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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h781109
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h62088
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.2k562
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k351
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.7k1.2k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.5k336
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k364
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k150
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k255
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h90199
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k210
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1k136
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k194
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.7k215
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k297
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.8k624
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k181
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.2k296
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h17.1k2.4k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.7k516
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h78576
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k558
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k597
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k426
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k227
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k950
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k369
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41850
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10314
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22717
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h553
7d1066
30d56034
2 shows
2 tapes
1974
10/17/74
crowd/tuning/Bill Graham intro
3:28
Promised Land
3:46
Mississippi Half-Step Uptown Toodleoo
8:23
Black Throated Wind
7:08
Friend Of The Devil
4:27
Jack Straw
5:26
Loser
6:04
El Paso
4:38
China Cat Sunflower >
9:11
I Know You Rider
5:51
Me And My Uncle
3:14
It Must Have Been The Roses
6:17
The Other One >
1:03
Stella Blue
9:19
Sugar Magnolia
8:25
encore break
1:52
Casey Jones
7:27
FIN
View on archive.org
Sources
Taper: From Gastwirt Collection
3:06:05
SBD
Rating:
10.00 / 2 ratings
Taper:
From Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1974-10-17.140588.SBD.Gastwirt.Miller.Noel.t-flac1644
Source:
<b>flac16/48kHz</b>; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #99031 (Black Maxell UDII reel tape) - s1t15; 08:53 - end - sbt16; all - s2t01; 0:00 - 1:26 - s2t08; 0:28 - 0:37 - source; #16189 (MultiTrack Master Reel) - s2t11; all - s2t12; all - s2t13; all Notes: - tape pauses cross faded - minor snack, crackle & pops were cleaned up throughout both sets - I Know You Rider is not cut - Big River has a 0:01 drop out @ 2:59 that is on the Master Reel - this source is Philcentric - technical difficulty time = grateful dead standard time. Weir. - Phil & Ned during set break - U.S. Blues (SBD) cuts in
Transferrer: Matt Smith and Jamie Waddell
2:42:51
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matt Smith and Jamie Waddell
SHNID:
gd1974-10-17.sbd.smith.gems.99032.flac24
Source:
SBD > 16track> 2track for Jerry >? >
Lineage:
Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for POWr3 Dither 24bit/96 kHz, TradersLilHelper for FLAC 8
Taper Notes:
View NotesEdit notes: These reels have been mastered for better tonal balance. Phil's bass was the center point of this multi track mix down. It was a tad too much to begin. A different feel than the standard vault reel master reel. The highs originally were VERY buried and or decayed and i returned them to a better position in the mix, albeit still a tad distant. This edit was in the works for a couple of months. Lots of our ears LListened as we came to the best balance for the edit. I'm sure you will enjoy.- j.w. Matt said... "I think people will love the 10-17-74. I would put the lineage as 16track>2track for Jerry>?>R(WB@3 3/4 ips.)>DVD/CD. These 10/74 reel copies made by Will back in 1979 were most likely 'work tapes' used by Jerry for production work for the "GD Movie". all the following shows are complete including all the 'seastones' sets so more cool things on the way. Yes, i know there have been multiple versions of these shows but IMHO, these are unique versions that were Jerry's own copies that were dubbed from by Will. Basically these versions were never copied by anyone in will's circle since everyone already had them via rob bertrando and no one at the time bothered to investigate them. Remember, this was 1979 and the GD were still a great behemoth of a touring machine so everyone was more concerned with taping new shows. There is no cassette gen with these as they were straight reel copies that i know for sure so these 24 bit versions esp. are really nice. Whether Jerry had a master of a 2 track mixdown or a copy will never be known for sure but these really do sound fantastic regardless. Much more of a "being there" feeling IMHO.. ENJOY!! ....Stuff from the debbie stash is hard to explain at times and nailing down exact lineages is even harder. either way they all sound fantastic!!! It was the kind of deal where Will suddenly found out about all these reels/cassettes that Jerry "left" there so he copied as much as he could w/o any concern of the exact source. There were TONS of stuff everywhere strewn all over the house.." a **GEMS** Production www.shnflac.net May 2009 -Complete Seastones -listen for a fan scream for mexicali before they play a note of it -Last two minutes of rider patched with alternate aud -Huge Thanks to Matt Smith for the Transfer work and Deadication. -big Thanks To Todd Evans for Project GEMS...
