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Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k151
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64591
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k901
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k349
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6k781
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k401
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k429
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k164
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h902100
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k191
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k246
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k326
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6.1k705
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k197
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k418
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.1k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k709
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87674
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k606
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5k653
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k469
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k263
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.6k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k614
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51862
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1991
9/22/91
Shakedown St
14:07
CC Rider>
5:54
Lot to Laugh
6:31
Me & My Uncle>
3:13
Maggies Farm
8:43
Brown Eyed Woman
5:21
Let It Grow
12:31
Sampson & Delilah
8:06
Aiko Aiko
7:19
L.L. Rain
8:32
He's Gone>
10:07
Nobody's Fault but Mine>
2:36
Spoonful>
4:13
Drums>
7:05
Space>
10:18
The Last Time>
5:49
Stella Blue>
9:53
Sugar Magnolia
9:06
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:42:46
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 30, 2020
SHNID:
gd1991-09-22.150681.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:42:46
SBD
Rating:
7.33 / 3 ratings
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 30, 2020
SHNID:
gd1991-09-22.150637.sbd.pearson-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Taper: PO and Stucco TINA Holmes
2:42:20
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Mastering and editing by acetboy
SHNID:
gd1991-09-22.138149.dsbd.GEMS.flac16
Source:
DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
Taper Notes:
View Notesa project **GEMS** Beta-DATmania Release April 20, 2017 Band: Jerry Garcia Bob Weir Phil Lesh Bill Kreutzmann Mickey Hart Vince Welnick Bruce Hornsby Sound: Dan Healy originally shared at www.shnflac.net
Transferrer: unknown
2:40:46
SBD
Rating:
10.00 / 5 ratings
Source:
Soundboard -> DAT @ 48kHz
Lineage:
Sony PCM-R500 -> Nuendo Multiset -> WaveLab 4.0g
Taper Notes:
View NotesNOTE: This is not the circulating SSSB version which has cuts in Shakedown Street and in Maggie's Farm during the first set (a result of malfunctioning ADATs). This is the complete uncut DSBD version of this show.
Transferrer: fix of shnid 7692 by Bill Tetzeli
2:28:32
SBD
Transferrer:
fix of shnid 7692 by Bill Tetzeli
SHNID:
gd1991-09-22.sbd.serafin.tetzeli.fix-7692.34686.flac16
Source:
Soundboard
Taper Notes:
View NotesFix of shnid 7692 This is a fix of Jay Serafin's upload to gdlive.com. I made the transition between CDs 2 and 3 seamless by removing overlapping material in Cool Edit 2000. Although there was plenty of unfaded overlap, the levels were slightly different and I had to do a sliding volume change starting at +.79 db in the left channel and +.28 db to match the splice points (determined with the aid of CD2K's statistics tool). I also used shntool to correct all SBEs and split drums and space into two separate tracks. Finally, I converted all the nonseekable (and SBE errored) SHNs into FLAC. Fade tracks were added to the end of CD 2 and the beginning of CD 3 for those wishing to burn to CD. Remove these tracks for seamless play. Bill Tetzeli ([email protected]) 6:12 PM 4/9/2006 -------------------------------------------------------------------------------------- This source was originally distributed with REPLAYGAIN tags in the flac files. This has no impact on the wav files inside the flacs, but it messes with the volume if you listen to the flac files directly. The new version of the source has the REPLAYGAIN tags removed. If you have the original source, you can create the new files by decompressing the original flacs and then recompressing them at flac LEVEL 8. SteveSw, 4/22/2009 ---------------------------------
Source 6 of 19
2:41:11
SBD
Rating:
9.76 / 25 ratings
SHNID:
gd91-09-22.sbd.fishman.17180.sbeok.shnf
Source:
DSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT) via J. Fishman
Taper Notes:
View NotesDSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT) via J. Fishman
Transferrer: Jay Serafin
2:28:39
SBD
Rating:
9.50 / 4 ratings
Transferrer:
Jay Serafin
SHNID:
gd1991-09-22.sbd.serafin.7692.shnf
Source:
SBD> ? > DAT > SSB, based on report: "There were *no* multi track recordings made during the Fall '91 tour. David Lemieux has confirmed this."
Lineage:
All editing performed @ 24-bit/96 kHz sampling at Serafin Station Studio B
Transferrer: fspinale
2:19:24
SBD
Rating:
8.00 / 1 rating
Transferrer:
fspinale
SHNID:
gd1991-09-22.sbd.spinale.530.shnf
Source:
DSBD>DAT>ZA2>CD-R
Taper: Dan Rogosa
2:40:46
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Sirmick
SHNID:
gd1991-09-22.155571.senn-me88.rogosa.miller.sirmick.flac1648
Source:
Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesThanks to Don Rogosa for sharing his recording. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick February 2022
Taper: From the collection of Tim Dalton
2:43:13
Taper:
From the collection of Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-22.150325.Neuman-TLM170.dalton.miller.sirmick.flac1648
Source:
Neuman TLM170 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for providing his recording.. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick July 2020
Taper: Dan Rogosa
2:38:23
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1991-09-22.172750.me88.mc.rogosa.flac2496
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, DDI Codec (Dolby B @ -21.4 dBFS)) > FLAC 2496
Taper Notes:
View NotesThe third of six Boston Garden recordings that Dan did on DAT and cassette. The DAT version already circulates (SHNID 155571) and was used to pitch check this recording and patch Drums. Enjoy! --mhg :: 2025-07-24
Taper: Dan Rogosa
2:38:23
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1991-09-22.172749.me88.mc.rogosa.flac1644
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, DDI Codec (Dolby B @ -21.4 dBFS), resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThe third of six Boston Garden recordings that Dan did on DAT and cassette. The DAT version already circulates (SHNID 155571) and was used to pitch check this recording and patch Drums. Enjoy! --mhg :: 2025-07-24
Taper: Dan Liff
2:39:19
Taper:
Dan Liff
Transferrer:
Rob Berger and Doug Lamarre
SHNID:
gd1991-09-22.139817.aud.liff.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; source: daud; taped by Dan Liff r.i.p; neumann rsm 190i > sony tcd-d10 pro; transferred & seeded - Rob Berger
Transferrer: Matrix by Dave Usborne
2:43:34
Rating:
8.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1991-09-22.134354.mtx.dusborne.flac16
Source:
3 Source Matrix byDusborne;Soundboard (shnid:83156)Soundboard -> DAT @ 48kHz,Audience set 1(shnid:101440)B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0, Audience Set 2 (shnid:124594)AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's,Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz
Taper Notes:
View NotesMatrix by dusborne 04-27-2015 ------------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-27-2015
Taper: Mr. Currier
2:42:23
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-22.AKG451.Currier.Keo.124594.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show.Another fine share from the Currier collection of masters from this run of shows!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
2:42:23
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-22.AKG451.Currier.Keo.124593.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show.Another fine share from the Currier collection of masters from this run of shows!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: James Young and Clay Brennecke
59:55
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-22.fob.bk4011.brennecke-young.gems.101440.flac16
Source:
Set 1 Only - Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.
Taper: Andrew F
2:40:35
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-22.nak300.andrewf.85224.sbeok.flac1648
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNOTE: This is the 48kHz file-set for archiving. These files cannot be burned to CDR. To make audio CDs, get the 44.1kHz file-set. Please do not downsample and recirculate these files for CDR... - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums.
Taper: Andrew F
2:40:35
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-22.aud.andrewf.85223.sbeok.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area.
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View Notes- Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media.