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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1974
10/17/74
Bill Graham Intro
0:46
Promised Land
3:38
Mississippi Half-Step Uptown Toodeloo
8:11
Black Throated Wind
7:21
Friend Of The Devil
4:18
Jack Straw
5:21
Loser
5:56
El Paso
5:18
China Cat Sunflower >
9:13
I Know You Rider
5:26
Me & My Uncle
3:06
It Must Have Been The Roses
6:34
Weather Reprot Suite
17:05
Phil & Ned (Seastones)
9:46
Scarlet Begonias
10:27
Big River
4:44
Ramble On Rose
5:12
Mexicali Blues
3:37
He's Gone >
13:01
The Other One >
23:02
Spanish Jam > Mind Left Body Jam >
4:27
The Other One >
3:09
Stella Blue
9:06
Sugar Magnolia
8:33
Encore Break
1:35
E1: Casey Jones
7:08
E2: US Blues
5:41
FIN
View on archive.org
Sources
Taper: From Gastwirt Collection
3:06:05
SBD
Rating:
10.00 / 2 ratings
Taper:
From Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1974-10-17.140588.SBD.Gastwirt.Miller.Noel.t-flac1644
Source:
<b>flac16/48kHz</b>; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #99031 (Black Maxell UDII reel tape) - s1t15; 08:53 - end - sbt16; all - s2t01; 0:00 - 1:26 - s2t08; 0:28 - 0:37 - source; #16189 (MultiTrack Master Reel) - s2t11; all - s2t12; all - s2t13; all Notes: - tape pauses cross faded - minor snack, crackle & pops were cleaned up throughout both sets - I Know You Rider is not cut - Big River has a 0:01 drop out @ 2:59 that is on the Master Reel - this source is Philcentric - technical difficulty time = grateful dead standard time. Weir. - Phil & Ned during set break - U.S. Blues (SBD) cuts in
Transferrer: Matt Smith and Jamie Waddell
2:42:51
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matt Smith and Jamie Waddell
SHNID:
gd1974-10-17.sbd.smith.gems.99032.flac24
Source:
SBD > 16track> 2track for Jerry >? >
Lineage:
Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for POWr3 Dither 24bit/96 kHz, TradersLilHelper for FLAC 8
Taper Notes:
View NotesEdit notes: These reels have been mastered for better tonal balance. Phil's bass was the center point of this multi track mix down. It was a tad too much to begin. A different feel than the standard vault reel master reel. The highs originally were VERY buried and or decayed and i returned them to a better position in the mix, albeit still a tad distant. This edit was in the works for a couple of months. Lots of our ears LListened as we came to the best balance for the edit. I'm sure you will enjoy.- j.w. Matt said... "I think people will love the 10-17-74. I would put the lineage as 16track>2track for Jerry>?>R(WB@3 3/4 ips.)>DVD/CD. These 10/74 reel copies made by Will back in 1979 were most likely 'work tapes' used by Jerry for production work for the "GD Movie". all the following shows are complete including all the 'seastones' sets so more cool things on the way. Yes, i know there have been multiple versions of these shows but IMHO, these are unique versions that were Jerry's own copies that were dubbed from by Will. Basically these versions were never copied by anyone in will's circle since everyone already had them via rob bertrando and no one at the time bothered to investigate them. Remember, this was 1979 and the GD were still a great behemoth of a touring machine so everyone was more concerned with taping new shows. There is no cassette gen with these as they were straight reel copies that i know for sure so these 24 bit versions esp. are really nice. Whether Jerry had a master of a 2 track mixdown or a copy will never be known for sure but these really do sound fantastic regardless. Much more of a "being there" feeling IMHO.. ENJOY!! ....Stuff from the debbie stash is hard to explain at times and nailing down exact lineages is even harder. either way they all sound fantastic!!! It was the kind of deal where Will suddenly found out about all these reels/cassettes that Jerry "left" there so he copied as much as he could w/o any concern of the exact source. There were TONS of stuff everywhere strewn all over the house.." a **GEMS** Production www.shnflac.net May 2009 -Complete Seastones -listen for a fan scream for mexicali before they play a note of it -Last two minutes of rider patched with alternate aud -Huge Thanks to Matt Smith for the Transfer work and Deadication. -big Thanks To Todd Evans for Project GEMS...