Transferrer: Matt Smith and Jamie Waddell
2:43:09
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matt Smith and Jamie Waddell
SHNID:
gd1974-10-17.sbd.smith.gems.99031.flac16
Source:
SBD > 16track> 2track for Jerry >? >
Lineage:
Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8
Taper Notes:
View NotesEdit notes: These reels have been mastered for better tonal balance. Phil's bass was the center point of this multi track mix down. It was a tad too much to begin. A different feel than the standard vault reel master reel. The highs originally were VERY buried and or decayed and i returned them to a better position in the mix, albeit still a tad distant. This edit was in the works for a couple of months. Lots of our ears LListened as we came to the best balance for the edit. I'm sure you will enjoy.- j.w. Matt said... "I think people will love the 10-17-74. I would put the lineage as 16track>2track for Jerry>?>R(WB@3 3/4 ips.)>DVD/CD. These 10/74 reel copies made by Will back in 1979 were most likely 'work tapes' used by Jerry for production work for the "GD Movie". all the following shows are complete including all the 'seastones' sets so more cool things on the way. Yes, i know there have been multiple versions of these shows but IMHO, these are unique versions that were Jerry's own copies that were dubbed from by Will. Basically these versions were never copied by anyone in will's circle since everyone already had them via rob bertrando and no one at the time bothered to investigate them. Remember, this was 1979 and the GD were still a great behemoth of a touring machine so everyone was more concerned with taping new shows. There is no cassette gen with these as they were straight reel copies that i know for sure so these 24 bit versions esp. are really nice. Whether Jerry had a master of a 2 track mixdown or a copy will never be known for sure but these really do sound fantastic regardless. Much more of a "being there" feeling IMHO.. ENJOY!! ....Stuff from the debbie stash is hard to explain at times and nailing down exact lineages is even harder. either way they all sound fantastic!!! It was the kind of deal where Will suddenly found out about all these reels/cassettes that Jerry "left" there so he copied as much as he could w/o any concern of the exact source. There were TONS of stuff everywhere strewn all over the house.." a **GEMS** Production www.shnflac.net May 2009 -Complete Seastones -listen for a fan scream for mexicali before they play a note of it -Last two minutes of rider patched with alternate aud -Huge Thanks to Matt Smith for the Transfer work and Deadication. -big Thanks To Todd Evans for Project GEMS...
Source 4 of 8
2:54:56
SBD
Rating:
8.40 / 5 ratings
SHNID:
gd74-10-17.sbd.barbella.16189.sbeok.shnf
Source:
Soundboard
Lineage:
MultiTrack Master Reel > DAT > Sonic Solutions > CD
Taper Notes:
View NotesMultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon
Transferrer: Carl Royer
5:44:27
SBD
Rating:
8.00 / 1 rating
Transferrer:
Carl Royer
SHNID:
gd1974-10-17.sbd.royer.10360.shnf
Source:
MSR>DAT>CDR
Lineage:
CDR>EAC>HD>MKW>SHN>CDR
Taper Notes:
View Notes***Special Note*** If you want this to match up the the cover file included, then you will have to burn Disc 2, Track 7 - 9 onto Disc 3. It fits, and will match up to the cover file enclosed. If you really don't care or make your own covers, then go ahead and burn as presented below. CER
Taper: Louis Falanga
3:11:41
Rating:
10.00 / 1 rating
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-17.176621.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Matt Smith and Jamie Waddell for the soundboard source which supplies the first 0:40 of "Seastones", some crowd and first notes of "He's Gone", as well as a 0:13 patch in "The Other One > Spanish Jam" transition - Ned Lagin on electric piano and synthesizer for "Seastones" - "Thanks for being on our movie and thanks for being on our soundtrack too" - First complete audience source in general circulation (5/2025) - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston May 2025
Taper: Louis Falanga
3:11:41
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-17.176620.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Matt Smith and Jamie Waddell for the soundboard source which supplies the first 0:40 of "Seastones", some crowd and first notes of "He's Gone", as well as a 0:13 patch in "The Other One > Spanish Jam" transition - Ned Lagin on electric piano and synthesizer for "Seastones" - "Thanks for being on our movie and thanks for being on our soundtrack too" - First complete audience source in general circulation (5/2025) - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston May 2025
Transferrer: Matt Smith and SIRMick
1:35:59
Transferrer:
Matt Smith and SIRMick
SHNID:
gd1974-10-17.137630.partial.aud.smith.sirmick.sbeok.flac16
Source:
Partial Set 1 & 2 Source: Room mics * > Master Audience Reel > Reel From The Debbie Stash;
Lineage:
Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
Taper Notes:
View NotesComments: - That's what it says on the reel * Notes: - I put in three small patches using Black Maxell UDII reel tape @ 3 3/4 ips. > Akai GX 636 > Apogee Mini Me (24/96) > Apogee mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > seeded by Jamie Waddell, and one using MSR > DAT > CDR seeded by Carl Royer. None of these patches is longer than a couple of seconds. One is in "Half-Step", one in "El Paso", one in "Rider" and the last in "Stella Blue" - There is a small burst of static in "Promised Land" which is also present on the sbds that circulate. Thanks to Matt Smith for providing this source and doing the transfer. I've never been anywhere remotely close to Winterland but listening to this I feel like I could be sitting there enjoying the show. edited and mastered SIRMick January 2017