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Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h49767
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.5k407
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.4k308
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k303
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h3k394
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k403
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k365
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.4k163
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.7k982
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h944107
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.2k380
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.8k568
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k160
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k190
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k232
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h8.3k967
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k198
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.8k239
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
419 tapes
1976
85.9k
PlaybackListensHours
48h11.3k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h48048
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.7k469
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.9k650
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h3k379
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.5k163
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.8k219
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k281
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h850104
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12218
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24818
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h362
7d1128
30d63237
2 shows
2 tapes
1991
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:49:15
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 8, 2021
SHNID:
gd1991-04-04.152093.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source -- 152022 24 -> 16 @ 44.1
Taper: Recorded by Don Pearson and Dan Healy
2:49:15
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 8, 2021
SHNID:
gd1991-04-04.152022.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
Transferrer: Charlie Miller
2:46:34
SBD
Rating:
8.80 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-04-04.sbd.miller.99240.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (Sony D5/TDK SA90)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC3/MK4 -> Dat -> CD (shnid=93472) supplies: Stuck Inside Of Mobile With The Memphis Blues Again (0:00 - 0:22) He's Gone (12:35 - 13:02) Notes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:50:54
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel April 03, 2020
SHNID:
gd1991-04-04.149626.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (16/48) Location: FOB mics hand held, section 5, row FF, seat 7
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View Notes Notes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer.
Taper: Oade Brothers - From The Rich Gastwirt Collection
1:45:40
Taper:
Oade Brothers - From The Rich Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1991-04-04.140691.s2.OTS.Neumann.Oade.Gastwirt.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Set 2 Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller
Lineage:
Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - A hometown show for the Oade's, so they brought the goods. - Oh Atlanta, Oh Atlanta!
Taper: Unknown
1:48:12
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1991-04-04.138838.FOB.Scheops.S2.Ammons.Noel.t-flac16
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- this is not the Schoeps that already circulates. - the likelihood of these tapes being made with Bob Melomed's gear is high. Either by Bob himself or his buddy Dan. - the young lad that lost his marbles when he heard his 'first' Franklin's has been restrained. - can't say I blame him, the boys hit their mark with this H>S>F.
Taper: Baker
2:44:14
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1991-04-04.133810.Senn441.Baker.Keo.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Patched With Shnid # 93472 For The First Seven Seconds * Comments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!Another excellent share from the Mr. Baker collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Baker
2:44:20
Rating:
8.00 / 1 rating
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1991-04-04.133809.Senn441.Baker.Keo.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Patched With Shnid # 93472 For The First Seven Seconds * Comments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!Another excellent share from the Mr. Baker collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Transferrer: Keo
2:48:38
Transferrer:
Keo
SHNID:
gd1991-04-04.Nak300CP4Senn441.Floater.Keo.112310.Flac1644
Source:
Master Audience Nakamichi CM300 CP4 Shotguns + Sennheiser 441's>Radio Shack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit 5.6 MHz Tracking Sample Rate Conversion Metadata Tagging With AudioGate Software To 32 Bit Float 96 kHz Dithered Flacked With Korg Aqua To 16 44 SBE's Checked Fixed With Trader's Little Helper
Transferrer: Keo
2:48:38
Transferrer:
Keo
SHNID:
gd1991-04-04.Nak300CP4Senn441.Floater.Keo.112309.Flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441\'s>Radio Shack Mixer>?>Sony D6; Tapes From Floater,Transfer By Keo; Tapes:Maxell MX 90,MX-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Taper: Greg Holtz
2:45:49
Rating:
10.00 / 1 rating
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1991-04-04.nak300.holtz.jaz.103623.flac16
Source:
Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M
Lineage:
Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename
Transferrer: Todd Evans, Jamie Waddell
2:51:52
Rating:
9.00 / 2 ratings
Transferrer:
Todd Evans, Jamie Waddell
Source:
(FOB) Schoeps CMC34 (ORTF) -> Panasonic sv255
Lineage:
Dat Master > Dat 1 > 16 bit 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 > Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
Taper: cdipietro
2:41:36
Rating:
10.00 / 2 ratings
Taper:
cdipietro
Transferrer:
cdipietro
SHNID:
gd1991-04-04.at835.dipietro.31954.sbefail.flac16
Source:
Audio Technica 835a's>b18's>D5proII ots
Lineage:
Cassette Master>Aiwa F810>M Audio Audiophile 24/96 @44.1>Wavelab 5>cdwav>flac
Taper Notes:
View NotesNotes: * = PA off for the first for seconds of LTGTR ^ = Crazy Tripping Hippy Screaming in the tapers section cassette flip during He's Gone
Taper: Thomas Larson
5:31:20
Rating:
8.67 / 3 ratings
Taper:
Thomas Larson
Transferrer:
Ernie Dodd
SHNID:
gd1991-04-04.akg.dodd.larson.patch-15548.24711.shnf
Source:
FOB> AKGc1000s>Sony Cassette D3 > cdr
Lineage:
Eac > cool edit > shntool > cdwav >shnv3
Taper Notes:
View Notes* Phil bomb to start %--TLEO 6:15 anomalie in right channel (RC) resulting in brief reduction in sound #--Walkin Blues For all of these times listed, I pasted the left channel into the right channel to remove some heavy static which sounded like it was caused by a loose cord for the right channel mics. Some of the spans are so brief that it is hard to notice. Some are longer, and I debated whether the fixes helped. In the end, I felt mono was better than static blips. You can still hear static in the RC in some places to get an idea of what the blimishes were. 4:24-4:27 then slight hiss in RC, 4:33, 4:49-4:50, 4:57-4:58, 4:59-5:01, 5:02, 5:08-5:09, 5:10, 5:50-5:55, 6:15-6:46 +--Ramble on Rose 0:24-0:32, 4:09-4:10 (again, times are LC > RC paste) ^--Promised Land 0:51 (LC > RC paste) <<1:19 NASTY CUT!!!>> &--He's Gone 9:23 (LC > RC paste) @--Jam 0:38 There is a nice jam coming out of He's Gone which has a small cut as it starts to pick up. It sounds like they just jump right in but there was clearly a little to the jam. They tease the other one a bit.
Source 15 of 15
5:26:16
Rating:
8.40 / 5 ratings
SHNID:
gd91-04-04.akg.dodd.15548.sbeok.shnf
Source:
FOB> AKGc1000s>Sony Cassette D3 > cdrEac > cool edit > shntool > cdwav >shnv3Taped by Thomas LarsonDiscs provided by Chris AdamsEac >shn (secure with proper offsets) by Ernie Dodd
Taper Notes:
View NotesFOB> AKGc1000s>Sony Cassette D3 > cdr Eac > cool edit > shntool > cdwav >shnv3 Taped by Thomas Larson Discs provided by Chris Adams Eac >shn (secure with proper offsets) by Ernie Dodd