RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1k125
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h1.8k285
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h1.7k223
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k303
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.7k347
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h4k547
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.1k270
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.1k129
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h5.1k638
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h81894
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h4.8k556
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h2.9k356
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h918117
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.3k167
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.7k212
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h4.7k541
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.1k153
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.5k197
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h8k1.1k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h13.1k1.8k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h35837
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h2.9k371
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h3.9k518
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.3k292
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k146
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.3k160
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.5k246
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h77794
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10114
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33021
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h442
7d1128
30d63237
2 shows
2 tapes
1974
10/17/74
Bill Graham intro
0:25
Promised Land
3:48
Mississippi Half Step Uptown Todeloo
8:03
Black Throated Wind
7:11
Friend of the Devil
4:18
Jack Straw
5:23
Loser
6:11
El Paso
4:21
China Cat Sunflower ->
9:06
I Know You Rider
5:47
Me & My Uncle
3:11
It Must Have Been The Roses
6:03
Weather Report Suite Prelude ->
1:16
Weather Report Suite Part 1 ->
4:30
Let It Grow
10:57
Phil & Ned
9:19
Scarlet Begonias
10:41
Big River
3:58
Ramble on Rose
5:13
Mexicali Blues
3:32
He's Gone ->
12:56
The Other One ->
23:04
Spanish Jam ->
1:47
Mind Left Body Jam ->
3:10
The Other One ->
2:27
Stella Blue
8:15
Sugar Magnolia
8:30
encore break
0:36
Casey Jones
7:19
U.S. Blues
4:48
FIN
View on archive.org
Sources
Taper: From Gastwirt Collection
3:06:05
SBD
Rating:
10.00 / 2 ratings
Taper:
From Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1974-10-17.140588.SBD.Gastwirt.Miller.Noel.t-flac1644
Source:
<b>flac16/48kHz</b>; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #99031 (Black Maxell UDII reel tape) - s1t15; 08:53 - end - sbt16; all - s2t01; 0:00 - 1:26 - s2t08; 0:28 - 0:37 - source; #16189 (MultiTrack Master Reel) - s2t11; all - s2t12; all - s2t13; all Notes: - tape pauses cross faded - minor snack, crackle & pops were cleaned up throughout both sets - I Know You Rider is not cut - Big River has a 0:01 drop out @ 2:59 that is on the Master Reel - this source is Philcentric - technical difficulty time = grateful dead standard time. Weir. - Phil & Ned during set break - U.S. Blues (SBD) cuts in
Transferrer: Matt Smith and Jamie Waddell
2:42:51
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matt Smith and Jamie Waddell
SHNID:
gd1974-10-17.sbd.smith.gems.99032.flac24
Source:
SBD > 16track> 2track for Jerry >? >
Lineage:
Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for POWr3 Dither 24bit/96 kHz, TradersLilHelper for FLAC 8
Taper Notes:
View NotesEdit notes: These reels have been mastered for better tonal balance. Phil's bass was the center point of this multi track mix down. It was a tad too much to begin. A different feel than the standard vault reel master reel. The highs originally were VERY buried and or decayed and i returned them to a better position in the mix, albeit still a tad distant. This edit was in the works for a couple of months. Lots of our ears LListened as we came to the best balance for the edit. I'm sure you will enjoy.- j.w. Matt said... "I think people will love the 10-17-74. I would put the lineage as 16track>2track for Jerry>?>R(WB@3 3/4 ips.)>DVD/CD. These 10/74 reel copies made by Will back in 1979 were most likely 'work tapes' used by Jerry for production work for the "GD Movie". all the following shows are complete including all the 'seastones' sets so more cool things on the way. Yes, i know there have been multiple versions of these shows but IMHO, these are unique versions that were Jerry's own copies that were dubbed from by Will. Basically these versions were never copied by anyone in will's circle since everyone already had them via rob bertrando and no one at the time bothered to investigate them. Remember, this was 1979 and the GD were still a great behemoth of a touring machine so everyone was more concerned with taping new shows. There is no cassette gen with these as they were straight reel copies that i know for sure so these 24 bit versions esp. are really nice. Whether Jerry had a master of a 2 track mixdown or a copy will never be known for sure but these really do sound fantastic regardless. Much more of a "being there" feeling IMHO.. ENJOY!! ....Stuff from the debbie stash is hard to explain at times and nailing down exact lineages is even harder. either way they all sound fantastic!!! It was the kind of deal where Will suddenly found out about all these reels/cassettes that Jerry "left" there so he copied as much as he could w/o any concern of the exact source. There were TONS of stuff everywhere strewn all over the house.." a **GEMS** Production www.shnflac.net May 2009 -Complete Seastones -listen for a fan scream for mexicali before they play a note of it -Last two minutes of rider patched with alternate aud -Huge Thanks to Matt Smith for the Transfer work and Deadication. -big Thanks To Todd Evans for Project GEMS...
