RELISTENTOTHE Grateful Dead
Re
1974
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1974
10/17/74
Bill Graham Intro
0:46
Promised Land
3:38
Mississippi Half-Step Uptown Toodeloo
8:11
Black Throated Wind
7:21
Friend Of The Devil
4:18
Jack Straw
5:21
Loser
5:56
El Paso
5:18
China Cat Sunflower >
9:13
I Know You Rider
5:26
Me & My Uncle
3:06
It Must Have Been The Roses
6:34
Weather Reprot Suite
17:05
Phil & Ned (Seastones)
9:46
Scarlet Begonias
10:27
Big River
4:44
Ramble On Rose
5:12
Mexicali Blues
3:37
He's Gone >
13:01
The Other One >
23:02
Spanish Jam > Mind Left Body Jam >
4:27
The Other One >
3:09
Stella Blue
9:06
Sugar Magnolia
8:33
Encore Break
1:35
E1: Casey Jones
7:08
E2: US Blues
5:41
FIN
View on archive.org
Sources
Taper: From Gastwirt Collection
3:06:05
SBD
Rating:
10.00 / 2 ratings
Taper:
From Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1974-10-17.140588.SBD.Gastwirt.Miller.Noel.t-flac1644
Source:
<b>flac16/48kHz</b>; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #99031 (Black Maxell UDII reel tape) - s1t15; 08:53 - end - sbt16; all - s2t01; 0:00 - 1:26 - s2t08; 0:28 - 0:37 - source; #16189 (MultiTrack Master Reel) - s2t11; all - s2t12; all - s2t13; all Notes: - tape pauses cross faded - minor snack, crackle & pops were cleaned up throughout both sets - I Know You Rider is not cut - Big River has a 0:01 drop out @ 2:59 that is on the Master Reel - this source is Philcentric - technical difficulty time = grateful dead standard time. Weir. - Phil & Ned during set break - U.S. Blues (SBD) cuts in
Transferrer: Matt Smith and Jamie Waddell
2:42:51
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matt Smith and Jamie Waddell
SHNID:
gd1974-10-17.sbd.smith.gems.99032.flac24
Source:
SBD > 16track> 2track for Jerry >? >
Lineage:
Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for POWr3 Dither 24bit/96 kHz, TradersLilHelper for FLAC 8
Taper Notes:
View NotesEdit notes: These reels have been mastered for better tonal balance. Phil's bass was the center point of this multi track mix down. It was a tad too much to begin. A different feel than the standard vault reel master reel. The highs originally were VERY buried and or decayed and i returned them to a better position in the mix, albeit still a tad distant. This edit was in the works for a couple of months. Lots of our ears LListened as we came to the best balance for the edit. I'm sure you will enjoy.- j.w. Matt said... "I think people will love the 10-17-74. I would put the lineage as 16track>2track for Jerry>?>R(WB@3 3/4 ips.)>DVD/CD. These 10/74 reel copies made by Will back in 1979 were most likely 'work tapes' used by Jerry for production work for the "GD Movie". all the following shows are complete including all the 'seastones' sets so more cool things on the way. Yes, i know there have been multiple versions of these shows but IMHO, these are unique versions that were Jerry's own copies that were dubbed from by Will. Basically these versions were never copied by anyone in will's circle since everyone already had them via rob bertrando and no one at the time bothered to investigate them. Remember, this was 1979 and the GD were still a great behemoth of a touring machine so everyone was more concerned with taping new shows. There is no cassette gen with these as they were straight reel copies that i know for sure so these 24 bit versions esp. are really nice. Whether Jerry had a master of a 2 track mixdown or a copy will never be known for sure but these really do sound fantastic regardless. Much more of a "being there" feeling IMHO.. ENJOY!! ....Stuff from the debbie stash is hard to explain at times and nailing down exact lineages is even harder. either way they all sound fantastic!!! It was the kind of deal where Will suddenly found out about all these reels/cassettes that Jerry "left" there so he copied as much as he could w/o any concern of the exact source. There were TONS of stuff everywhere strewn all over the house.." a **GEMS** Production www.shnflac.net May 2009 -Complete Seastones -listen for a fan scream for mexicali before they play a note of it -Last two minutes of rider patched with alternate aud -Huge Thanks to Matt Smith for the Transfer work and Deadication. -big Thanks To Todd Evans for Project GEMS...
