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Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1991
9/22/91
Tuning
2:07
Shakedown Street
13:58
C.C. Rider
6:06
It Takes a Lot to Laugh, It Takes a Train to Cry
6:44
Me and My Uncle
3:12
Maggie's Farm
9:08
Brown-Eyed Women
5:07
Let It Grow
13:18
Tuning
1:25
Samson and Delilah
8:16
Iko Iko
7:39
Looks Like Rain
8:44
He's Gone
10:28
Nobody's Fault but Mine
2:36
Spoonful
4:20
Drums
12:21
Space
10:58
The Last Time
6:00
Stella Blue
10:16
Sugar Magnolia
9:32
Knockin' on Heaven's Door
8:56
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:42:46
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 30, 2020
SHNID:
gd1991-09-22.150681.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:42:46
SBD
Rating:
7.33 / 3 ratings
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 30, 2020
SHNID:
gd1991-09-22.150637.sbd.pearson-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Taper: PO and Stucco TINA Holmes
2:42:20
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Mastering and editing by acetboy
SHNID:
gd1991-09-22.138149.dsbd.GEMS.flac16
Source:
DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
Taper Notes:
View Notesa project **GEMS** Beta-DATmania Release April 20, 2017 Band: Jerry Garcia Bob Weir Phil Lesh Bill Kreutzmann Mickey Hart Vince Welnick Bruce Hornsby Sound: Dan Healy originally shared at www.shnflac.net
Transferrer: unknown
2:40:46
SBD
Rating:
10.00 / 5 ratings
Source:
Soundboard -> DAT @ 48kHz
Lineage:
Sony PCM-R500 -> Nuendo Multiset -> WaveLab 4.0g
Taper Notes:
View NotesNOTE: This is not the circulating SSSB version which has cuts in Shakedown Street and in Maggie's Farm during the first set (a result of malfunctioning ADATs). This is the complete uncut DSBD version of this show.
Transferrer: fix of shnid 7692 by Bill Tetzeli
2:28:32
SBD
Transferrer:
fix of shnid 7692 by Bill Tetzeli
SHNID:
gd1991-09-22.sbd.serafin.tetzeli.fix-7692.34686.flac16
Source:
Soundboard
Taper Notes:
View NotesFix of shnid 7692 This is a fix of Jay Serafin's upload to gdlive.com. I made the transition between CDs 2 and 3 seamless by removing overlapping material in Cool Edit 2000. Although there was plenty of unfaded overlap, the levels were slightly different and I had to do a sliding volume change starting at +.79 db in the left channel and +.28 db to match the splice points (determined with the aid of CD2K's statistics tool). I also used shntool to correct all SBEs and split drums and space into two separate tracks. Finally, I converted all the nonseekable (and SBE errored) SHNs into FLAC. Fade tracks were added to the end of CD 2 and the beginning of CD 3 for those wishing to burn to CD. Remove these tracks for seamless play. Bill Tetzeli ([email protected]) 6:12 PM 4/9/2006 -------------------------------------------------------------------------------------- This source was originally distributed with REPLAYGAIN tags in the flac files. This has no impact on the wav files inside the flacs, but it messes with the volume if you listen to the flac files directly. The new version of the source has the REPLAYGAIN tags removed. If you have the original source, you can create the new files by decompressing the original flacs and then recompressing them at flac LEVEL 8. SteveSw, 4/22/2009 ---------------------------------
Source 6 of 19
2:41:11
SBD
Rating:
9.76 / 25 ratings
SHNID:
gd91-09-22.sbd.fishman.17180.sbeok.shnf
Source:
DSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT) via J. Fishman
Taper Notes:
View NotesDSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT) via J. Fishman
Transferrer: Jay Serafin
2:28:39
SBD
Rating:
9.50 / 4 ratings
Transferrer:
Jay Serafin
SHNID:
gd1991-09-22.sbd.serafin.7692.shnf
Source:
SBD> ? > DAT > SSB, based on report: "There were *no* multi track recordings made during the Fall '91 tour. David Lemieux has confirmed this."
Lineage:
All editing performed @ 24-bit/96 kHz sampling at Serafin Station Studio B
Transferrer: fspinale
2:19:24
SBD
Rating:
8.00 / 1 rating
Transferrer:
fspinale
SHNID:
gd1991-09-22.sbd.spinale.530.shnf
Source:
DSBD>DAT>ZA2>CD-R
Taper: Dan Rogosa
2:40:46
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Sirmick
SHNID:
gd1991-09-22.155571.senn-me88.rogosa.miller.sirmick.flac1648
Source:
Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesThanks to Don Rogosa for sharing his recording. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick February 2022
Taper: From the collection of Tim Dalton
2:43:13
Taper:
From the collection of Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-22.150325.Neuman-TLM170.dalton.miller.sirmick.flac1648
Source:
Neuman TLM170 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for providing his recording.. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick July 2020
Taper: Dan Rogosa
2:38:23
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1991-09-22.172750.me88.mc.rogosa.flac2496
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, DDI Codec (Dolby B @ -21.4 dBFS)) > FLAC 2496
Taper Notes:
View NotesThe third of six Boston Garden recordings that Dan did on DAT and cassette. The DAT version already circulates (SHNID 155571) and was used to pitch check this recording and patch Drums. Enjoy! --mhg :: 2025-07-24
Taper: Dan Rogosa
2:38:23
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1991-09-22.172749.me88.mc.rogosa.flac1644
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, DDI Codec (Dolby B @ -21.4 dBFS), resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThe third of six Boston Garden recordings that Dan did on DAT and cassette. The DAT version already circulates (SHNID 155571) and was used to pitch check this recording and patch Drums. Enjoy! --mhg :: 2025-07-24
Taper: Dan Liff
2:39:19
Taper:
Dan Liff
Transferrer:
Rob Berger and Doug Lamarre
SHNID:
gd1991-09-22.139817.aud.liff.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; source: daud; taped by Dan Liff r.i.p; neumann rsm 190i > sony tcd-d10 pro; transferred & seeded - Rob Berger
Transferrer: Matrix by Dave Usborne
2:43:34
Rating:
8.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1991-09-22.134354.mtx.dusborne.flac16
Source:
3 Source Matrix byDusborne;Soundboard (shnid:83156)Soundboard -> DAT @ 48kHz,Audience set 1(shnid:101440)B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0, Audience Set 2 (shnid:124594)AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's,Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz
Taper Notes:
View NotesMatrix by dusborne 04-27-2015 ------------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-27-2015
Taper: Mr. Currier
2:42:23
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-22.AKG451.Currier.Keo.124594.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show.Another fine share from the Currier collection of masters from this run of shows!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
2:42:23
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-22.AKG451.Currier.Keo.124593.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show.Another fine share from the Currier collection of masters from this run of shows!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: James Young and Clay Brennecke
59:55
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-22.fob.bk4011.brennecke-young.gems.101440.flac16
Source:
Set 1 Only - Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.
Taper: Andrew F
2:40:35
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-22.nak300.andrewf.85224.sbeok.flac1648
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNOTE: This is the 48kHz file-set for archiving. These files cannot be burned to CDR. To make audio CDs, get the 44.1kHz file-set. Please do not downsample and recirculate these files for CDR... - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums.
Taper: Andrew F
2:40:35
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-22.aud.andrewf.85223.sbeok.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area.
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View Notes- Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media.