Transferrer: Matt Smith and Jamie Waddell
2:43:09
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matt Smith and Jamie Waddell
SHNID:
gd1974-10-17.sbd.smith.gems.99031.flac16
Source:
SBD > 16track> 2track for Jerry >? >
Lineage:
Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8
Taper Notes:
View NotesEdit notes: These reels have been mastered for better tonal balance. Phil's bass was the center point of this multi track mix down. It was a tad too much to begin. A different feel than the standard vault reel master reel. The highs originally were VERY buried and or decayed and i returned them to a better position in the mix, albeit still a tad distant. This edit was in the works for a couple of months. Lots of our ears LListened as we came to the best balance for the edit. I'm sure you will enjoy.- j.w. Matt said... "I think people will love the 10-17-74. I would put the lineage as 16track>2track for Jerry>?>R(WB@3 3/4 ips.)>DVD/CD. These 10/74 reel copies made by Will back in 1979 were most likely 'work tapes' used by Jerry for production work for the "GD Movie". all the following shows are complete including all the 'seastones' sets so more cool things on the way. Yes, i know there have been multiple versions of these shows but IMHO, these are unique versions that were Jerry's own copies that were dubbed from by Will. Basically these versions were never copied by anyone in will's circle since everyone already had them via rob bertrando and no one at the time bothered to investigate them. Remember, this was 1979 and the GD were still a great behemoth of a touring machine so everyone was more concerned with taping new shows. There is no cassette gen with these as they were straight reel copies that i know for sure so these 24 bit versions esp. are really nice. Whether Jerry had a master of a 2 track mixdown or a copy will never be known for sure but these really do sound fantastic regardless. Much more of a "being there" feeling IMHO.. ENJOY!! ....Stuff from the debbie stash is hard to explain at times and nailing down exact lineages is even harder. either way they all sound fantastic!!! It was the kind of deal where Will suddenly found out about all these reels/cassettes that Jerry "left" there so he copied as much as he could w/o any concern of the exact source. There were TONS of stuff everywhere strewn all over the house.." a **GEMS** Production www.shnflac.net May 2009 -Complete Seastones -listen for a fan scream for mexicali before they play a note of it -Last two minutes of rider patched with alternate aud -Huge Thanks to Matt Smith for the Transfer work and Deadication. -big Thanks To Todd Evans for Project GEMS...
Source 4 of 8
2:54:56
SBD
Rating:
8.40 / 5 ratings
SHNID:
gd74-10-17.sbd.barbella.16189.sbeok.shnf
Source:
Soundboard
Lineage:
MultiTrack Master Reel > DAT > Sonic Solutions > CD
Taper Notes:
View NotesMultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon
Transferrer: Carl Royer
5:44:27
SBD
Rating:
8.00 / 1 rating
Transferrer:
Carl Royer
SHNID:
gd1974-10-17.sbd.royer.10360.shnf
Source:
MSR>DAT>CDR
Lineage:
CDR>EAC>HD>MKW>SHN>CDR
Taper Notes:
View Notes***Special Note*** If you want this to match up the the cover file included, then you will have to burn Disc 2, Track 7 - 9 onto Disc 3. It fits, and will match up to the cover file enclosed. If you really don't care or make your own covers, then go ahead and burn as presented below. CER
Taper: Louis Falanga
3:11:41
Rating:
10.00 / 1 rating
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-17.176621.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Matt Smith and Jamie Waddell for the soundboard source which supplies the first 0:40 of "Seastones", some crowd and first notes of "He's Gone", as well as a 0:13 patch in "The Other One > Spanish Jam" transition - Ned Lagin on electric piano and synthesizer for "Seastones" - "Thanks for being on our movie and thanks for being on our soundtrack too" - First complete audience source in general circulation (5/2025) - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston May 2025
Taper: Louis Falanga
3:11:41
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-17.176620.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Matt Smith and Jamie Waddell for the soundboard source which supplies the first 0:40 of "Seastones", some crowd and first notes of "He's Gone", as well as a 0:13 patch in "The Other One > Spanish Jam" transition - Ned Lagin on electric piano and synthesizer for "Seastones" - "Thanks for being on our movie and thanks for being on our soundtrack too" - First complete audience source in general circulation (5/2025) - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston May 2025
Transferrer: Matt Smith and SIRMick
1:35:59
Transferrer:
Matt Smith and SIRMick
SHNID:
gd1974-10-17.137630.partial.aud.smith.sirmick.sbeok.flac16
Source:
Partial Set 1 & 2 Source: Room mics * > Master Audience Reel > Reel From The Debbie Stash;
Lineage:
Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
Taper Notes:
View NotesComments: - That's what it says on the reel * Notes: - I put in three small patches using Black Maxell UDII reel tape @ 3 3/4 ips. > Akai GX 636 > Apogee Mini Me (24/96) > Apogee mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > seeded by Jamie Waddell, and one using MSR > DAT > CDR seeded by Carl Royer. None of these patches is longer than a couple of seconds. One is in "Half-Step", one in "El Paso", one in "Rider" and the last in "Stella Blue" - There is a small burst of static in "Promised Land" which is also present on the sbds that circulate. Thanks to Matt Smith for providing this source and doing the transfer. I've never been anywhere remotely close to Winterland but listening to this I feel like I could be sitting there enjoying the show. edited and mastered SIRMick January 2017