Transferrer: Matt Smith and Jamie Waddell
2:43:09
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matt Smith and Jamie Waddell
SHNID:
gd1974-10-17.sbd.smith.gems.99031.flac16
Source:
SBD > 16track> 2track for Jerry >? >
Lineage:
Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8
Taper Notes:
View NotesEdit notes: These reels have been mastered for better tonal balance. Phil's bass was the center point of this multi track mix down. It was a tad too much to begin. A different feel than the standard vault reel master reel. The highs originally were VERY buried and or decayed and i returned them to a better position in the mix, albeit still a tad distant. This edit was in the works for a couple of months. Lots of our ears LListened as we came to the best balance for the edit. I'm sure you will enjoy.- j.w. Matt said... "I think people will love the 10-17-74. I would put the lineage as 16track>2track for Jerry>?>R(WB@3 3/4 ips.)>DVD/CD. These 10/74 reel copies made by Will back in 1979 were most likely 'work tapes' used by Jerry for production work for the "GD Movie". all the following shows are complete including all the 'seastones' sets so more cool things on the way. Yes, i know there have been multiple versions of these shows but IMHO, these are unique versions that were Jerry's own copies that were dubbed from by Will. Basically these versions were never copied by anyone in will's circle since everyone already had them via rob bertrando and no one at the time bothered to investigate them. Remember, this was 1979 and the GD were still a great behemoth of a touring machine so everyone was more concerned with taping new shows. There is no cassette gen with these as they were straight reel copies that i know for sure so these 24 bit versions esp. are really nice. Whether Jerry had a master of a 2 track mixdown or a copy will never be known for sure but these really do sound fantastic regardless. Much more of a "being there" feeling IMHO.. ENJOY!! ....Stuff from the debbie stash is hard to explain at times and nailing down exact lineages is even harder. either way they all sound fantastic!!! It was the kind of deal where Will suddenly found out about all these reels/cassettes that Jerry "left" there so he copied as much as he could w/o any concern of the exact source. There were TONS of stuff everywhere strewn all over the house.." a **GEMS** Production www.shnflac.net May 2009 -Complete Seastones -listen for a fan scream for mexicali before they play a note of it -Last two minutes of rider patched with alternate aud -Huge Thanks to Matt Smith for the Transfer work and Deadication. -big Thanks To Todd Evans for Project GEMS...
Taper: Louis Falanga
3:11:41
Rating:
10.00 / 1 rating
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-17.176621.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Matt Smith and Jamie Waddell for the soundboard source which supplies the first 0:40 of "Seastones", some crowd and first notes of "He's Gone", as well as a 0:13 patch in "The Other One > Spanish Jam" transition - Ned Lagin on electric piano and synthesizer for "Seastones" - "Thanks for being on our movie and thanks for being on our soundtrack too" - First complete audience source in general circulation (5/2025) - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston May 2025
Taper: Louis Falanga
3:11:41
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-17.176620.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Matt Smith and Jamie Waddell for the soundboard source which supplies the first 0:40 of "Seastones", some crowd and first notes of "He's Gone", as well as a 0:13 patch in "The Other One > Spanish Jam" transition - Ned Lagin on electric piano and synthesizer for "Seastones" - "Thanks for being on our movie and thanks for being on our soundtrack too" - First complete audience source in general circulation (5/2025) - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston May 2025
Transferrer: Matt Smith and SIRMick
1:35:59
Transferrer:
Matt Smith and SIRMick
SHNID:
gd1974-10-17.137630.partial.aud.smith.sirmick.sbeok.flac16
Source:
Partial Set 1 & 2 Source: Room mics * > Master Audience Reel > Reel From The Debbie Stash;
Lineage:
Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
Taper Notes:
View NotesComments: - That's what it says on the reel * Notes: - I put in three small patches using Black Maxell UDII reel tape @ 3 3/4 ips. > Akai GX 636 > Apogee Mini Me (24/96) > Apogee mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > seeded by Jamie Waddell, and one using MSR > DAT > CDR seeded by Carl Royer. None of these patches is longer than a couple of seconds. One is in "Half-Step", one in "El Paso", one in "Rider" and the last in "Stella Blue" - There is a small burst of static in "Promised Land" which is also present on the sbds that circulate. Thanks to Matt Smith for providing this source and doing the transfer. I've never been anywhere remotely close to Winterland but listening to this I feel like I could be sitting there enjoying the show. edited and mastered SIRMick January 2017