RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 13th
Years
1995
29.8k
PlaybackListensHours
48h49065
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.6k256
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.3k579
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.2k546
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.9k381
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h3k370
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k172
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.7k925
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k126
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.8k207
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.6k640
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.5k188
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.6k193
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.8k230
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h9.8k1.2k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k245
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2.1k278
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.6k1.3k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h15.2k2k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h39341
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h4k509
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k714
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h3k376
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.8k207
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k205
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h51664
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14621
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30423
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h322
7d956
30d61936
2 shows
2 tapes
1991
12/30/91
Tuning
2:06
Touch Of Grey
7:08
Wang Dang Doodle
7:42
crowd & tuning
1:30
Row Jimmy
10:01
crowd & tuning
1:35
Big River ->
5:21
Maggie's Farm
6:38
crowd & tuning
1:19
Ramble On Rose
7:43
crowd & tuning
2:28
Just Like Tom Thumb's Blues
5:18
Bird Song ->
13:41
The Promised Land
4:40
Tuning
1:08
China Cat Sunflower ->
7:32
I Know You Rider
5:16
Samson And Delilah
7:20
Ship Of Fools
8:19
Saint Of Circumstance ->
7:30
Dear Prudence Jam ->
3:30
Drums ->
21:00
Space ->
10:09
The Last Time ->
7:18
Stella Blue ->
9:58
Turn On Your Lovelight
7:12
Crowd/Tuning
4:09
The Weight
6:04
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:56:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 10, 2020
SHNID:
gd1991-12-30.151629.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA cuts out for 6 seconds during Drums -- Dear Prudence Jam and Drums with Airto Moreira on drums and vocals -- Multiple masters were used to make this show complete -- 150859 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:56:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 10, 2020
SHNID:
gd1991-12-30.150859.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA cuts out for 6 seconds during Drums -- Dear Prudence Jam and Drums with Airto Moreira on drums and vocals -- Multiple masters were used to make this show complete
Transferrer: Kevin Tobin
2:57:53
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-12-30.135054.sur5-1.tobin.flac1648
Source:
<b>flac16/48kHz;</b> 5.1 LPCM Surround Sound (48k) - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - mixing by Kevin Tobin
Taper Notes:
View NotesSurround Sound Mix 5.1 LPCM (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-JAN-2016 - Trader Little Helper - Tagged 18-JAN-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:57:54
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-12-30.135052.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-JAN-2016 - Trader Little Helper - Tagged 18-JAN-2016 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -1db Right Channel SBD -1db Center Mixed to mono -1db SBD Surround Left Channel -0db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:57:54
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-12-30.135051.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(53%-SBD/47%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-JAN-2016 - Trader Little Helper - Tagged 18-JAN-2016 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1 AUD 0 SET TWO Stereo Matrix SBD -1 AUD 0 --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
3:05:42
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-12-30.sbd.miller.32574.sbeok.flac16
Source:
SBD (Ultra-Matrix) -> Master Dat (44.1k) D
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus ->
Taper Notes:
View NotesNotes: -- Seamless transition between Discs 2 and 3. -- d3t02 & d3t03 With Airto Moreira on Drums and Vocals.
Taper: Tim Dalton
3:03:07
Taper:
Tim Dalton
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1991-12-30.148758.FOB.Schoeps.Dalton-Miller-Noel.t-flac1648
Source:
(FOB) Schoeps MK-4 > Oade Custom Pre Amp > Sony D3 > Master DAT (see notes)
Lineage:
DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesMaster Digital Audience Recording by Tim Dalton Transfer by Charlie Miller Edited & Mastered w/ Adobe Audition by Joe Noel January 12, 2020 Notes: - Thanks to Tim for sharing his DAT - Thanks to Charlie for his work on the transfer. - No recording info was provided with this DAT. - Best guess is its Schoeps. It sounds identical to Tim's 12/28 recording. * w/ Airto Moreira
Taper: Master Digital FOB Recording & Transfer by Marcus Buick
3:04:34
Taper:
Master Digital FOB Recording & Transfer by Marcus Buick
Transferrer:
Edited & Mastered by Joe Noel April 30, 2020
SHNID:
gd1991-12-30.150304.FOB.DFC.BK4011.Buick.Noel.t-flac1648
Source:
B&K4011 (@110-ORTF) > MIT shotgun XLR > TAO/Oadie PS > MIT shotgun XLR > Panasonic SV255 > Master DAT (BüStand)
Lineage:
Transfer: Master DAT > Peter Oshman's Panasonic SV3800 > S/PDIF(16bit 48kHz) > Edirol R4 > WAV48/16; (Set 1-tape 1 transfer: 2019-07-14; Set 2-tape 2 transfer: 2019-06-11)
Taper Notes:
View NotesProduction Notes by Marcus Buick (2019-04-29) Night 3 of 4. My 1st show was 12-30-1985, so technically, this was my sixth Deadversary! The 30th fell on a Monday night, and recovering from the weekend was occurring for some, while others were just getting ready to ramp it up for New Year’s! Any four-day run of shows in the Bay Area took a certain stamina, but New Year’s shows always took that little je ‘ne sais quoi! Priority tickets (and the people who wait in line to get them) are required for getting ‘the spot’; most who que in line for these rarities are gunning for the rail but the most ardent tapers know that to get FOB DFC, priority tickets are an essential part of the equation. In addition to securing ‘the spot’ the recordist’s support crew are equally vital; That barrier between the mics and the unknowing public, for who taping is usually a non-consideration more than a nuisance, is a primary concern for capturing the accuracy of the music with absolute minimal distraction. Balloon pops, claps, yammerings-on, and laughing are the sounds to minimize, which only a support crew can do, once mics have been hoisted. The reason I point this out is even though I am a recordist of this event I was, in no way, alone. The amount of people that had a hand in making this recording is easily a dozen (if not two). I won’t name everyone here; They know who they are! The main reason I got into taping the Dead was for the sonics; The accuracy of a Meyer Sound PA (in Quad) on a good night cannot be beat. I believe the Drums & amp; Space performance this evening reaches a level of dynamics uncommon in most human experiences; This recording demonstrates acoustics that can test high performance reproduction systems as well as bodily organs due to bone conduction! The performance is strong, there are no technical issues, and this is a fine capture of this event! Additional Notes: - Thanks to Marcus Buick for sharing his Master DAT - Thanks to John Ammons for coordinating these efforts - Thanks to Pete Oshman for the use of the SV3800 * w/ Airto Moreira (drums & vocals)
Taper: Marcus Buick and James Young
3:03:35
Rating:
9.00 / 2 ratings
Taper:
Marcus Buick and James Young
Transferrer:
Jamie Waddell
SHNID:
gd1991-12-30.fob.bk4011.buick-young.gems.105000.flac16
Source:
B&K4011s > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging
Source 10 of 10
3:04:15
Rating:
4.33 / 6 ratings
SHNID:
gd91-12-30.b_ks.georges.6812.sbeok.shnf
Source:
FOB/DFChand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified)DAT master > 1 clone played back through an Edirol UA-5,hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHNseekable SHN files encoded w/Mkw-act.
Taper Notes:
View NotesFOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act.