38:17
SBD
Rating:
9.54 / 13 ratings
SHNID:
gd74-10-18.sbd.bertha-ashley.22796.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> MDAT (44.1k)> SHN> DAW (Bertha)> CDA/SHN
Taper Notes:
View NotesBertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+
Source 7 of 12
2:00:58
SBD
Rating:
7.00 / 2 ratings
SHNID:
gd74-10-18.sbd.romanski.5436.sbeok.shnf
Source:
Soundboard
Lineage:
SBD MR > PCM > DAT> CDR
Taper Notes:
View Notesset 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- <a href="http://www.gratefuldead.com" rel="ugc nofollow">go buy it</a>; see public commnets for flaw note on d2t5
Transferrer: via A. Fink, R. Nayfield, M. Ferguson
2:00:58
SBD
Rating:
9.43 / 7 ratings
Transferrer:
via A. Fink, R. Nayfield, M. Ferguson
SHNID:
gd1974-10-18.sbd.fink-nayfield-ferguson.225.shnf
Source:
Soundboard
Lineage:
MR > PCM > DAT 44.1kHz > CD
Taper: Louis Falanga
3:26:33
Rating:
10.00 / 1 rating
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-18.176647.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies the first 1:18 of "Seastones", as well as an 0:11 patch in "Dark Star" - "Beer Barrel Polka" tuning after "Sugaree" - Ned Lagin on electric piano and synthesizer for "Seastones" - Missing "US Blues" encore - Pitch corrected - First audience source in general circulation (4/2025) Mastered by Scott Clugston April 2025
Taper: Louis Falanga
3:26:33
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-18.176646.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies the first 1:18 of "Seastones", as well as an 0:11 patch in "Dark Star" - "Beer Barrel Polka" tuning after "Sugaree" - Ned Lagin on electric piano and synthesizer for "Seastones" - Missing "US Blues" encore - Pitch corrected - First audience source in general circulation (4/2025) Mastered by Scott Clugston April 2025
Taper: BEAR
2:33:40
Rating:
9.33 / 9 ratings
Taper:
BEAR
Transferrer:
Jamie Waddell and Jim Blackwood
SHNID:
gd1974-10-18.BEAR.gems.110558.flac24
Source:
RECORDING AND MIX BY BEAR Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
Taper Notes:
View Notes- Missing Some Stuff...we chose to patch nothing. - Sound quality is very good, exactly as the tape sounds - NFA starts in muffled for about 10 seconds a **Project GEMS** Original Art by GYRO www.shnflac.net October 2010
Taper: BEAR
2:33:51
Rating:
8.57 / 8 ratings
Taper:
BEAR
Transferrer:
Jim Blackwood
SHNID:
gd1974-10-18.BEAR.gems.110515.flac16
Source:
RECORDING AND MIX BY BEAR. Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
Taper Notes:
View Notes- Missing Some Stuff...we chose to patch nothing. - Sound quality is very good, exactly as the tape sounds - Cumberland Blues starts in wierd, as is from tape - NFA starts in muffled for about 10 seconds a **Project GEMS** Original Art by GYRO www.shnflac.net October 2010