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June 7th
Years
1995
29.5k
PlaybackListensHours
48h770107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h64391
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h3.9k518
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.9k359
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.2k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k342
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k374
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k157
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.3k253
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h920102
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k212
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k147
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.6k206
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k223
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k303
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6.1k652
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k289
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.4k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.6k502
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h74876
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.6k595
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k230
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k364
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h43052
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10514
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23618
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1991
3/31/91
crowd - tuning
4:45
Mississippi Half-Step Uptown Toodeloo
10:48
Wang Dang Doodle
9:06
Friend of The Devil
10:03
Queen Jane Approximately
8:24
West L.A. Fadeaway
10:35
Cassidy ->
6:33
Might As Well
5:33
crowd - tuning
1:36
Samson and Delilah
7:53
Eyes of The World ->
23:30
Playing in The Band ->
14:32
Drums ->
9:09
Space ->
12:06
The Wheel ->
5:26
Around & Around ->
7:57
Johnny B. Goode
4:12
encore break
2:47
Knockin' On Heaven's Door
8:02
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:36:43
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 5, 2021
SHNID:
gd1991-03-31.154477.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Multiple masters were used to make this show complete -- Recorded by Don Pearson and Dan Healy -- This is 152200 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:36:43
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 5, 2021
SHNID:
gd1991-03-31.152200.miller.pearson.healy.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Multiple masters were used to make this show complete -- Recorded by Don Pearson and Dan Healy
Transferrer: Charlie Miller
2:39:46
SBD
Rating:
9.14 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-31.sbd.miller.120029.flac16
Source:
SBD -> Dat (44.1k)
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: Joey South
2:39:15
SBD
Rating:
8.50 / 6 ratings
Transferrer:
Joey South
SHNID:
gd1991-03-31.mtx.south.99386.flac16
Source:
Matrix mix (SBD/AUD)
Transferrer: unknown
2:31:41
SBD
Rating:
8.00 / 9 ratings
Source:
SBD dat master > dat > cd (eac, secure) > SHN
Taper Notes:
View Notesnotes: d2t01 cuts in d2t01 drop out at 2:08
Source 6 of 13
3:15:00
SBD
Rating:
9.08 / 26 ratings
SHNID:
gd91-03-31.sbd.perkins.9451.sbeok.shnf
Source:
SBD > ?? > EAC > Multiquence > Shn
Taper Notes:
View NotesSBD > ?? > EAC > Multiquence > Shn; Seeded by C Perkins with thanks to Chris Luper; see text file for noted flaws.Samson and Eyes appear on Dick's Picks 17, Please support the artist and their commercial releases <a href="http://mars.dead.net" rel="ugc nofollow">go buy it</a>
Taper: Michael Hessberg
2:34:02
Rating:
10.00 / 2 ratings
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1991-03-31.164241.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to James Young and Clay Brennecke for the Schoeps CMC3 MK4 source which supplies a 0:15 patch in "Playin' In The Band", as well as a 12:31 patch in "Drums > Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Michael Hessberg
2:34:02
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1991-03-31.164240.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to James Young and Clay Brennecke for the Schoeps CMC3 MK4 source which supplies a 0:15 patch in "Playin' In The Band", as well as a 12:31 patch in "Drums > Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:42:57
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel April 02, 2020
SHNID:
gd1991-03-31.149580.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (16/48) Location: FOB mics hand held, center section, row S, seat 9
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer. - Sampson & Eyes are officially released on Dicks Pick #17 - Dark Star tease in Playin' - Knockin' features Bruce Hornsby on accordion
Taper: Floater
2:37:05
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-03-31.Nak300CP4.Floater.Keo.113000.Flac1644
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua to 16/44 SBE's Checked/Fixed With Trader's Little Helper
Taper Notes:
View NotesComments:Another Big thanks to Floater for the source tapes and an excellent show and recording as well!As always,ENJOY!
Taper: Floater
2:37:04
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-03-31.Nak300CP4.Floater.Keo.112999.Flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz
Taper Notes:
View NotesComments:Another Big thanks to Floater for the source tapes and an excellent show and recording as well!As always,ENJOY!
Taper: John Bleich
2:36:31
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1991-03-31.nak300.bleich-sirmick.109862.sbeok.flac16
Source:
Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac
Lineage:
mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped from OTS, and transferred by John Bleich
Taper Notes:
View Notes- Drums 4:33 - 5:27 patched with (FOB) Schoeps CMC34 (ORTF) -> MIT Cable -> Oade Power Supply -> Panasonic sv255 (shnid 93473) - tap flips crossfaded Thanks to John for transferring his masters for me to work on edited and mastered SIRMick September 2010
Transferrer: Todd Evans, Jamie Waddell
2:39:15
Rating:
8.50 / 4 ratings
Transferrer:
Todd Evans, Jamie Waddell
Source:
(FOB) Schoeps CMC34 (ORTF) -> MIT Cable -> Oade Power Supply -> Panasonic sv255
Lineage:
Dat Master > Dat 1 > 16 bit 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 -> Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging