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Bands
Grateful Dead
Today In History
June 8th
Years
1995
30k
PlaybackListensHours
48h54071
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h997126
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h2.4k307
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.1k269
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h6k843
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h5.1k637
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.6k326
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.1k130
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h1.7k188
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h75083
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.4k159
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h963126
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k186
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.6k192
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h1.9k237
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h7.9k843
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k192
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.7k225
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h21.1k2.9k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h2.9k400
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h86883
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h6.4k827
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h3.7k491
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h2.6k320
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.6k173
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h5k495
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k367
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h59681
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10114
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h16513
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h392
7d1026
30d57334
2 shows
2 tapes
1991
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:49:15
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 8, 2021
SHNID:
gd1991-04-04.152093.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source -- 152022 24 -> 16 @ 44.1
Taper: Recorded by Don Pearson and Dan Healy
2:49:15
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 8, 2021
SHNID:
gd1991-04-04.152022.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
Transferrer: Charlie Miller
2:46:34
SBD
Rating:
8.80 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-04-04.sbd.miller.99240.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (Sony D5/TDK SA90)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC3/MK4 -> Dat -> CD (shnid=93472) supplies: Stuck Inside Of Mobile With The Memphis Blues Again (0:00 - 0:22) He's Gone (12:35 - 13:02) Notes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:50:54
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel April 03, 2020
SHNID:
gd1991-04-04.149626.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (16/48) Location: FOB mics hand held, section 5, row FF, seat 7
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View Notes Notes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer.
Taper: Oade Brothers - From The Rich Gastwirt Collection
1:45:40
Taper:
Oade Brothers - From The Rich Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1991-04-04.140691.s2.OTS.Neumann.Oade.Gastwirt.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Set 2 Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller
Lineage:
Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - A hometown show for the Oade's, so they brought the goods. - Oh Atlanta, Oh Atlanta!
Taper: Unknown
1:48:12
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1991-04-04.138838.FOB.Scheops.S2.Ammons.Noel.t-flac16
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- this is not the Schoeps that already circulates. - the likelihood of these tapes being made with Bob Melomed's gear is high. Either by Bob himself or his buddy Dan. - the young lad that lost his marbles when he heard his 'first' Franklin's has been restrained. - can't say I blame him, the boys hit their mark with this H>S>F.
Taper: Baker
2:44:14
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1991-04-04.133810.Senn441.Baker.Keo.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Patched With Shnid # 93472 For The First Seven Seconds * Comments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!Another excellent share from the Mr. Baker collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Baker
2:44:20
Rating:
8.00 / 1 rating
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1991-04-04.133809.Senn441.Baker.Keo.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Patched With Shnid # 93472 For The First Seven Seconds * Comments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!Another excellent share from the Mr. Baker collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Transferrer: Keo
2:48:38
Transferrer:
Keo
SHNID:
gd1991-04-04.Nak300CP4Senn441.Floater.Keo.112310.Flac1644
Source:
Master Audience Nakamichi CM300 CP4 Shotguns + Sennheiser 441's>Radio Shack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit 5.6 MHz Tracking Sample Rate Conversion Metadata Tagging With AudioGate Software To 32 Bit Float 96 kHz Dithered Flacked With Korg Aqua To 16 44 SBE's Checked Fixed With Trader's Little Helper
Transferrer: Keo
2:48:38
Transferrer:
Keo
SHNID:
gd1991-04-04.Nak300CP4Senn441.Floater.Keo.112309.Flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441\'s>Radio Shack Mixer>?>Sony D6; Tapes From Floater,Transfer By Keo; Tapes:Maxell MX 90,MX-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Taper: Greg Holtz
2:45:49
Rating:
10.00 / 1 rating
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1991-04-04.nak300.holtz.jaz.103623.flac16
Source:
Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M
Lineage:
Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename
Transferrer: Todd Evans, Jamie Waddell
2:51:52
Rating:
9.00 / 2 ratings
Transferrer:
Todd Evans, Jamie Waddell
Source:
(FOB) Schoeps CMC34 (ORTF) -> Panasonic sv255
Lineage:
Dat Master > Dat 1 > 16 bit 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 > Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
Taper: cdipietro
2:41:36
Rating:
10.00 / 2 ratings
Taper:
cdipietro
Transferrer:
cdipietro
SHNID:
gd1991-04-04.at835.dipietro.31954.sbefail.flac16
Source:
Audio Technica 835a's>b18's>D5proII ots
Lineage:
Cassette Master>Aiwa F810>M Audio Audiophile 24/96 @44.1>Wavelab 5>cdwav>flac
Taper Notes:
View NotesNotes: * = PA off for the first for seconds of LTGTR ^ = Crazy Tripping Hippy Screaming in the tapers section cassette flip during He's Gone
Taper: Thomas Larson
5:31:20
Rating:
8.67 / 3 ratings
Taper:
Thomas Larson
Transferrer:
Ernie Dodd
SHNID:
gd1991-04-04.akg.dodd.larson.patch-15548.24711.shnf
Source:
FOB> AKGc1000s>Sony Cassette D3 > cdr
Lineage:
Eac > cool edit > shntool > cdwav >shnv3
Taper Notes:
View Notes* Phil bomb to start %--TLEO 6:15 anomalie in right channel (RC) resulting in brief reduction in sound #--Walkin Blues For all of these times listed, I pasted the left channel into the right channel to remove some heavy static which sounded like it was caused by a loose cord for the right channel mics. Some of the spans are so brief that it is hard to notice. Some are longer, and I debated whether the fixes helped. In the end, I felt mono was better than static blips. You can still hear static in the RC in some places to get an idea of what the blimishes were. 4:24-4:27 then slight hiss in RC, 4:33, 4:49-4:50, 4:57-4:58, 4:59-5:01, 5:02, 5:08-5:09, 5:10, 5:50-5:55, 6:15-6:46 +--Ramble on Rose 0:24-0:32, 4:09-4:10 (again, times are LC > RC paste) ^--Promised Land 0:51 (LC > RC paste) <<1:19 NASTY CUT!!!>> &--He's Gone 9:23 (LC > RC paste) @--Jam 0:38 There is a nice jam coming out of He's Gone which has a small cut as it starts to pick up. It sounds like they just jump right in but there was clearly a little to the jam. They tease the other one a bit.
Source 15 of 15
5:26:16
Rating:
8.40 / 5 ratings
SHNID:
gd91-04-04.akg.dodd.15548.sbeok.shnf
Source:
FOB> AKGc1000s>Sony Cassette D3 > cdrEac > cool edit > shntool > cdwav >shnv3Taped by Thomas LarsonDiscs provided by Chris AdamsEac >shn (secure with proper offsets) by Ernie Dodd
Taper Notes:
View NotesFOB> AKGc1000s>Sony Cassette D3 > cdr Eac > cool edit > shntool > cdwav >shnv3 Taped by Thomas Larson Discs provided by Chris Adams Eac >shn (secure with proper offsets) by Ernie Dodd