RELISTENTOTHE Grateful Dead
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1991
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June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1991
12/30/91
Tuning
2:06
Touch Of Grey
7:08
Wang Dang Doodle
7:42
crowd & tuning
1:30
Row Jimmy
10:01
crowd & tuning
1:35
Big River ->
5:21
Maggie's Farm
6:38
crowd & tuning
1:19
Ramble On Rose
7:43
crowd & tuning
2:28
Just Like Tom Thumb's Blues
5:18
Bird Song ->
13:41
The Promised Land
4:40
Tuning
1:08
China Cat Sunflower ->
7:32
I Know You Rider
5:16
Samson And Delilah
7:20
Ship Of Fools
8:19
Saint Of Circumstance ->
7:30
Dear Prudence Jam ->
3:30
Drums ->
21:00
Space ->
10:09
The Last Time ->
7:18
Stella Blue ->
9:58
Turn On Your Lovelight
7:12
Crowd/Tuning
4:09
The Weight
6:04
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:57:53
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-12-30.135054.sur5-1.tobin.flac1648
Source:
<b>flac16/48kHz;</b> 5.1 LPCM Surround Sound (48k) - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - mixing by Kevin Tobin
Taper Notes:
View NotesSurround Sound Mix 5.1 LPCM (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-JAN-2016 - Trader Little Helper - Tagged 18-JAN-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:57:54
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-12-30.135052.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-JAN-2016 - Trader Little Helper - Tagged 18-JAN-2016 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -1db Right Channel SBD -1db Center Mixed to mono -1db SBD Surround Left Channel -0db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:57:54
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-12-30.135051.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(53%-SBD/47%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-JAN-2016 - Trader Little Helper - Tagged 18-JAN-2016 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1 AUD 0 SET TWO Stereo Matrix SBD -1 AUD 0 --------------------------------------------------------- Brokedown House Production
Taper: Master Digital FOB Recording & Transfer by Marcus Buick
3:04:34
Taper:
Master Digital FOB Recording & Transfer by Marcus Buick
Transferrer:
Edited & Mastered by Joe Noel April 30, 2020
SHNID:
gd1991-12-30.150304.FOB.DFC.BK4011.Buick.Noel.t-flac1648
Source:
B&K4011 (@110-ORTF) > MIT shotgun XLR > TAO/Oadie PS > MIT shotgun XLR > Panasonic SV255 > Master DAT (BüStand)
Lineage:
Transfer: Master DAT > Peter Oshman's Panasonic SV3800 > S/PDIF(16bit 48kHz) > Edirol R4 > WAV48/16; (Set 1-tape 1 transfer: 2019-07-14; Set 2-tape 2 transfer: 2019-06-11)
Taper Notes:
View NotesProduction Notes by Marcus Buick (2019-04-29) Night 3 of 4. My 1st show was 12-30-1985, so technically, this was my sixth Deadversary! The 30th fell on a Monday night, and recovering from the weekend was occurring for some, while others were just getting ready to ramp it up for New Year’s! Any four-day run of shows in the Bay Area took a certain stamina, but New Year’s shows always took that little je ‘ne sais quoi! Priority tickets (and the people who wait in line to get them) are required for getting ‘the spot’; most who que in line for these rarities are gunning for the rail but the most ardent tapers know that to get FOB DFC, priority tickets are an essential part of the equation. In addition to securing ‘the spot’ the recordist’s support crew are equally vital; That barrier between the mics and the unknowing public, for who taping is usually a non-consideration more than a nuisance, is a primary concern for capturing the accuracy of the music with absolute minimal distraction. Balloon pops, claps, yammerings-on, and laughing are the sounds to minimize, which only a support crew can do, once mics have been hoisted. The reason I point this out is even though I am a recordist of this event I was, in no way, alone. The amount of people that had a hand in making this recording is easily a dozen (if not two). I won’t name everyone here; They know who they are! The main reason I got into taping the Dead was for the sonics; The accuracy of a Meyer Sound PA (in Quad) on a good night cannot be beat. I believe the Drums & amp; Space performance this evening reaches a level of dynamics uncommon in most human experiences; This recording demonstrates acoustics that can test high performance reproduction systems as well as bodily organs due to bone conduction! The performance is strong, there are no technical issues, and this is a fine capture of this event! Additional Notes: - Thanks to Marcus Buick for sharing his Master DAT - Thanks to John Ammons for coordinating these efforts - Thanks to Pete Oshman for the use of the SV3800 * w/ Airto Moreira (drums & vocals)