Transferrer: Matt Smith and Jamie Waddell
2:43:09
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matt Smith and Jamie Waddell
SHNID:
gd1974-10-17.sbd.smith.gems.99031.flac16
Source:
SBD > 16track> 2track for Jerry >? >
Lineage:
Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8
Taper Notes:
View NotesEdit notes: These reels have been mastered for better tonal balance. Phil's bass was the center point of this multi track mix down. It was a tad too much to begin. A different feel than the standard vault reel master reel. The highs originally were VERY buried and or decayed and i returned them to a better position in the mix, albeit still a tad distant. This edit was in the works for a couple of months. Lots of our ears LListened as we came to the best balance for the edit. I'm sure you will enjoy.- j.w. Matt said... "I think people will love the 10-17-74. I would put the lineage as 16track>2track for Jerry>?>R(WB@3 3/4 ips.)>DVD/CD. These 10/74 reel copies made by Will back in 1979 were most likely 'work tapes' used by Jerry for production work for the "GD Movie". all the following shows are complete including all the 'seastones' sets so more cool things on the way. Yes, i know there have been multiple versions of these shows but IMHO, these are unique versions that were Jerry's own copies that were dubbed from by Will. Basically these versions were never copied by anyone in will's circle since everyone already had them via rob bertrando and no one at the time bothered to investigate them. Remember, this was 1979 and the GD were still a great behemoth of a touring machine so everyone was more concerned with taping new shows. There is no cassette gen with these as they were straight reel copies that i know for sure so these 24 bit versions esp. are really nice. Whether Jerry had a master of a 2 track mixdown or a copy will never be known for sure but these really do sound fantastic regardless. Much more of a "being there" feeling IMHO.. ENJOY!! ....Stuff from the debbie stash is hard to explain at times and nailing down exact lineages is even harder. either way they all sound fantastic!!! It was the kind of deal where Will suddenly found out about all these reels/cassettes that Jerry "left" there so he copied as much as he could w/o any concern of the exact source. There were TONS of stuff everywhere strewn all over the house.." a **GEMS** Production www.shnflac.net May 2009 -Complete Seastones -listen for a fan scream for mexicali before they play a note of it -Last two minutes of rider patched with alternate aud -Huge Thanks to Matt Smith for the Transfer work and Deadication. -big Thanks To Todd Evans for Project GEMS...
Source 4 of 8
2:54:56
SBD
Rating:
8.40 / 5 ratings
SHNID:
gd74-10-17.sbd.barbella.16189.sbeok.shnf
Source:
Soundboard
Lineage:
MultiTrack Master Reel > DAT > Sonic Solutions > CD
Taper Notes:
View NotesMultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon
Transferrer: Carl Royer
5:44:27
SBD
Rating:
8.00 / 1 rating
Transferrer:
Carl Royer
SHNID:
gd1974-10-17.sbd.royer.10360.shnf
Source:
MSR>DAT>CDR
Lineage:
CDR>EAC>HD>MKW>SHN>CDR
Taper Notes:
View Notes***Special Note*** If you want this to match up the the cover file included, then you will have to burn Disc 2, Track 7 - 9 onto Disc 3. It fits, and will match up to the cover file enclosed. If you really don't care or make your own covers, then go ahead and burn as presented below. CER
Taper: Louis Falanga
3:11:41
Rating:
10.00 / 1 rating
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-17.176621.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Matt Smith and Jamie Waddell for the soundboard source which supplies the first 0:40 of "Seastones", some crowd and first notes of "He's Gone", as well as a 0:13 patch in "The Other One > Spanish Jam" transition - Ned Lagin on electric piano and synthesizer for "Seastones" - "Thanks for being on our movie and thanks for being on our soundtrack too" - First complete audience source in general circulation (5/2025) - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston May 2025
Taper: Louis Falanga
3:11:41
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-17.176620.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Matt Smith and Jamie Waddell for the soundboard source which supplies the first 0:40 of "Seastones", some crowd and first notes of "He's Gone", as well as a 0:13 patch in "The Other One > Spanish Jam" transition - Ned Lagin on electric piano and synthesizer for "Seastones" - "Thanks for being on our movie and thanks for being on our soundtrack too" - First complete audience source in general circulation (5/2025) - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston May 2025
Transferrer: Matt Smith and SIRMick
1:35:59
Transferrer:
Matt Smith and SIRMick
SHNID:
gd1974-10-17.137630.partial.aud.smith.sirmick.sbeok.flac16
Source:
Partial Set 1 & 2 Source: Room mics * > Master Audience Reel > Reel From The Debbie Stash;
Lineage:
Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
Taper Notes:
View NotesComments: - That's what it says on the reel * Notes: - I put in three small patches using Black Maxell UDII reel tape @ 3 3/4 ips. > Akai GX 636 > Apogee Mini Me (24/96) > Apogee mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > seeded by Jamie Waddell, and one using MSR > DAT > CDR seeded by Carl Royer. None of these patches is longer than a couple of seconds. One is in "Half-Step", one in "El Paso", one in "Rider" and the last in "Stella Blue" - There is a small burst of static in "Promised Land" which is also present on the sbds that circulate. Thanks to Matt Smith for providing this source and doing the transfer. I've never been anywhere remotely close to Winterland but listening to this I feel like I could be sitting there enjoying the show. edited and mastered SIRMick January 2017