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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h71698
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h737101
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.6k475
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.8k359
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.2k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.7k352
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k370
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k150
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k247
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h928102
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k207
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k143
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k205
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k219
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k291
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.4k686
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k277
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.4k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.5k485
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h86985
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.5k574
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.5k583
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.3k403
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k222
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h9.1k926
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k361
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h36344
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11115
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23618
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h402
7d1026
30d57334
2 shows
2 tapes
1991
3/31/91
crowd - tuning
4:45
Mississippi Half-Step Uptown Toodeloo
10:48
Wang Dang Doodle
9:06
Friend of The Devil
10:03
Queen Jane Approximately
8:24
West L.A. Fadeaway
10:35
Cassidy ->
6:33
Might As Well
5:33
crowd - tuning
1:36
Samson and Delilah
7:53
Eyes of The World ->
23:30
Playing in The Band ->
14:32
Drums ->
9:09
Space ->
12:06
The Wheel ->
5:26
Around & Around ->
7:57
Johnny B. Goode
4:12
encore break
2:47
Knockin' On Heaven's Door
8:02
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:36:43
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 5, 2021
SHNID:
gd1991-03-31.154477.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Multiple masters were used to make this show complete -- Recorded by Don Pearson and Dan Healy -- This is 152200 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:36:43
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 5, 2021
SHNID:
gd1991-03-31.152200.miller.pearson.healy.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Multiple masters were used to make this show complete -- Recorded by Don Pearson and Dan Healy
Transferrer: Charlie Miller
2:39:46
SBD
Rating:
9.14 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-31.sbd.miller.120029.flac16
Source:
SBD -> Dat (44.1k)
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: Joey South
2:39:15
SBD
Rating:
8.50 / 6 ratings
Transferrer:
Joey South
SHNID:
gd1991-03-31.mtx.south.99386.flac16
Source:
Matrix mix (SBD/AUD)
Transferrer: unknown
2:31:41
SBD
Rating:
8.00 / 9 ratings
Source:
SBD dat master > dat > cd (eac, secure) > SHN
Taper Notes:
View Notesnotes: d2t01 cuts in d2t01 drop out at 2:08
Source 6 of 13
3:15:00
SBD
Rating:
9.08 / 26 ratings
SHNID:
gd91-03-31.sbd.perkins.9451.sbeok.shnf
Source:
SBD > ?? > EAC > Multiquence > Shn
Taper Notes:
View NotesSBD > ?? > EAC > Multiquence > Shn; Seeded by C Perkins with thanks to Chris Luper; see text file for noted flaws.Samson and Eyes appear on Dick's Picks 17, Please support the artist and their commercial releases <a href="http://mars.dead.net" rel="ugc nofollow">go buy it</a>
Taper: Michael Hessberg
2:34:02
Rating:
10.00 / 2 ratings
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1991-03-31.164241.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to James Young and Clay Brennecke for the Schoeps CMC3 MK4 source which supplies a 0:15 patch in "Playin' In The Band", as well as a 12:31 patch in "Drums > Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Michael Hessberg
2:34:02
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1991-03-31.164240.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to James Young and Clay Brennecke for the Schoeps CMC3 MK4 source which supplies a 0:15 patch in "Playin' In The Band", as well as a 12:31 patch in "Drums > Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:42:57
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel April 02, 2020
SHNID:
gd1991-03-31.149580.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (16/48) Location: FOB mics hand held, center section, row S, seat 9
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer. - Sampson & Eyes are officially released on Dicks Pick #17 - Dark Star tease in Playin' - Knockin' features Bruce Hornsby on accordion
Taper: Floater
2:37:05
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-03-31.Nak300CP4.Floater.Keo.113000.Flac1644
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua to 16/44 SBE's Checked/Fixed With Trader's Little Helper
Taper Notes:
View NotesComments:Another Big thanks to Floater for the source tapes and an excellent show and recording as well!As always,ENJOY!
Taper: Floater
2:37:04
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-03-31.Nak300CP4.Floater.Keo.112999.Flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz
Taper Notes:
View NotesComments:Another Big thanks to Floater for the source tapes and an excellent show and recording as well!As always,ENJOY!
Taper: John Bleich
2:36:31
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1991-03-31.nak300.bleich-sirmick.109862.sbeok.flac16
Source:
Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac
Lineage:
mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped from OTS, and transferred by John Bleich
Taper Notes:
View Notes- Drums 4:33 - 5:27 patched with (FOB) Schoeps CMC34 (ORTF) -> MIT Cable -> Oade Power Supply -> Panasonic sv255 (shnid 93473) - tap flips crossfaded Thanks to John for transferring his masters for me to work on edited and mastered SIRMick September 2010
Transferrer: Todd Evans, Jamie Waddell
2:39:15
Rating:
8.50 / 4 ratings
Transferrer:
Todd Evans, Jamie Waddell
Source:
(FOB) Schoeps CMC34 (ORTF) -> MIT Cable -> Oade Power Supply -> Panasonic sv255
Lineage:
Dat Master > Dat 1 > 16 bit 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 -> Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging