He's Gone > | 1991-04-04 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
-- 152022 24 -> 16 @ 44.1

Taper: Recorded by Don Pearson and Dan Healy

2:49:15

SBD

Taper:

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] March 8, 2021

SHNID:

gd1991-04-04.152022.ultramatrix.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source

Transferrer: Charlie Miller

gd1991-04-04.sbd.miller.99240.sbeok.flac16

Source:

SBD -> Cassette Master -> Cassette (Sony D5/TDK SA90)

Lineage:

Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16

Taper Notes:

View NotesPatch Info:
(FOB) Schoeps CMC3/MK4 -> Dat -> CD (shnid=93472) supplies:
Stuck Inside Of Mobile With The Memphis Blues Again (0:00 - 0:22)
He's Gone (12:35 - 13:02)

Notes:
-- Set 2 is seamless
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick

2:50:54

Taper:

Master Digital FOB Recording by Dave Brotman & Jeff Metchick

Transferrer:

Transfer by Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel April 03, 2020

SHNID:

gd1991-04-04.149626.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648

Source:

Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (16/48) Location: FOB mics hand held, section 5, row FF, seat 7

Lineage:

Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View Notes
Notes;
- Thanks to Dave Brotman & Jeff Metchick for recording & sharing
- Thanks to Ted Mattes for all his efforts coordinating this.
- Thanks to Charlie Miller for the transfer.

Taper: Oade Brothers - From The Rich Gastwirt Collection

1:45:40

Taper:

Oade Brothers - From The Rich Gastwirt Collection

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1991-04-04.140691.s2.OTS.Neumann.Oade.Gastwirt.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Set 2 Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller

Lineage:

Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- A hometown show for the Oade's, so they brought the goods.
- Oh Atlanta, Oh Atlanta!

Taper: Unknown

1:48:12

Transferrer:

John Ammons and Joe Noel

SHNID:

gd1991-04-04.138838.FOB.Scheops.S2.Ammons.Noel.t-flac16

Lineage:

from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View Notes- this is not the Schoeps that already circulates.
- the likelihood of these tapes being made with Bob Melomed's gear is high.  Either by Bob himself or his buddy Dan.
- the young lad that lost his marbles when he heard his 'first' Franklin's has been restrained. 
- can't say I blame him, the boys hit their mark with this H>S>F.

Taper: Baker

gd1991-04-04.133810.Senn441.Baker.Keo.Flac2496

Source:

Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes* Patched With Shnid # 93472 For The First Seven Seconds *

 Comments:Another Huge Thanks out to Mr. Baker 
for recording and sharing his source for this 
show!Another excellent share from the Mr. Baker 
collection of masters and the Grateful Dead's
Spring 1991 Tour!!!!!!!!
AS ALWAYS ENJOY!!!!!!!

Taper: Baker

gd1991-04-04.133809.Senn441.Baker.Keo.Flac1644

Source:

Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes* Patched With Shnid # 93472 For The First Seven Seconds *

 Comments:Another Huge Thanks out to Mr. Baker 
for recording and sharing his source for this 
show!Another excellent share from the Mr. Baker 
collection of masters and the Grateful Dead's
Spring 1991 Tour!!!!!!!!
AS ALWAYS ENJOY!!!!!!!

Transferrer: Keo

gd1991-04-04.Nak300CP4Senn441.Floater.Keo.112310.Flac1644

Source:

Master Audience Nakamichi CM300 CP4 Shotguns + Sennheiser 441's>Radio Shack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit 5.6 MHz Tracking Sample Rate Conversion Metadata Tagging With AudioGate Software To 32 Bit Float 96 kHz Dithered Flacked With Korg Aqua To 16 44 SBE's Checked Fixed With Trader's Little Helper

Transferrer: Keo

gd1991-04-04.Nak300CP4Senn441.Floater.Keo.112309.Flac2496

Source:

Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441\'s>Radio Shack Mixer>?>Sony D6; Tapes From Floater,Transfer By Keo; Tapes:Maxell MX 90,MX-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz

Taper: Greg Holtz

gd1991-04-04.nak300.holtz.jaz.103623.flac16

Source:

Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M

Lineage:

Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename

Transferrer: Todd Evans, Jamie Waddell

Todd Evans, Jamie Waddell

Source:

(FOB) Schoeps CMC34 (ORTF) -> Panasonic sv255

Lineage:

Dat Master > Dat 1 > 16 bit 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 > Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging

Taper: cdipietro

gd1991-04-04.at835.dipietro.31954.sbefail.flac16

Source:

Audio Technica 835a's>b18's>D5proII ots

Lineage:

Cassette Master>Aiwa F810>M Audio Audiophile 24/96 @44.1>Wavelab 5>cdwav>flac

Taper Notes:

View NotesNotes:
* = PA off for the first for seconds of LTGTR
^ = Crazy Tripping Hippy Screaming in the tapers section
cassette flip during He's Gone

Taper: Thomas Larson

gd1991-04-04.akg.dodd.larson.patch-15548.24711.shnf

Source:

FOB> AKGc1000s>Sony Cassette D3 > cdr

Lineage:

Eac > cool edit > shntool > cdwav >shnv3

Taper Notes:

View Notes*  Phil bomb to start
%--TLEO 6:15  anomalie in right channel (RC) resulting in brief reduction
   in sound
#--Walkin Blues
  For all of these times listed, I pasted the left channel
  into the right channel to remove some heavy static which sounded like it
  was caused by a loose cord for the right channel mics. Some of the spans are
  so brief that it is hard to notice. Some are longer, and I debated whether
  the fixes helped. In the end, I felt mono was better than static blips.
  You can still hear static in the RC in some places to get an idea of
  what the blimishes were.
   4:24-4:27 then slight hiss in RC, 4:33, 4:49-4:50,
   4:57-4:58, 4:59-5:01, 5:02, 5:08-5:09, 5:10, 5:50-5:55, 6:15-6:46
+--Ramble on Rose 0:24-0:32, 4:09-4:10  (again, times are LC > RC paste)
^--Promised Land 0:51 (LC > RC paste)   <<1:19 NASTY CUT!!!>>
&--He's Gone 9:23  (LC > RC paste)
@--Jam 0:38 There is a nice jam coming out of He's Gone which has a small
   cut as it starts to pick up. It sounds like they just jump right in
   but there was clearly a little to the jam. They tease the other one a bit.

Source 15 of 15

gd91-04-04.akg.dodd.15548.sbeok.shnf

Source:

FOB> AKGc1000s>Sony Cassette D3 > cdrEac > cool edit > shntool > cdwav >shnv3Taped by Thomas LarsonDiscs provided by Chris AdamsEac >shn (secure with proper offsets) by Ernie Dodd

Taper Notes:

View NotesFOB> AKGc1000s>Sony Cassette D3 > cdr
Eac > cool edit > shntool > cdwav >shnv3
Taped by Thomas Larson
Discs provided by Chris Adams
Eac >shn (secure with proper offsets) by Ernie Dodd